Wright-ing the somatic: narrating the bodily

Article


Akinleye, A. and Kindred, H. 2019. Wright-ing the somatic: narrating the bodily. Journal of Dance and Somatic Practices. 11 (1), pp. 3-6. https://doi.org/10.1386/jdsp.11.1.3_2
TypeArticle
TitleWright-ing the somatic: narrating the bodily
AuthorsAkinleye, A. and Kindred, H.
Abstract

This special issue emerged from the two-day Symposium Wright-ing the Somatic: dancing & writing Professional Practice that we curated at Middlesex University in August 2016 https://vimeo.com/274485377 . This symposium was the first in a trilogy we have subsequently curated (Narrating the Somatic: gathering voices, sharing practices https://vimeo.com/274482762 in Feb 2018, and the forthcoming Queering the Somatic: interrupting the narrative in November 2019). The Symposiums have been clustered around an interest in how we move through, between, and across the communication of dance practices in order to share our processes for, and understanding of, the moving body. The Symposiums respond to calls to find resonant ways to share the embodied/emplaced perspectives and knowing(s) that the somatic practice of dance gives to artist-scholars as they engage with dance, become dance, or witness dancing. [Editorial]

Research GroupDance group
LanguageEnglish
PublisherIntellect
JournalJournal of Dance and Somatic Practices
ISSN1757-1871
Publication dates
Print01 Jul 2019
Publication process dates
Deposited08 Jul 2019
Accepted29 Apr 2019
Output statusPublished
Accepted author manuscript
Copyright Statement

This is a post-peer-review, pre-copyedit version of an article published in the Journal of Dance and Somatic Practices. The final authenticated version is published by Intellect and is available online at: https://doi.org/10.1386/jdsp.11.1.3_2

Digital Object Identifier (DOI)https://doi.org/10.1386/jdsp.11.1.3_2
Permalink -

https://repository.mdx.ac.uk/item/885q7

Download files

  • 35
    total views
  • 8
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

Dancing the in-between-ness: (re)articulating Bartenieff Fundamentals through improvised dance performance-making
Kindred, H. 2022. Dancing the in-between-ness: (re)articulating Bartenieff Fundamentals through improvised dance performance-making. PhD thesis Middlesex University Arts and Creative Industries
Moving meditations: embodying Bartenieff Fundamentals through sensorial awareness of breath, bones, and gravity
Kindred, H. 2021. Moving meditations: embodying Bartenieff Fundamentals through sensorial awareness of breath, bones, and gravity. Dance, Movement & Spiritualities. 8 (1-2), pp. 57-72. https://doi.org/10.1386/dmas_00026_1
...whispers
Kindred, H. 2019. ...whispers.
espacement
Kindred, H. 2019. espacement.
KnowingUnknowing
Gomes, P., Dwyer, B. and Kindred, H. 2018. KnowingUnknowing.
KnowingUnknowing and the Corporeal
Kindred, H., Dwyer, B. and Gomes, P. 2018. KnowingUnknowing and the Corporeal.
KnowingUnknowing
Dwyer, B. and Kindred, H. 2019. KnowingUnknowing.
In-the-between-ness: decolonising and re-inhabiting our dancing
Kindred, H. and Akinleye, A. 2018. In-the-between-ness: decolonising and re-inhabiting our dancing. in: Akinleye, A. (ed.) Narratives in Black British Dance: Embodied Practices Palgrave Macmillan. pp. 65-78
Knowing/Unknowing
Dwyer, B. and Kindred, H. 2016. Knowing/Unknowing. Middlesex University London Mar 2016