Dr Helen Kindred
Name | Dr Helen Kindred |
---|---|
Job title | Director of Programmes for Dance |
Research institute | |
Primary appointment | School of Arts |
ORCID | https://orcid.org/0000-0001-5747-3333 |
Contact category | Academic staff (past) |
Biography
Biography Helen Kindred, PhD. is a dance-artist and scholar, co-Artistic Director of DancingStrong Movement Lab with Adesola Akinleye and Director of Dance and Professional Practice Programmes at Middlesex University. Helen has toured internationally as a performer and presented choreographic work at venues, festivals and conferences over the past twenty eight years. Her work engages with people and places, creating improvisations of touch, text, sound, and image and has been presented as part of the InsideOut Festival, London (2015), 4th International Festival of Theatre and Dance, Wałbryzch, Poland (2016), estancias coreograficas symposium, Oviedo, Spain (2017), Light Moves Festival of ScreenDance, Limerick, Ireland (2018), Inshadow Festival of ScreenDance, Lisbon, Portugal (2018), Seya Festival of ScreenDance, Tehran, Iran (2019), The Place, London (2020) and as part of Global Water Dances, London (2021), Park Picnic Festival, Croatia (2023), DSML schools tour, London (2023).9th International Festival of Theatre and Dance, Wałbryzch, Poland (2023),. Publications include ‘In-the-Between-ness: Decolonising and re-inhabiting our dancing’, co-authored chapter with Dr Adesola Akinleye in Narratives in Black British Dance Embodied Perspectives (Akinleye, A. (ed. 2018), KnowingUnknowing, co-authored DVD published by Farpoint Recordings (2019), ‘Improvisation and Change’ article in Animated (Summer 2020), ‘Moving Meditations: embodying Bartenieff Fundamentals through sensorial awareness of breath, bones, and gravity’, Journal of Dance, Movement and Spiritualities (2022). Forthcoming publications for 2024 include; The ‘Female’ Dancer: a soma-scientific approach (co-edited with Claire Farmer), Routledge Taylor Francis Group and Scores of the City, Scores of the Shore; materials, eco-somatics, dance and Place-making, (co-authored with Dr Adesola Akinleye), Intellect Publishers.
Teaching Teaching areas include somatic practices (Bartenieff Fundamentals/Embodied Fundamentals), improvisation and choreographic practice, lectures/seminar facilitation in practice as/is research, research design and methodologies, ethics. PGR supervision, Yoana Stoeva - Somatics, mental health and dance education (2023-2026)
Employment
Education and qualifications
Grants
Prizes and Awards
Evidence to public body
PhD (practice as research)
Practice of Bartenieff Fundamentals (15 years)
Educator in HE (15 years)
External activities
co-guest editor of special issue
Research outputs
The 'female' dancer: a soma-scientific approach
Farmer, C. and Kindred, H. (ed.) 2024. The 'female' dancer: a soma-scientific approach. London, UK Taylor & Francis (Routledge).Dancing the in-between-ness: (re)articulating Bartenieff Fundamentals through improvised dance performance-making
Kindred, H. 2022. Dancing the in-between-ness: (re)articulating Bartenieff Fundamentals through improvised dance performance-making. PhD thesis Middlesex University Arts and Creative IndustriesMoving meditations: embodying Bartenieff Fundamentals through sensorial awareness of breath, bones, and gravity
Kindred, H. 2021. Moving meditations: embodying Bartenieff Fundamentals through sensorial awareness of breath, bones, and gravity. Dance, Movement & Spiritualities. 8 (1-2), pp. 57-72. https://doi.org/10.1386/dmas_00026_1espacement
Kindred, H. 2019. espacement.KnowingUnknowing
Dwyer, B. and Kindred, H. 2019. KnowingUnknowing.Wright-ing the somatic: narrating the bodily
Akinleye, A. and Kindred, H. 2019. Wright-ing the somatic: narrating the bodily. Journal of Dance and Somatic Practices. 11 (1), pp. 3-6. https://doi.org/10.1386/jdsp.11.1.3_2...whispers
Kindred, H. 2019. ...whispers.KnowingUnknowing
Gomes, P., Dwyer, B. and Kindred, H. 2018. KnowingUnknowing.In-the-between-ness: decolonising and re-inhabiting our dancing
Kindred, H. and Akinleye, A. 2018. In-the-between-ness: decolonising and re-inhabiting our dancing. in: Akinleye, A. (ed.) Narratives in Black British Dance: Embodied Practices Palgrave Macmillan. pp. 65-78KnowingUnknowing and the Corporeal
Kindred, H., Dwyer, B. and Gomes, P. 2018. KnowingUnknowing and the Corporeal.Knowing/Unknowing
Dwyer, B. and Kindred, H. 2016. Knowing/Unknowing. Middlesex University London Mar 2016567
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