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Latest research outputs
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Who Cares: the aesthetic use of thermal imaging to explore the role of touch as a signifier of care, contamination, intimacy and trust
Woodhouse, A. and Broadhead, C. 2025. Who Cares: the aesthetic use of thermal imaging to explore the role of touch as a signifier of care, contamination, intimacy and trust. in: Hunter, V. and Chubb, S. (ed.) Encountering Environments: Perspectives from the Arts and Humanities London, UK Taylor & Francis (Routledge).Book chapter
Who Cares
Woodhouse, A. and Broadhead, C. 2023. Who Cares. Wells Cathedral, Wells, Somerset, UK 05 Aug - 02 Sep 2023Public installation
Relationships between dance, health and aesthetic performance in a company of mature dancers: an exploratory study
Farmer, C., Laws, H., Eldon, S. and Maliphant, R. 2022. Relationships between dance, health and aesthetic performance in a company of mature dancers: an exploratory study. Journal of Dance and Somatic Practices. 14 (2), pp. 197-216. https://doi.org/10.1386/jdsp_00084_1Article
Who Cares – the aesthetic and expressive capture of the body through thermal imaging
Woodhouse, A. 2023. Who Cares – the aesthetic and expressive capture of the body through thermal imaging . Modes of Capture Symposium 2023. University of Limerick, Ireland 09 - 10 Jun 2023Conference item
Social value of movement and dance
Boardman, R., Balfour, A., Farmer, C., Hopkins, S. and Stamp, K. 2023. Social value of movement and dance. Sport and Recreation Alliance.Technical report
Moving meditations: embodying Bartenieff Fundamentals through sensorial awareness of breath, bones, and gravity
Kindred, H. 2021. Moving meditations: embodying Bartenieff Fundamentals through sensorial awareness of breath, bones, and gravity. Dance, Movement & Spiritualities. 8 (1-2), pp. 57-72. https://doi.org/10.1386/dmas_00026_1Article
Expanded Landscapes
Woodhouse, A. 2022. Expanded Landscapes. Canary Wharf Estate 10 Jun - 06 Sep 2022Public installation
...whispers
Kindred, H. 2019. ...whispers.Digital or visual media
Merging bodies: the application of thermal technology as an expressive tool to investigate touch in the creation of a new Dance screen work
Woodhouse, A. and Broadhead, C. 2022. Merging bodies: the application of thermal technology as an expressive tool to investigate touch in the creation of a new Dance screen work. The Encountering Environments Symposium 2022. Chichester University, UK 08 - 08 Oct 2022Conference item
Dancing the in-between-ness: (re)articulating Bartenieff Fundamentals through improvised dance performance-making
Kindred, H. 2022. Dancing the in-between-ness: (re)articulating Bartenieff Fundamentals through improvised dance performance-making. PhD thesis Middlesex University Arts and Creative IndustriesPhD thesis
Impact of choreographic approach on health and performance aesthetics in a company of mature dancers
Laws, H., Farmer, C., Eldon, S. and Maliphant, R. 2022. Impact of choreographic approach on health and performance aesthetics in a company of mature dancers. International Association for Dance Medicine and Science (IADMS) 32nd Annual Conference. Limerick, Ireland 28 - 31 Oct 2022 IADMS.Conference item
Frequency of upper body muscular actions in ballet and contemporary dance performance
Farmer, C. and Brouner, J. 2022. Frequency of upper body muscular actions in ballet and contemporary dance performance. International Association for Dance Medicine and Science (IADMS) 32nd Annual Conference. Limerick, Ireland 28 - 31 Oct 2022 IADMS.Conference item
Mental well-being and sleep hygiene in undergraduate dance students during the Coronavirus Pandemic: an exploratory analysis
Farmer, C. and Rogan, K. 2022. Mental well-being and sleep hygiene in undergraduate dance students during the Coronavirus Pandemic: an exploratory analysis. Journal of Dance Education. https://doi.org/10.1080/15290824.2021.2009122Article
espacement
Kindred, H. 2019. espacement.Digital or visual media
Seeing beyond the visible: a choreography of breath and touch
Woodhouse, A. and Broadhead, C. 2021. Seeing beyond the visible: a choreography of breath and touch. Platform: Journal of Theatre and Performing Arts. 15 (1), pp. 124-135.Article
Women walking together: an exploration of space, place and female empowerment
Farmer, C., Sarah, S. and Navare, J. 2021. Women walking together: an exploration of space, place and female empowerment. Women Walking: Histories, Movement and Mobilities - The Cultural Capital Exchange. Online 22 Mar 2022Conference item
Prevalence of strength training for student and professional dancers
Farmer, C. and Brouner, J. 2021. Prevalence of strength training for student and professional dancers. Denver Live: International Association for Dance Medicine and Science (IADMS) 31st Annual Conference. Virtual 21 - 24 Oct 2021Conference item
Perceptions of strength training in dance
