Prof Vida Midgelow


NameProf Vida Midgelow
Job titleChair of Postgraduate Research & Professor in Dance
Research institute
Primary appointmentPerforming Arts
ORCIDhttps://orcid.org/0000-0003-0232-2209
Contact categoryResearcher (past)

Research outputs

Creative articulations process: a rhizomatic practice (video exposition)

Midgelow, V. and Bacon, J. 2020. Creative articulations process: a rhizomatic practice (video exposition).

Breathbone

Midgelow, V. and Bacon, J. 2019. Breathbone. Nottingham 09 - 13 Oct 2019

Recommendations for action: enhancing artistic doctoral education in dance and performance

Midgelow, V. 2019. Recommendations for action: enhancing artistic doctoral education in dance and performance. Artistic Doctorates in Europe.

Researching (in/as) motion: a resource collection

Midgelow, V., Bacon, J., Kramer, P. and Hilton, R. (ed.) 2019. Researching (in/as) motion: a resource collection. Theatre Academy of the University of the Arts Helsinki.

Reconsidering research and supervision as creative embodied practice: reflections from the field, Artistic Doctorates in Europe: third-cycle provision in Dance and Performance

Bacon, J. and Midgelow, V. 2019. Reconsidering research and supervision as creative embodied practice: reflections from the field, Artistic Doctorates in Europe: third-cycle provision in Dance and Performance. UK Artistic Doctorates in Europe.

Practice ethics: modelling posthuman entanglements and care in artistic doctorates

Midgelow, V. 2019. Practice ethics: modelling posthuman entanglements and care in artistic doctorates. in: Midgelow, V., Bacon, J., Kramer, P. and Hilton, R. (ed.) Research (in/as) Motion: A resource collection Theatre Academy of the University of the Arts Helsinki.

Practice-as-research

Midgelow, V. 2019. Practice-as-research. in: Dodds, S. (ed.) The Bloomsbury Companion to Dance Studies Bloomsbury. pp. 111-144

The Oxford handbook of improvisation in dance

Midgelow, V. (ed.) 2019. The Oxford handbook of improvisation in dance. Oxford and New York Oxford University Press (OUP).

Ten Days in Tarbena: an evolutionary approach to moving through silence and sound to speech

Vesty, R. 2019. Ten Days in Tarbena: an evolutionary approach to moving through silence and sound to speech. in: Midgelow, V. (ed.) The Oxford Handbook of Improvisation in Dance Oxford University Press (OUP). pp. 366-382

Writing 'Practice' /Practising/ 'Writing' (in the doctoral research context)

Melrose, S. and Sachsenmaier, S. 2019. Writing 'Practice' /Practising/ 'Writing' (in the doctoral research context). in: Midgelow, V., Bacon, J., Hilton, R. and Kramer, P. (ed.) Researching (in/as) Motion: A Resource Collection - Artistic Doctorates in Europe Helsinki Theatre Academy, University of the Arts Helsinki.

Improvisation as Paradigm for Phenomenologies

Midgelow, V. 2018. Improvisation as Paradigm for Phenomenologies. in: Fraleigh, S. (ed.) Back to the Dance Itself: Phenomenologies of the Body in Performance University of Illinois Press. pp. 59-77

Experiences and perceptions of the Artistic Doctorate: A survey report. Artistic Doctorates in Europe (Erasmus Plus)

Midgelow, V. 2017. Experiences and perceptions of the Artistic Doctorate: A survey report. Artistic Doctorates in Europe (Erasmus Plus). ADiE (Artistic Doctorates in Europe).

A new kind of learning: somatics, dance improvisation and transdisciplinarity

Midgelow, V. 2017. A new kind of learning: somatics, dance improvisation and transdisciplinarity. in: Gibbs, P. (ed.) Transdisciplinary Higher Education: A Theoretical Basis Revealed in Practice Springer. pp. 121-135

Scratch: a choreographic conversation

Midgelow, V. and Bacon, J. 2016. Scratch: a choreographic conversation. Nottingham 01 Dec 2016

Artistic Doctorates in Europe

Midgelow, V. 2016. Artistic Doctorates in Europe.

Some fleshy thinking: improvisation, experience, perception

Midgelow, V. 2015. Some fleshy thinking: improvisation, experience, perception. in: George-Graves, N. (ed.) The Oxford Handbook of Dance and Theater New York Oxford University Press (OUP). pp. 109-122

Improvisation practices and dramaturgical consciousness: a workshop

Midgelow, V. 2015. Improvisation practices and dramaturgical consciousness: a workshop. in: Callison, D. and Hansen, P. (ed.) Dance Dramaturgy: Modes of Agency, Awareness and Engagement USA Palgrave Macmillan. pp. 106-123

Improvisation practices and dramaturgical consciousness: a workshop

Midgelow, V. 2015. Improvisation practices and dramaturgical consciousness: a workshop. in: Callison, D. and Hansen, P. (ed.) Dance Dramaturgy: Modes of Agency, Awareness and Engagement USA Palgrave Macmillan. pp. 106-123

Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture

Midgelow, V. 2015. Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture. Leeds University, Leeds 21 - 22 May 2015

Creative Articulations Process (CAP)

Bacon, J. and Midgelow, V. 2014. Creative Articulations Process (CAP). Choreographic Practices. 5 (1), pp. 7-31. https://doi.org/10.1386/chor.5.1.7_1

Closer to the body: reflections on skript and extracts from collected writings

Bacon, J. and Midgelow, V. 2014. Closer to the body: reflections on skript and extracts from collected writings. Choreographic Practices. 5 (1), pp. 73-94. https://doi.org/10.1386/chor.5.1.73_1

Creative articulations process: a rhizomatic practice

Bacon, J. and Midgelow, V. 2014. Creative articulations process: a rhizomatic practice. Choreographic Practices 5(1), 1 April 2014 Intellect.

Home (a replacing)

Midgelow, V. and Williams, T. 2014. Home (a replacing).

Skript: a micro installation

Midgelow, V. 2013. Skript: a micro installation.

Sensualities: experiencing/dancing/writing

Midgelow, V. 2013. Sensualities: experiencing/dancing/writing. New Writing: The International Journal for the Practice and Theory of Creative Writing. 10 (1), pp. 3-17. https://doi.org/10.1080/14790726.2012.693098

Voice (a retracing)

Williams, T., Midgelow, V. and Halliday, T. 2012. Voice (a retracing).

Voice (a retracing): an emerging lexicon

Midgelow, V. and Williams, T. 2012. Voice (a retracing): an emerging lexicon. Journal of Artistic Research.

Nomadism and ethics in/as improvised movement practices

Midgelow, V. 2012. Nomadism and ethics in/as improvised movement practices. Critical Studies in Improvisation / √Čtudes Critiques en Improvisation. 8 (1).

Decentring bodies: postfeminist corporealities in dance

Midgelow, V. 2006. Decentring bodies: postfeminist corporealities in dance. in: Haas, B. (ed.) Der Postfeministische Diskurs Wurzburg, Germany Konigshausen & Neumann.

Threshold: Fleshfold

Midgelow, V., O'Connor, B. and Wilsmore, R. 2005. Threshold: Fleshfold.

Threshold: Fleshfold

Midgelow, V., O'Connor, B. and Wilsmore, R. 2004. Threshold: Fleshfold.
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