Breathbone

Performance

Midgelow, V. and Bacon, J. 2019. Breathbone. Nottingham 09 - 13 Oct 2019
Title of workBreathbone
CreatorsMidgelow, V. and Bacon, J.
Description

Quiet, reflective and immersive, BreathBone creates spaces of encounter for heightened inner awareness. Audiences are invited to enter an intimate performance duet where gesture, voice and sound generate an evocative and meditative experience.
This improvised ‘choreography’ of the felt sense brings us closer to what it is to be human, giving voice to interior spaces of flesh, the immediate present and the phantasmic, facilitating a mindful experience.
Performed and devised by Vida Midgelow and Jae Bacon of the Choreographic Lab (www.choreographiclab.co.uk)
First performed
NOTTDANCE, i4C4, Nottingham, SATURDAY 12th OCT

Output mediaPerformance
Research GroupDance group
EventNottDance
Publisher or commissioning bodyDance4
First publicly available date
Print12 Oct 2019
Publication process dates
Deposited13 Dec 2019
Output statusPublished
Additional information

Supported using public funding by the National Lottery through Arts Council England, Dance4 and Middlesex University.

Web address (URL)https://2019.nottdance.com/event/open-practice-breathe-bone-by-the-choreographic-lab/
LanguageEnglish
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https://repository.mdx.ac.uk/item/88qx4

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Midgelow, V. and Bacon, J. 2020. Creative articulations process: a rhizomatic practice (video exposition).
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Midgelow, V. 2019. Practice ethics: modelling posthuman entanglements and care in artistic doctorates. in: Midgelow, V., Bacon, J., Kramer, P. and Hilton, R. (ed.) Research (in/as) Motion: A resource collection Theatre Academy of the University of the Arts Helsinki.
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Midgelow, V. 2019. Practice-as-research. in: Dodds, S. (ed.) The Bloomsbury Companion to Dance Studies Bloomsbury. pp. 111-144
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Midgelow, V. and Bacon, J. 2016. Scratch: a choreographic conversation. Nottingham 01 Dec 2016
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Midgelow, V. 2017. A new kind of learning: somatics, dance improvisation and transdisciplinarity. in: Gibbs, P. (ed.) Transdisciplinary Higher Education: A Theoretical Basis Revealed in Practice Springer. pp. 121-135
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Midgelow, V. 2018. Improvisation as Paradigm for Phenomenologies. in: Fraleigh, S. (ed.) Back to the Dance Itself: Phenomenologies of the Body in Performance University of Illinois Press. pp. 59-77
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Midgelow, V. 2015. Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture. Leeds University, Leeds 21 - 22 May 2015
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Midgelow, V. 2015. Improvisation practices and dramaturgical consciousness: a workshop. in: Callison, D. and Hansen, P. (ed.) Dance Dramaturgy: Modes of Agency, Awareness and Engagement USA Palgrave Macmillan. pp. 106-123
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Midgelow, V. 2015. Some fleshy thinking: improvisation, experience, perception. in: George-Graves, N. (ed.) The Oxford Handbook of Dance and Theater New York Oxford University Press (OUP). pp. 109-122
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Bacon, J. and Midgelow, V. 2014. Creative Articulations Process (CAP). Choreographic Practices. 5 (1), pp. 7-31. https://doi.org/10.1386/chor.5.1.7_1
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Midgelow, V. and Williams, T. 2014. Home (a replacing).
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Bacon, J. and Midgelow, V. 2014. Closer to the body: reflections on skript and extracts from collected writings. Choreographic Practices. 5 (1), pp. 73-94. https://doi.org/10.1386/chor.5.1.73_1
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Bacon, J. and Midgelow, V. 2014. Creative articulations process: a rhizomatic practice. Choreographic Practices 5(1), 1 April 2014 Intellect.
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Williams, T., Midgelow, V. and Halliday, T. 2012. Voice (a retracing).
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Midgelow, V. 2013. Skript: a micro installation.
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Midgelow, V. 2006. Decentring bodies: postfeminist corporealities in dance. in: Haas, B. (ed.) Der Postfeministische Diskurs Wurzburg, Germany Konigshausen & Neumann.
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Midgelow, V., O'Connor, B. and Wilsmore, R. 2004. Threshold: Fleshfold.
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Midgelow, V. 2012. Nomadism and ethics in/as improvised movement practices. Critical Studies in Improvisation / Études Critiques en Improvisation. 8 (1).
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Midgelow, V. 2013. Sensualities: experiencing/dancing/writing. New Writing: The International Journal for the Practice and Theory of Creative Writing. 10 (1), pp. 3-17. https://doi.org/10.1080/14790726.2012.693098