Farmer, C. and Brouner, J. 2021. Perceptions of strength training in dance. Journal of Dance Medicine & Science. 25 (3), pp. 160-168. https://doi.org/10.12678/1089-313X.091521aArticle
Perceptions of strength training in dance
Farmer, C. and Brouner, J. 2020. Perceptions of strength training in dance. Faculty of Arts and Creative Industries - Winter Research Conference. Middlesex University 10 Dec 2020 Middlesex University.Conference paper
Breathbone
Midgelow, V. and Bacon, J. 2019. Breathbone. Nottingham 09 - 13 Oct 2019Performance
(de)figured in Dubai installations
Woodhouse, A. and Rackowe, N. 2019. (de)figured in Dubai installations. Alserkal Lates.Artefact
Thermal duets installation
Woodhouse, A. and Broadhead, C. 2019. Thermal duets installation. Marsden Woo Gallery.Artefact
(Un)touched (floor) installations
Woodhouse, A. and Rackowe, N. 2019. (Un)touched (floor) installations. CODA International Dance Festival.Artefact
Dancing the digital age: a survey of the new technologies in the choreographic process
Preciado-Azanza, G. and Akinleye, A. 2020. Dancing the digital age: a survey of the new technologies in the choreographic process. Journal of Genius and Eminence. 5 (2), pp. 37-52. https://doi.org/10.18536/jge.2020.01.04Article
The transmission-translation-transformation of Doris Humphrey's 'Two ecstatic themes' (1931)
Main, L. 2017. The transmission-translation-transformation of Doris Humphrey's 'Two ecstatic themes' (1931). in: Main, L. (ed.) Transmissions in Dance: Contemporary staging practices London Palgrave MacMillan, Cham. pp. 85-107Book chapter
Wright-ing the somatic: narrating the bodily
Akinleye, A. and Kindred, H. 2019. Wright-ing the somatic: narrating the bodily. Journal of Dance and Somatic Practices. 11 (1), pp. 3-6. https://doi.org/10.1386/jdsp.11.1.3_2Article
‘…wind in my hair, I feel a part of everywhere…’: creating dance for young audiences narrates emplacement
Akinleye, A. 2019. ‘…wind in my hair, I feel a part of everywhere…’: creating dance for young audiences narrates emplacement. Journal of Dance and Somatic Practices. 11 (1), pp. 39-47. https://doi.org/10.1386/jdsp.11.1.39_1Article
Cinderella, the beauty myth and a feminist conundrum
Bernkopf, A. 2019. Cinderella, the beauty myth and a feminist conundrum. in: Weedon, A. and Darwood, N. (ed.) Storytelling: Cultural and Creative Transformations of Cinderella Wayne State University Press.Book chapter
Bodyscreening
Nichol, C. 2018. Bodyscreening. PhD thesis Middlesex University DancePhD thesis
Dance Well evaluation report 2016-2019
Farmer, C. 2019. Dance Well evaluation report 2016-2019. London, UK Akademi South Asian Dance UK.Report
Border identities
Akinleye, A. 2018. Border identities. Animated. Spring (2018), pp. 9-13.Article
Narratives in Black British Dance: Embodied Practices
Akinleye, A. (ed.) 2018. Narratives in Black British Dance: Embodied Practices. Palgrave Macmillan.Book
In-the-between-ness: decolonising and re-inhabiting our dancing
Kindred, H. and Akinleye, A. 2018. In-the-between-ness: decolonising and re-inhabiting our dancing. in: Akinleye, A. (ed.) Narratives in Black British Dance: Embodied Practices Palgrave Macmillan. pp. 65-78Book chapter
Practice-as-research
Midgelow, V. 2019. Practice-as-research. in: Dodds, S. (ed.) The Bloomsbury Companion to Dance Studies Bloomsbury. pp. 111-144Book chapter
Narrating spaces
Akinleye, A. 2016. Narrating spaces. in: Brookes, P. (ed.) Black Women in Dance: Stepping Out of the Barriers UK Serendipity Artists Movement.Book chapter
Scratch: a choreographic conversation
Midgelow, V. and Bacon, J. 2016. Scratch: a choreographic conversation. Nottingham 01 Dec 2016Performance
(Un)touched - floor piece at the National Museum of Belgrade as part of IFTR 2018
Woodhouse, A. and Rackowe, N. 2018. (Un)touched - floor piece at the National Museum of Belgrade as part of IFTR 2018. IFTR 2018: World Congress, National Museum of Belgrade 09 - 12 Jul 2018Show or exhibition
(De)figured Installation performance research
Woodhouse, A. and Rackowe, N. 2018. (De)figured Installation performance research. White City Place, 195 Wood Lane, London W12 7FQ 01 Jun 2018Show or exhibition
I will take you with me (2013) presented at Slowing and Stilling symposium, Birmingham Conservatoire, as part of Birmingham International Festival 2018
Woodhouse, A. 2018. I will take you with me (2013) presented at Slowing and Stilling symposium, Birmingham Conservatoire, as part of Birmingham International Festival 2018. Slowing and Stilling: foregrounding process in performance practices. Birmingham Conservatoire 11 - 12 Jun 2018Conference item
'Exposure' working title sharing of practical research in March 2018
Woodhouse, A., Broadhead, C. and Sandiland, N. 2018. 'Exposure' working title sharing of practical research in March 2018. Exposure - research using a thermal imaging camera. Coventry University 23 Apr 2018Conference item
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