Between

Show or exhibition

Woodhouse, A. and Broadhead, C. 2011. Between. Trinity Laban Bonnie Bird stage 24 Jan 2011
Title of workBetween
CreatorsWoodhouse, A. and Broadhead, C.
Description

The dancer approaches and embeds herself within her audience her arm covered loosely with gold leaf seemingly diseasing the skin. She claims attention.
The gold is displaced, passed on, pressed into the skin – a kind of burn. Meanwhile, in the distance another performer is preoccupied in her private space, absorbed in subtle gestures in preparation for what is to come…
Angela Woodhouse and Jerwood award winning artist Caroline Broadhead bring you a stunning performance installation, Between.
Setting visual spectacle against intimate exchanges, the artists interrogate what it is to experience dance performance. This unique work is made in collaboration with exceptional performers Stine Nilsen (Candoco Dance Co),

Output mediaPerformance installation.
Research GroupDance group
EventBetween (premiere)
First publicly available date
Print24 Jan 2011
Publication process dates
Deposited22 Aug 2013
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/844zw

Log in to edit
  • 140
    total views
  • 0
    total downloads
  • 4
    views this month
  • 0
    downloads this month

Export as

Related outputs

Who Cares installation at IFTR 2025
Woodhouse, A. and Broadhead, C. 2025. Who Cares installation at IFTR 2025.
Who Cares conversations
Woodhouse, A. and Broadhead, C. 2025. Who Cares conversations.
Who Cares Dancescreen work - thermal imaging (un)masking the body
Broadhead, C. and Woodhouse, A. 2025. Who Cares Dancescreen work - thermal imaging (un)masking the body. International Federation for Theatre Research (IFTR) Annual Conference 2025: Performing Carnival: Ekstasis*Subversion*Metamorphosis. Cologne, Germany 09 - 13 Jun 2025
Who cares: encounters with the aesthetic use of thermal imaging to explore the role of touch as a signifier of care, contamination, intimacy and trust
Woodhouse, A. and Broadhead, C. 2025. Who cares: encounters with the aesthetic use of thermal imaging to explore the role of touch as a signifier of care, contamination, intimacy and trust. in: Hunter, V. and Chubb, S. (ed.) Encountering environments through the arts: Interdisciplinary embodiments, politics, and imaginaries London, UK Routledge. pp. 209-220
Desire Lines [Installation and performance]
Rackowe, N. and Woodhouse, A. 2024. Desire Lines [Installation and performance]. Southbank Centre, London, UK 01 Nov 2024 - 02 Feb 2025
Who Cares
Woodhouse, A. and Broadhead, C. 2023. Who Cares. Wells Cathedral, Wells, Somerset, UK 05 Aug - 02 Sep 2023
Who Cares – the aesthetic and expressive capture of the body through thermal imaging
Woodhouse, A. 2023. Who Cares – the aesthetic and expressive capture of the body through thermal imaging . Modes of Capture Symposium 2023. University of Limerick, Ireland 09 - 10 Jun 2023
Expanded Landscapes
Woodhouse, A. 2022. Expanded Landscapes. Canary Wharf Estate 10 Jun - 06 Sep 2022
Merging bodies: the application of thermal technology as an expressive tool to investigate touch in the creation of a new Dance screen work
Woodhouse, A. and Broadhead, C. 2022. Merging bodies: the application of thermal technology as an expressive tool to investigate touch in the creation of a new Dance screen work. The Encountering Environments Symposium 2022. Chichester University, UK 08 - 08 Oct 2022
Seeing beyond the visible: a choreography of breath and touch
Woodhouse, A. and Broadhead, C. 2021. Seeing beyond the visible: a choreography of breath and touch. Platform: Journal of Theatre and Performing Arts. 15 (1), pp. 124-135.
