espacement

Digital or visual media


Kindred, H. 2019. espacement.
Title of workespacement
CreatorsKindred, H.
ContributorsSvak, M.
Description

Meaning ‘spacing’, espacement is a solo work for film created by Helen Kindred with lighting and cinematic design by Mikkel Svak. A solo improvisation, the work is a study of the internalized journey of the breath through the spine. Through three short improvisations movement focuses on the breath through Bartenieff Fundamentals head-tail patterns of connectivity. ‘Breath is an inner shaping experience. It provides the baseline of flow for either an opening or a closing, and Breath is support for those changes’ (Hackney, 2002: 41). The creation of the work in HD film allows a detailed focus on the core of the body, the movement of the spine and the texture and responsiveness of the skin. The permutation of the breath beyond the skin and the relationship of environment is reflected in the light and shadows moving across the spine.

Output mediafilm
Research GroupDance group
EventA movement meditation, Queering the Somatic
Publisher or commissioning bodyHelen Kindred
First publicly available date
Online02 Nov 2019
Publication process dates
Deposited15 Dec 2021
Output statusPublished
Web address (URL)https://www.helen-kindred.com/performance
LanguageEnglish
Media typeVideo
Permalink -

https://repository.mdx.ac.uk/item/8998w

Restricted files

Publisher's version

  • 54
    total views
  • 0
    total downloads
  • 6
    views this month
  • 0
    downloads this month

Export as

Related outputs

Dancing the in-between-ness: (re)articulating Bartenieff Fundamentals through improvised dance performance-making
Kindred, H. 2022. Dancing the in-between-ness: (re)articulating Bartenieff Fundamentals through improvised dance performance-making. PhD thesis Middlesex University Arts and Creative Industries
Moving meditations: embodying Bartenieff Fundamentals through sensorial awareness of breath, bones, and gravity
Kindred, H. 2021. Moving meditations: embodying Bartenieff Fundamentals through sensorial awareness of breath, bones, and gravity. Dance, Movement & Spiritualities. 8 (1-2), pp. 57-72. https://doi.org/10.1386/dmas_00026_1
...whispers
Kindred, H. 2019. ...whispers.
Wright-ing the somatic: narrating the bodily
Akinleye, A. and Kindred, H. 2019. Wright-ing the somatic: narrating the bodily. Journal of Dance and Somatic Practices. 11 (1), pp. 3-6. https://doi.org/10.1386/jdsp.11.1.3_2
KnowingUnknowing
Gomes, P., Dwyer, B. and Kindred, H. 2018. KnowingUnknowing.
KnowingUnknowing and the Corporeal
Kindred, H., Dwyer, B. and Gomes, P. 2018. KnowingUnknowing and the Corporeal.
KnowingUnknowing
Dwyer, B. and Kindred, H. 2019. KnowingUnknowing.
In-the-between-ness: decolonising and re-inhabiting our dancing
Kindred, H. and Akinleye, A. 2018. In-the-between-ness: decolonising and re-inhabiting our dancing. in: Akinleye, A. (ed.) Narratives in Black British Dance: Embodied Practices Palgrave Macmillan. pp. 65-78
Knowing/Unknowing
Dwyer, B. and Kindred, H. 2016. Knowing/Unknowing. Middlesex University London Mar 2016