Dr Adesola Akinleye
Name | Dr Adesola Akinleye |
---|---|
Job title | Senior Lecturer in Dance Professional Practice |
Research institute | |
Primary appointment | School of Arts |
ORCID | https://orcid.org/0000-0001-7342-8292 |
Contact category | Academic staff (past) |
Research outputs
Dancing the digital age: a survey of the new technologies in the choreographic process
Preciado-Azanza, G. and Akinleye, A. 2020. Dancing the digital age: a survey of the new technologies in the choreographic process. Journal of Genius and Eminence. 5 (2), pp. 37-52. https://doi.org/10.18536/jge.2020.01.04Wright-ing the somatic: narrating the bodily
Akinleye, A. and Kindred, H. 2019. Wright-ing the somatic: narrating the bodily. Journal of Dance and Somatic Practices. 11 (1), pp. 3-6. https://doi.org/10.1386/jdsp.11.1.3_2‘…wind in my hair, I feel a part of everywhere…’: creating dance for young audiences narrates emplacement
Akinleye, A. 2019. ‘…wind in my hair, I feel a part of everywhere…’: creating dance for young audiences narrates emplacement. Journal of Dance and Somatic Practices. 11 (1), pp. 39-47. https://doi.org/10.1386/jdsp.11.1.39_1Found & Light Steps - performances for young audiences
Akinleye, A. 2018. Found & Light Steps - performances for young audiences. Norden farm Arts centre 31 May 2018'Light steps’ and ILA project: the making of ‘Found'
Akinleye, A. 2018. 'Light steps’ and ILA project: the making of ‘Found'.Border identities
Akinleye, A. 2018. Border identities. People Dancing.Epistemology of the weekend: youth dance theatre
Romans, H., Akinleye, A. and Joseph, M. 2018. Epistemology of the weekend: youth dance theatre. in: Akinleye, A. (ed.) Narratives in Black British Dance: Embodied Practices Palgrave MacMillian. pp. 265-276Narratives in Black British Dance: Embodied Practices
Akinleye, A. (ed.) 2018. Narratives in Black British Dance: Embodied Practices. Palgrave Macmillan.In-the-between-ness: decolonising and re-inhabiting our dancing
Kindred, H. and Akinleye, A. 2018. In-the-between-ness: decolonising and re-inhabiting our dancing. in: Akinleye, A. (ed.) Narratives in Black British Dance: Embodied Practices Palgrave Macmillan. pp. 65-78Transactional space: feedback, critical thinking, and learning dance technique
Akinleye, A. and Payne, R. 2016. Transactional space: feedback, critical thinking, and learning dance technique. Journal of Dance Education. 16 (4), pp. 144-148. https://doi.org/10.1080/15290824.2016.1165821Narrating spaces
Akinleye, A. 2016. Narrating spaces. in: Brookes, P. (ed.) Black Women in Dance: Stepping Out of the Barriers UK Serendipity Artists Movement.Her life in movement: reflections on embodiment as a methodology
Akinleye, A. 2015. Her life in movement: reflections on embodiment as a methodology. in: Wellard, I. (ed.) Researching Embodied Sport: Exploring movement cultures London Routledge.Professional artefacts: embodying ideas in work-based learning
Nottingham, P. and Akinleye, A. 2014. Professional artefacts: embodying ideas in work-based learning. Higher Education, Skills and Work-based Learning. 4 (1), pp. 98-108. https://doi.org/10.1108/HESWBL-09-2012-0036Light Steps promo
Akinleye, A. and Califano, A. 2014. Light Steps promo.Untitled: women's work
Akinleye, A., Barry Lewis and Emil Charlaff 2014. Untitled: women's work.Educating the early career arts professional using a hybrid model of work based learning
Bryant, P., Akinleye, A. and Durrant, A. 2013. Educating the early career arts professional using a hybrid model of work based learning. 5th cltad International Conference: 'Challenging the curriculum: exploring discipline boundaries in art, design and media'. Berlin, Germany 12 - 13 Apr 2010 Emerald Publishing Limited. https://doi.org/10.1108/20423891311294957Orientation for communication: embodiment, and the language of dance
Akinleye, A. 2012. Orientation for communication: embodiment, and the language of dance. Empedocles: European Journal for the Philosophy of Communication. 4 (2), pp. 101-112. https://doi.org/10.1386/ejpc.4.2.101_1The jingle dress
Akinleye, A. 2011. The jingle dress.62
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