Dr Nic Sandiland
Name | Dr Nic Sandiland |
---|---|
Job title | Senior Lecturer |
Research institute | |
Primary appointment | School of Arts |
Email address | N.Sandiland@mdx.ac.uk |
ORCID | https://orcid.org/0000-0003-1301-5845 |
Contact category | Academic staff |
Biography
Biography
Nic Sandiland is a UK-based artist working across installation, performance, and film. He originally trained as an electronics engineer before studying dance and performance. Over the past 30 years, his practice has centered on the presence and actions of the viewer and how, through digital mediation and interaction, we can reconcile our physical bodies with the progressively techno-centric world we find ourselves in.
Through his work, Nic seeks to re-enliven the body, revisiting and revaluing the viewer’s actions through their innate physical presence. To do this, his work has drawn on cinematic techniques such as slow motion and moving camera mechanisms as well as, more recently, machine vision, LiDAR, and robotics. Nic has made work in London, Europe, and Southeast Asia and has presented at theatres, art galleries, and many unusual venues. His film work has been shown worldwide and has been broadcast on UK TV (Channel 4). His work has been commissioned by organisations such as the Royal Festival Hall, the Barbican Arts Centre, Sadler’s Wells Theatre, and The Brighton Festival and he is a regular collaborator with choreographers Yael Flexer and Rosemary Lee. He has also worked as an interactive technology designer with Station House Opera, Blast Theory, Gary Stevens, and Imogen Stidworthy. He is also a producer and editor for Extant Theatre, the UK’s leading professional performing arts company of visually impaired artists and theatre practitioners. Nic has taught workshops on digital technology and dance around the World including Bangalore, India, and Seoul, South Korea. He also taught video production for 10 years at London Contemporary Dance School (MA dance for camera) and is currently a senior lecturer in fine art
Teaching Introduction to Media, Sites & Situations (year 1 BA Fine Art) Media, Site & Situation (year 2 BA Fine Art) Multimedia (year 3 BA Fine Art) MRes DoP for Marta Guerra Doblas, A Qualitative Phenomenological Research about Gen Z
emerging dance artists
Interactive Art, Video Production, Sonic Art, Performance Art, Contemporary Dance and Choreography, Electronics, Installation Art.
Education and qualifications
Grants
Prizes and Awards
Research outputs
An Elevated Platform
Sandiland, N. 2023. An Elevated Platform. Brighton, UK Brighton Dome.An Obscure Camera
Sandiland, N. 2023. An Obscure Camera. Brighton, UK Brighton Dome.Accenting agency: duets within interactive video installation
Sandiland, N. 2023. Accenting agency: duets within interactive video installation. PhD thesis Middlesex University Arts and Creative IndustriesImagining Otherwise
Sandiland, N. and Flexer, Y. 2021. Imagining Otherwise. YouTube Feb - Mar 2021'Exposure' working title sharing of practical research in March 2018
Woodhouse, A., Broadhead, C. and Sandiland, N. 2018. 'Exposure' working title sharing of practical research in March 2018. Exposure - research using a thermal imaging camera. Coventry University 23 Apr 2018Hum films
Sandiland, N. 2017. Hum films.The Hum: Audio App and related Films
Sandiland, N., Houston, W., Oshodi, M., Hutera, D., Phillips, P. and Keane, J. 2017. The Hum: Audio App and related Films.The Hum
Sandiland, N., Houston, W., Oshodi, M., Hutera, D., Phillips, P. and Keane, J. 2017. The Hum. Brighton Festival, Brighton 06 - 28 May 2017Close Distance
Woodhouse, A., Broadhead, C. and Sandiland, N. 2017. Close Distance. Wollaton Hall, Nottinghamshire 08 Mar - 01 May 2017Disappearing Acts
Sandiland, N. and Flexer, Y. 2016. Disappearing Acts. JW3 Arts Centre, London 09 May 2016Weighting
Sandiland, N. 2015. Weighting. Emporium, BrightonTrip hazard
Sandiland, N. 2013. Trip hazard. The Dome, Brighton, UK 24 - 28 Sep 2013Trip hazard
Sandiland, N. 2013. Trip hazard. The Dome, Brighton, UK 24 - 28 Sep 2013Points of view
Sandiland, N. 2011. Points of view. London, UK 03 - 09 Oct 2011Gravity shift
Sandiland, N. 2010. Gravity shift. Otter Gallery, Chichester, UK 2009Everything looks beautiful in slow motion.
Sandiland, N. and Dance digital 2010. Everything looks beautiful in slow motion. Sadlers Well's Theatre (smaller format, non-window installation) 2006Orbital
Sandiland, N., Parry, N. and Flexer, Y. 2010. Orbital. Stone Squid Gallery, Hastings 2010SPDT
Sandiland, N. 2010. SPDT.The blind man’s stick
Sandiland, N. 2010. The blind man’s stick.ByPasser [Commissioned by Dance Digital].
Sandiland, N. and Flexer, Y. 2010. ByPasser [Commissioned by Dance Digital].Doing.
Sandiland, N. and Flexer, Y. 2008. Doing. Swindon Dance Agency 07 - 08 Nov 2008Benchmark.
Sandiland, N. 2006. Benchmark. ArtsDepot arts centre, North Finchley, London. https://doi.org/DVDRemote dancing
Sandiland, N. and Lee, R. 2004. Remote dancing.1195
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