Decentring bodies: postfeminist corporealities in dance

Book chapter


Midgelow, V. 2006. Decentring bodies: postfeminist corporealities in dance. in: Haas, B. (ed.) Der Postfeministische Diskurs Wurzburg, Germany Konigshausen & Neumann.
Chapter titleDecentring bodies: postfeminist corporealities in dance
AuthorsMidgelow, V.
Abstract

One of a collection of essays in German and English discussing post-feminism from the perspectives of performance, literature, and sociology. German publisher's description of the book:
Der interdisziplinäre und internationale Essayband diskutiert den umstrittenen Begriff des Postfeminismus aus performativer, literaturwissenschaftlicher und soziologischer Sicht. Die Kernfrage ist dabei, ob der Postfeminismus mit seiner Aufwertung der Weiblichkeit einen Rückfall in präfeministische Zeiten darstellt oder ob er als Radikalisierung des Feminismus zu verstehen ist. Bedeutet die Vorsilbe post das Ende des Feminismus oder einen neuen, radikalen Anfang? Eine Problematik, die sich keinesfalls auf einen einfachen Nenner bringen lässt, wie die unterschiedlichen Analysen und Ansätze zeigen. Mit Blick auf die Streitfrage ob bzw. in welcher Form Postfeminismus existiert, betrachten die Beiträge unterschiedliche gegenwärtige Erscheinungsformen der postfeministischen Kultur: Die Bandbreite reicht dabei von der Debatte um die Camp-Kultur über den girlism bis hin zum Backlash.

Research GroupDance group
Book titleDer Postfeministische Diskurs
EditorsHaas, B.
PublisherKonigshausen & Neumann
Place of publicationWurzburg, Germany
SeriesFilm, Medium, Diskurs
ISBN
Hardcover9783826032301
Publication dates
PrintAug 2006
Publication process dates
Deposited09 Aug 2013
Output statusPublished
Web address (URL)http://koenigshausen-neumann.gebhardt-riegel.de/advanced_search_result.php?keywords=978-3-8260-3230-1
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/84439

  • 36
    total views
  • 0
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

Creative articulations process: a rhizomatic practice (video exposition)
Midgelow, V. and Bacon, J. 2020. Creative articulations process: a rhizomatic practice (video exposition).
Breathbone
Midgelow, V. and Bacon, J. 2019. Breathbone. Nottingham 09 - 13 Oct 2019
Recommendations for action: enhancing artistic doctoral education in dance and performance
Midgelow, V. 2019. Recommendations for action: enhancing artistic doctoral education in dance and performance. Artistic Doctorates in Europe.
Artistic Doctorates in Europe
Midgelow, V. 2016. Artistic Doctorates in Europe.
Reconsidering research and supervision as creative embodied practice: reflections from the field, Artistic Doctorates in Europe: third-cycle provision in Dance and Performance
Bacon, J. and Midgelow, V. 2019. Reconsidering research and supervision as creative embodied practice: reflections from the field, Artistic Doctorates in Europe: third-cycle provision in Dance and Performance. UK Artistic Doctorates in Europe.
Practice ethics: modelling posthuman entanglements and care in artistic doctorates
Midgelow, V. 2019. Practice ethics: modelling posthuman entanglements and care in artistic doctorates. in: Midgelow, V., Bacon, J., Kramer, P. and Hilton, R. (ed.) Research (in/as) Motion: A resource collection Theatre Academy of the University of the Arts Helsinki.
Practice-as-research
Midgelow, V. 2019. Practice-as-research. in: Dodds, S. (ed.) The Bloomsbury Companion to Dance Studies Bloomsbury. pp. 111-144
Scratch: a choreographic conversation
Midgelow, V. and Bacon, J. 2016. Scratch: a choreographic conversation. Nottingham 01 Dec 2016
Experiences and perceptions of the Artistic Doctorate: A survey report. Artistic Doctorates in Europe (Erasmus Plus)
Midgelow, V. 2017. Experiences and perceptions of the Artistic Doctorate: A survey report. Artistic Doctorates in Europe (Erasmus Plus). ADiE (Artistic Doctorates in Europe).
A new kind of learning: somatics, dance improvisation and transdisciplinarity
Midgelow, V. 2017. A new kind of learning: somatics, dance improvisation and transdisciplinarity. in: Gibbs, P. (ed.) Transdisciplinary Higher Education: A Theoretical Basis Revealed in Practice Springer. pp. 121-135
Improvisation practices and dramaturgical consciousness: a workshop
Midgelow, V. 2015. Improvisation practices and dramaturgical consciousness: a workshop. in: Callison, D. and Hansen, P. (ed.) Dance Dramaturgy: Modes of Agency, Awareness and Engagement USA Palgrave Macmillan. pp. 106-123
Improvisation as Paradigm for Phenomenologies
Midgelow, V. 2018. Improvisation as Paradigm for Phenomenologies. in: Fraleigh, S. (ed.) Back to the Dance Itself: Phenomenologies of the Body in Performance University of Illinois Press. pp. 59-77
Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture
Midgelow, V. 2015. Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture. Leeds University, Leeds 21 - 22 May 2015
Improvisation practices and dramaturgical consciousness: a workshop
Midgelow, V. 2015. Improvisation practices and dramaturgical consciousness: a workshop. in: Callison, D. and Hansen, P. (ed.) Dance Dramaturgy: Modes of Agency, Awareness and Engagement USA Palgrave Macmillan. pp. 106-123
Some fleshy thinking: improvisation, experience, perception
Midgelow, V. 2015. Some fleshy thinking: improvisation, experience, perception. in: George-Graves, N. (ed.) The Oxford Handbook of Dance and Theater New York Oxford University Press (OUP). pp. 109-122
Creative Articulations Process (CAP)
Bacon, J. and Midgelow, V. 2014. Creative Articulations Process (CAP). Choreographic Practices. 5 (1), pp. 7-31. https://doi.org/10.1386/chor.5.1.7_1
Home (a replacing)
Midgelow, V. and Williams, T. 2014. Home (a replacing).
Closer to the body: reflections on skript and extracts from collected writings
Bacon, J. and Midgelow, V. 2014. Closer to the body: reflections on skript and extracts from collected writings. Choreographic Practices. 5 (1), pp. 73-94. https://doi.org/10.1386/chor.5.1.73_1
Creative articulations process: a rhizomatic practice
Bacon, J. and Midgelow, V. 2014. Creative articulations process: a rhizomatic practice. Choreographic Practices 5(1), 1 April 2014 Intellect.
Voice (a retracing)
Williams, T., Midgelow, V. and Halliday, T. 2012. Voice (a retracing).
Skript: a micro installation
Midgelow, V. 2013. Skript: a micro installation.
Threshold: Fleshfold
Midgelow, V., O'Connor, B. and Wilsmore, R. 2004. Threshold: Fleshfold.
Threshold: Fleshfold
Midgelow, V., O'Connor, B. and Wilsmore, R. 2005. Threshold: Fleshfold.
Voice (a retracing): an emerging lexicon
Midgelow, V. and Williams, T. 2012. Voice (a retracing): an emerging lexicon. Journal of Artistic Research.
Nomadism and ethics in/as improvised movement practices
Midgelow, V. 2012. Nomadism and ethics in/as improvised movement practices. Critical Studies in Improvisation / Études Critiques en Improvisation. 8 (1).
Sensualities: experiencing/dancing/writing
Midgelow, V. 2013. Sensualities: experiencing/dancing/writing. New Writing: The International Journal for the Practice and Theory of Creative Writing. 10 (1), pp. 3-17. https://doi.org/10.1080/14790726.2012.693098