Visual Arts
| Title | Visual Arts |
|---|---|
| Alternative | ACI - VA |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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Berthold Wolpe - The Total Man
Cleaver, P. 2018. Berthold Wolpe - The Total Man. The Lettering Arts Centre, Suffolk, UK 23 Mar - 24 Jun 2018Show or exhibition
Berthold Wolpe: The Total Man
Cleaver, P. 2018. Berthold Wolpe: The Total Man. London, UK Impress Publishing.Authored Book
Black Rice Trio, improvising live at Iklecktik
Nagle, P., Spinks, T. and Kraft, R. 2018. Black Rice Trio, improvising live at Iklecktik. Iklectik artlab, London, UK 27 Sep 2016Public performance
RAF Museum knowledge transfer collaboration
Slonims, N., Moore, A., Khan, S., Skidan, A., Royal, A., Carwardine, H., Mata, H., Misirlioglu, I., Pryor, J., Hill, L., Radkiewicz, W. and Campbell, F. 2018. RAF Museum knowledge transfer collaboration.Design
Censored Realities / Changing New York
Maude-Roxby, A. and Seibold, S. 2018. Censored Realities / Changing New York. AustriaArtefact
Dust Breeding (2018), Installation view, Galleria d’Arte Moderna Milano (GAM)
Cavusoglu, E. 2018. Dust Breeding (2018), Installation view, Galleria d’Arte Moderna Milano (GAM). Galleria d'Arte Moderna (GAM), Milan 11 Apr - 17 Jun 2018Show or exhibition
Water power: creativity and the unlocking of community knowledge
Leeson, L. 2018. Water power: creativity and the unlocking of community knowledge. in: Roberts, L. and Phillips, K. (ed.) Water, Creativity and Meaning: Multidisciplinary understandings of human-water relationships Routledge. pp. 23-35Book chapter
Into the magenta haze: notes of making art in the arc of opportunity
Duman, A. 2018. Into the magenta haze: notes of making art in the arc of opportunity. in: Duman, A., Hancox, D., James, M. and Minton, A. (ed.) Regeneration Songs: Sounds of Investment and Loss from East London London, UK Repeater Books. pp. 163-190Book chapter
Cultural democracy [Blog post]
Leeson, L. 2018. Cultural democracy [Blog post]. MDX Minds Middlesex University.Blog
Landscape and the Science Fiction Imaginary
Timberlake, J. 2018. Landscape and the Science Fiction Imaginary. Bristol Intellect.Authored Book
Experience as art: fine art social practice at Middlesex University
Leeson, L. and Duman, A. 2018. Experience as art: fine art social practice at Middlesex University. in: Sholette, G., Bass, C. and Social Practice Queens (ed.) Art as Social Action: An Introduction to the Principles and Practices of Teaching Social Practice Art New York Allworth Press. pp. 223-228Book chapter
Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance
Kokoli, A. 2018. Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance. Hypatia: A Journal of Feminist Philosophy. 33 (3), pp. 485-499. https://doi.org/10.1111/hypa.12399Article
Cultural democracy
Jacques, J., Leeson, L., Wainwright, H. and Mahamdallie, H. 2017. Cultural democracy. Resonance FM - Suite (212).Other
For Walls with Tongues
Leeson, L. 2017. For Walls with Tongues. For Walls with Tongues. Whitechapel Gallery 01 Nov 2017Conference item
The viscosity of duration: Painterly surface and the phenomenology of time in the London paintings of Frank Auerbach
Robinson, A. 2018. The viscosity of duration: Painterly surface and the phenomenology of time in the London paintings of Frank Auerbach. Journal of Contemporary Painting. 4 (1), pp. 199-217. https://doi.org/10.1386/jcp.4.1.199_1Article
Another Country IV, Another Country XIII, Another Country XIV, Another Country IX installed as part of Turning Points (Fordulopontok) curated by Zsolt Petranyi and Vito Vojnits Purcsar
Timberlake, J. 2014. Another Country IV, Another Country XIII, Another Country XIV, Another Country IX installed as part of Turning Points (Fordulopontok) curated by Zsolt Petranyi and Vito Vojnits Purcsar.Artefact
We are history
Timberlake, J. 2014. We are history. Beaconsfield, 22 Newport St, London SE11 28 Jun - 30 Aug 2014Show or exhibition
We are history
Timberlake, J. 2015. We are history. in: Garlake, M. (ed.) Beaconsfield: Chronic Epoch Black Dog Publishing. pp. 171Book chapter
Confluence: Public Art and the Thames / A Conversation with Six Artists
Leeson, L. 2017. Confluence: Public Art and the Thames / A Conversation with Six Artists. Totally Thames Festival. Thames Tunnel Shaft, Brunel Museum 11 Sep 2017Conference item
The Unlimited Edition Live!
