Artistic Doctorates in Europe

Design

Midgelow, V. 2016. Artistic Doctorates in Europe.
Title of workArtistic Doctorates in Europe
CreatorsMidgelow, V.
Description

This website houses a full record of the Artistic Doctorates in Europe project. Erasmus + Funded
Artistic Doctorates in Europe: Third cycle provision in Dance and Performance (ADiE) project is investigating Practice as Research (PaR) inquiries within research level degrees in Dance and Performance.
With eight leading organisations from across the UK and Scandinavia the partnership seeks to support, substantiate and enhance the delivery and impact of these degrees within the cultural arts sector and beyond. As a three-year project we aim to make a difference – enhancing experiences and helping both universities and the professional dance sector to come together to understand and promote the benefit of doctoral work in our field.
The ADiE research project will review the experiences and expectations of artistic doctoral candidates in different countries to develop guidelines which will help universities and arts organisation’s better supervise and support future candidates.

Publication process dates
Deposited26 Sep 2019
Completed31 Dec 2019
Accepted01 Oct 2016
Web address (URL)https://www.artisticdoctorates.com/
LanguageEnglish
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Related outputs

Creative articulations process: a rhizomatic practice (video exposition)
Midgelow, V. and Bacon, J. 2020. Creative articulations process: a rhizomatic practice (video exposition).
Breathbone
Midgelow, V. and Bacon, J. 2019. Breathbone. Nottingham 09 - 13 Oct 2019
Recommendations for action: enhancing artistic doctoral education in dance and performance
Midgelow, V. 2019. Recommendations for action: enhancing artistic doctoral education in dance and performance. Artistic Doctorates in Europe.
Reconsidering research and supervision as creative embodied practice: reflections from the field, Artistic Doctorates in Europe: third-cycle provision in Dance and Performance
Bacon, J. and Midgelow, V. 2019. Reconsidering research and supervision as creative embodied practice: reflections from the field, Artistic Doctorates in Europe: third-cycle provision in Dance and Performance. UK Artistic Doctorates in Europe.
Practice ethics: modelling posthuman entanglements and care in artistic doctorates
Midgelow, V. 2019. Practice ethics: modelling posthuman entanglements and care in artistic doctorates. in: Midgelow, V., Bacon, J., Kramer, P. and Hilton, R. (ed.) Research (in/as) Motion: A resource collection Theatre Academy of the University of the Arts Helsinki.
Practice-as-research
Midgelow, V. 2019. Practice-as-research. in: Dodds, S. (ed.) The Bloomsbury Companion to Dance Studies Bloomsbury. pp. 111-144
Scratch: a choreographic conversation
Midgelow, V. and Bacon, J. 2016. Scratch: a choreographic conversation. Nottingham 01 Dec 2016
Experiences and perceptions of the Artistic Doctorate: A survey report. Artistic Doctorates in Europe (Erasmus Plus)
Midgelow, V. 2017. Experiences and perceptions of the Artistic Doctorate: A survey report. Artistic Doctorates in Europe (Erasmus Plus). ADiE (Artistic Doctorates in Europe).
A new kind of learning: somatics, dance improvisation and transdisciplinarity
Midgelow, V. 2017. A new kind of learning: somatics, dance improvisation and transdisciplinarity. in: Gibbs, P. (ed.) Transdisciplinary Higher Education: A Theoretical Basis Revealed in Practice Springer. pp. 121-135
Improvisation as Paradigm for Phenomenologies
Midgelow, V. 2018. Improvisation as Paradigm for Phenomenologies. in: Fraleigh, S. (ed.) Back to the Dance Itself: Phenomenologies of the Body in Performance University of Illinois Press. pp. 59-77
Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture
Midgelow, V. 2015. Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture. Leeds University, Leeds 21 - 22 May 2015
Improvisation practices and dramaturgical consciousness: a workshop
Midgelow, V. 2015. Improvisation practices and dramaturgical consciousness: a workshop. in: Callison, D. and Hansen, P. (ed.) Dance Dramaturgy: Modes of Agency, Awareness and Engagement USA Palgrave Macmillan. pp. 106-123
Some fleshy thinking: improvisation, experience, perception
Midgelow, V. 2015. Some fleshy thinking: improvisation, experience, perception. in: George-Graves, N. (ed.) The Oxford Handbook of Dance and Theater New York Oxford University Press (OUP). pp. 109-122
Creative Articulations Process (CAP)
Bacon, J. and Midgelow, V. 2014. Creative Articulations Process (CAP). Choreographic Practices. 5 (1), pp. 7-31. https://doi.org/10.1386/chor.5.1.7_1
Home (a replacing)
Midgelow, V. and Williams, T. 2014. Home (a replacing).
Closer to the body: reflections on skript and extracts from collected writings
Bacon, J. and Midgelow, V. 2014. Closer to the body: reflections on skript and extracts from collected writings. Choreographic Practices. 5 (1), pp. 73-94. https://doi.org/10.1386/chor.5.1.73_1
Improvisation practices and dramaturgical consciousness: a workshop
Midgelow, V. 2015. Improvisation practices and dramaturgical consciousness: a workshop. in: Hansen, P. and Callison, D. (ed.) Dance Dramaturgy: Modes of Agency, Awareness and Engagement USA Palgrave Macmillan. pp. 106-123
Creative articulations process: a rhizomatic practice
Bacon, J. and Midgelow, V. 2014. Creative articulations process: a rhizomatic practice. Choreographic Practices 5(1), 1 April 2014 Intellect.
Voice (a retracing)
Williams, T., Midgelow, V. and Halliday, T. 2012. Voice (a retracing).
Skript: a micro installation
Midgelow, V. 2013. Skript: a micro installation.
Decentring bodies: postfeminist corporealities in dance
Midgelow, V. 2006. Decentring bodies: postfeminist corporealities in dance. in: Haas, B. (ed.) Der Postfeministische Diskurs Wurzburg, Germany Konigshausen & Neumann.
Threshold: Fleshfold
Midgelow, V., O'Connor, B. and Wilsmore, R. 2004. Threshold: Fleshfold.
Threshold: Fleshfold
Midgelow, V., O'Connor, B. and Wilsmore, R. 2005. Threshold: Fleshfold.
Voice (a retracing): an emerging lexicon
Midgelow, V. and Williams, T. 2012. Voice (a retracing): an emerging lexicon. Journal of Artistic Research.
Nomadism and ethics in/as improvised movement practices
Midgelow, V. 2012. Nomadism and ethics in/as improvised movement practices. Critical Studies in Improvisation / Études Critiques en Improvisation. 8 (1).
Sensualities: experiencing/dancing/writing
Midgelow, V. 2013. Sensualities: experiencing/dancing/writing. New Writing: The International Journal for the Practice and Theory of Creative Writing. 10 (1), pp. 3-17. https://doi.org/10.1080/14790726.2012.693098