Sensualities: experiencing/dancing/writing

Article


Midgelow, V. 2013. Sensualities: experiencing/dancing/writing. New Writing: The International Journal for the Practice and Theory of Creative Writing. 10 (1), pp. 3-17. https://doi.org/10.1080/14790726.2012.693098
TypeArticle
TitleSensualities: experiencing/dancing/writing
AuthorsMidgelow, V.
Abstract

Through this article I articulate the interplay between writing and improvisational dancing to describe a methodology for an embodied, sensual and experiential mode of writing/dancing in which the boundaries between these two disciplines are blurred. Through a consideration of this writing practice, I argue that, as a form of knowing, it offers an implicit challenge to the normalised economy of academic discourse. Developing out of a ‘practice as research’ project undertaken within The Choreographic Lab (University of Northampton), the article includes extracts of the work ‘Dear Practice …’, in which I, as ‘dancer’, enter into a series of exchanges in the form of letters with my improvisation ‘practice’.

Keywordsdance, writing, embodiment, knowledge, improvisation
Research GroupDance group
PublisherTaylor & Francis (Routledge)
JournalNew Writing: The International Journal for the Practice and Theory of Creative Writing
ISSN1479-0726
Electronic1943-3107
Publication dates
Online09 Jul 2012
Print31 Mar 2013
Publication process dates
Deposited17 Jul 2013
Accepted06 May 2012
Output statusPublished
Digital Object Identifier (DOI)https://doi.org/10.1080/14790726.2012.693098
LanguageEnglish
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https://repository.mdx.ac.uk/item/84348

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