Leeson, L. 2017. The Unlimited Edition Live! London Festival of Architecture 2017. Underdog Gallery, London 07 Jun 2017Conference item
Places in Flux and the Place for Art
Leeson, L. 2017. Places in Flux and the Place for Art. Places in Flux and the Place for Art. V&A Lansbury Micro Museum, London 29 Apr 2017Conference item
Active energy: Three Mills - project launch
Leeson, L. 2017. Active energy: Three Mills - project launch.Artefact
The Things that Make You Sick
Leeson, L. and Dunn, P. 2017. The Things that Make You Sick. ICA, London 06 May - 09 Jul 2017Show or exhibition
The writing’s on the wall: #QC against decipherability
Kokoli, A. 2017. The writing’s on the wall: #QC against decipherability. 'Transcending the Signified', Quilla Constance Symposium. Camberwell College of Arts, UAL, London 23 Jun 2017Conference paper
The ethics of violence in the Kung Fu comedy
White, L. 2017. The ethics of violence in the Kung Fu comedy. Martial Arts Studies Conference, 2017. Cardiff University, Wales, United Kingdom 11 - 13 Jul 2017Conference paper
Jackie Chan vs. Walter Benjamin: postcolonial “Utopias of the Body” in Kung Fu comedy
White, L. 2017. Jackie Chan vs. Walter Benjamin: postcolonial “Utopias of the Body” in Kung Fu comedy. Research Seminar Series, Department of English Literature, Linguistics and Cultural Studies. University of Westminster, London, United Kingdom 08 Mar 2017Conference paper
Marvel’s Daredevil: Ninjas, Blind Swordsmen and the Oriental Obscene
White, L. 2017. Marvel’s Daredevil: Ninjas, Blind Swordsmen and the Oriental Obscene. Them! The Visual Cultures of 'Othering' in Post-Referendum UK and Post-General-Election USA. Middlesex University, London, United Kingdom 13 Jan 2017Conference paper
The ambiguous ambivalence of feminist textiles
Kokoli, A. 2017. The ambiguous ambivalence of feminist textiles. in: Ford, S. (ed.) CUT CLOTH: Contemporary Textiles and Feminism PO Publishing. pp. 60-65Book chapter
Associating places: strategies for live, site specific, sound art performance
Spinks, T. 2015. Associating places: strategies for live, site specific, sound art performance. PhD thesis University of the Arts LondonPhD thesis
Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism
Kokoli, A. 2017. Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism. Oxford Art Journal. 40 (1), pp. 153-168. https://doi.org/10.1093/oxartj/kcx004Article
History or not: addressing omissions in the retelling of art's stories (roundtable discussion)
Kokoli, A., Allen, F., Boyce, S., Budd, A., Hiller, S., Hudek, A. and Sainsbury, A. 2017. History or not: addressing omissions in the retelling of art's stories (roundtable discussion). History or Not: Addressing Omissions in the Retelling of Art's Stories. Raven Row, London, United Kingdom 18 Mar 2017Conference item
Our Land: creative approaches to the redevelopment of London’s Docklands
Leeson, L. 2019. Our Land: creative approaches to the redevelopment of London’s Docklands. International Journal of Heritage Studies. 25 (4), pp. 365-379. https://doi.org/10.1080/13527258.2018.1485166Article
Sapphic Modernists - Re-visiting Elizabeth McCausland and Berenice Abbott’s Changing New York
Maude-Roxby, A., Seibold, S. and Goldsmiths University in conjunction with Tate Modern 2016. Sapphic Modernists - Re-visiting Elizabeth McCausland and Berenice Abbott’s Changing New York. Urban Encounters Conference. Goldsmiths University and Tate Modern 03 - 06 Nov 2016Conference item
Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller
Kokoli, A. Kokoli, A. (ed.) 2017. Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller. Tate Research Publication.Book
Active Energy
Leeson, L. 2016. Active Energy. Feeding the Insatiable: a creative summit. Dartington Hall, Devon, England 09 - 11 Nov 2016Conference item
La alternativa de Bugs Bunny. Matador y Estrella en "Bully for Bugs" (Chuck Jones,1953)
Smith, S. and Summers, S. 2017. La alternativa de Bugs Bunny. Matador y Estrella en "Bully for Bugs" (Chuck Jones,1953). Revista de Estudios Taurinos. 41, pp. 251-278.Article
Hum films
Sandiland, N. 2017. Hum films.Digital or visual media
Unearthing the Banker's Bones: notes on tricksters and robots
Piper, K. 2017. Unearthing the Banker's Bones: notes on tricksters and robots.Digital or visual media
Keynote at 'Responding to a Landscape', Midlands Art Centre, Birmingham (Symposium)
Billingham, R. 2017. Keynote at 'Responding to a Landscape', Midlands Art Centre, Birmingham (Symposium). Responding to a Landscape. Midlands Art Center, Birmingham, UK 24 Nov 2017Conference keynote
'Order out of Chaos' - artists talk and solo exhibition
Billingham, R. 2017. 'Order out of Chaos' - artists talk and solo exhibition. Art Exchange, University of Essex, Colchester, UK 24 Feb - 25 Mar 2017Show or exhibition
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