(de)figured in Dubai installations
Woodhouse, A. and Rackowe, N. 2019. (de)figured in Dubai installations. Alserkal Lates.
Thermal duets installation
Woodhouse, A. and Broadhead, C. 2019. Thermal duets installation. Marsden Woo Gallery.
(Un)touched (floor) installations
Woodhouse, A. and Rackowe, N. 2019. (Un)touched (floor) installations. CODA International Dance Festival.
(De)figured Installation performance research
Woodhouse, A. and Rackowe, N. 2018. (De)figured Installation performance research. White City Place, 195 Wood Lane, London W12 7FQ 01 Jun 2018
I will take you with me (2013) presented at Slowing and Stilling symposium, Birmingham Conservatoire, as part of Birmingham International Festival 2018
Woodhouse, A. 2018. I will take you with me (2013) presented at Slowing and Stilling symposium, Birmingham Conservatoire, as part of Birmingham International Festival 2018. Slowing and Stilling: foregrounding process in performance practices. Birmingham Conservatoire 11 - 12 Jun 2018
'Exposure' working title sharing of practical research in March 2018
Woodhouse, A., Broadhead, C. and Sandiland, N. 2018. 'Exposure' working title sharing of practical research in March 2018. Exposure - research using a thermal imaging camera. Coventry University 23 Apr 2018
Sighted: an overview
Broadhead, C. and Woodhouse, A. 2017. Sighted: an overview. Dance Research Aotearoa. 5 (1), pp. 59-70. https://doi.org/10.15663/dra.v5i1.63
Between (2011): Intimacy and spectacle in tension ans dialogue
Woodhouse, A. and Broadhead, C. 2018. Between (2011): Intimacy and spectacle in tension ans dialogue. in: Brown, C. and Longely, A. (ed.) Undisciplining Dance in Nine Movements and Eight Stumbles Auckland Cambridge Scholars Publishing. pp. 138-150
(Un)touched - floor piece at the National Museum of Belgrade as part of IFTR 2018
Woodhouse, A. and Rackowe, N. 2018. (Un)touched - floor piece at the National Museum of Belgrade as part of IFTR 2018. IFTR 2018: World Congress, National Museum of Belgrade 09 - 12 Jul 2018
Close Distance
Woodhouse, A., Broadhead, C. and Sandiland, N. 2017. Close Distance. Wollaton Hall, Nottinghamshire 08 Mar - 01 May 2017
Sighted at Saatchi for Collect 15
Woodhouse, A. and Broadhead, C. 2015. Sighted at Saatchi for Collect 15.
Sighted (2009) collaboration, boundaries, performance, and audience
Woodhouse, A. and Broadhead, C. 2016. Sighted (2009) collaboration, boundaries, performance, and audience. Beyond Jewellery: Performing the Body Symposium. Birmingham City University, United Kingdom 17 Mar 2016
Sighted (2009) Audience as Performer
Woodhouse, A. and Broadhead, C. 2016. Sighted (2009) Audience as Performer. Audience, Experience, Desire: interactivity and participation in contemporary performance & the cultural industries. University of Exeter, United Kingdom 29 - 30 Jan 2016
(Un)touched
Woodhouse, A. and Rackowe, N. 2016. (Un)touched.
(Un)touched
Woodhouse, A. and Rackowe, N. 2016. (Un)touched. Lobby One Canada Square, Canary Wharf 09 Feb 2016
(Un)touched...research phase 2
Woodhouse, A. and Rackowe, N. 2015. (Un)touched...research phase 2. Inside Out Festival, G11, Oxo Tower Wharf, South Bank, London, UK 20 - 21 Oct 2015
(Un)touched phase 1
Woodhouse, A. and Rackowe, N. 2014. (Un)touched phase 1. Lakeside Gallery, Nottingham 26 - 30 Jul 2014
Sighted
Woodhouse, A. and Broadhead, C. 2009. Sighted. The Place, London 2009
Court
Broadhead, C. and Woodhouse, A. 2003. Court. Court toured to 13 venues across the UK including: Angel Row Gallery, Nottingham 13-18 January, 2005; Yorkshire Sculpture Park 16-20 November 2005; Sadlers Wells Theatre, London 16,17,18 November 2006. 26 Jun 2003