Visual Arts
| Title | Visual Arts |
|---|---|
| Alternative | ACI - VA |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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Interview for "The NHS: A People's History"
Leeson, L. 2018. Interview for "The NHS: A People's History". BBC FOUR BBC.Other
Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University
Deepwell, K., Kokoli, A., Robinson, A., Mullaniff, K., Dick, E., Attwood, F., Leeson, L. and Maude-Roxby, A. 2018. Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University. Feminist Art Activisms and Artivisms. Middlesex University, London, UK 02 Jul 2018 Middlesex University. https://doi.org/10.22023/mdx.6716054.v1Conference item
Co-creation as a strategy for change
Leeson, L. 2018. Co-creation as a strategy for change. Co-Creation: Creativity-Based Methods to Engage with Communities. University of Bath, Bath, United Kingdom 24 May 2018Conference item
Interview for The GLC Story
Leeson, L. 2017. Interview for The GLC Story.Digital or visual media
Interview and video in London Community Video Archive
Leeson, L. 2017. Interview and video in London Community Video Archive.Digital or visual media
Enter the Xiaozi: youth in the Hong Kong Kung Fu comedy film
White, L. 2017. Enter the Xiaozi: youth in the Hong Kong Kung Fu comedy film. World Youth Martial Arts Mastership International Academic Conference. Cheongju University, Korea 03 - 04 Nov 2017Conference paper
Lands of Lost Content: British Landscapes in Tate Archive
Timberlake, J. 2018. Lands of Lost Content: British Landscapes in Tate Archive. Tate Archive TATE.Other
HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018.
Kokoli, A. and Sliwinska, B. 2018. HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018. l'etrangere, 44a Charlotte Road, London EC2A 3PD 08 Mar - 21 Apr 2018Show or exhibition
Berthold Wolpe: The Total Man
Cleaver, P. 2018. Berthold Wolpe: The Total Man. London, UK Impress.Book
Installation work in 'Hope is Strong' exhibition
Piper, K. 2018. Installation work in 'Hope is Strong' exhibition. Millennium Gallery, Sheffield 17 Feb - 10 Jun 2018Show or exhibition
n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons
Deepwell, K. 2017. n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons.Design
Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska
Deepwell, K. and Milevska, S. 2015. Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska. in: Lijster, T., Milevska, S., Gielen, P. and Sonderegger, R. (ed.) Spaces for Criticism: Shifts in Contemporary Art Discourses Amsterdam Valiz. pp. 171-192Book chapter
Feminist collaborative projects in the UK in the 1970s'
Deepwell, K. 2018. Feminist collaborative projects in the UK in the 1970s'. in: Jakubowska, A. and Deepwell, K. (ed.) All-Women art spaces in Europe in the Long 1970s Liverpool Liverpool University Press.Book chapter
‘Thinking/acting with tactics of displacement’
Deepwell, K. 2015. ‘Thinking/acting with tactics of displacement’. in: Alonso, S. and Marful, I. (ed.) RE-ACTION, una ginología artística contra el canon Spain, Asturia Sala LAUDEO, Universidad de Oviedo. pp. 31-36Book chapter
All-women art spaces in Europe in the long 1970s
Jakubowska, A. and Deepwell, K. (ed.) 2018. All-women art spaces in Europe in the long 1970s. Liverpool Liverpool University Press.Book
Cinderella River: The evolving narrative of the River Lee
Read, S. 2017. Cinderella River: The evolving narrative of the River Lee. London http://hydrocitizenship.com.Book
Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism
Kokoli, A. 2017. Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism. A Feminist Space at Leeds: Looking Back to Think Forward. Leeds University 16 - 17 Dec 2017Conference paper
Read my QR: Quilla Constance and the conceptualist promise of intelligibility
Kokoli, A. 2017. Read my QR: Quilla Constance and the conceptualist promise of intelligibility. Aikens, N., lok, s. and Orlando, S. (ed.) Conceptualism: Intersectional Readings, International Framings, Black Artists and Modernism (BAM) Conference. Van Abbemuseum, Eindhoven, Netherlands 07 - 09 Dec 2017 Van Abbemuseum, Eindhoven. pp. 36-53Conference paper
Do textiles think?
Kokoli, A. 2017. Do textiles think? in: Kyprianidou, E. (ed.) Weaving Culture in Europe Nisos. pp. 99-102Book chapter
High fantasy meets low culture in How To Train Your Dragon (2010)
Summers, S. 2018. High fantasy meets low culture in How To Train Your Dragon (2010). in: Holliday, C. and Sergeant, A. (ed.) Fantasy/Animation: Connections Between Media, Mediums and Genres New York, NY Taylor & Francis (Routledge). pp. 227-242Book chapter
From shelf to screen: toys as a site of intertextuality
Summers, S. 2018. From shelf to screen: toys as a site of intertextuality. in: Smith, S., Brown, N. and Summers, S. (ed.) Toy Story: How Pixar Reinvented the Animated Feature New York, NY Bloomsbury. pp. 127-140Book chapter
Introduction
Brown, N., Smith, S. and Summers, S. 2018. Introduction. in: Smith, S., Brown, N. and Summers, S. (ed.) Toy Story: How Pixar Reinvented the Animated Feature New York, NY Bloomsbury. pp. 1-6Introduction
Toy Story: how Pixar reinvented the animated feature
Smith, S., Brown, N. and Summers, S. (ed.) 2018. Toy Story: how Pixar reinvented the animated feature. New York, NY Bloomsbury.Edited Book
Photographic work included in 'Who Decides?' exhibition and series of public events, National Museum Cardiff, Cardiff
Billingham, R. 2018. Photographic work included in 'Who Decides?' exhibition and series of public events, National Museum Cardiff, Cardiff.Artefact
Inclusion of early video work in group show 'HOOKED: When Want Becomes Need', King's College London, London
Billingham, R. 2018. Inclusion of early video work in group show 'HOOKED: When Want Becomes Need', King's College London, London.Artefact
'Ray & Liz' - feature film for cinema, broadcast, DVD and online formats
Billingham, R. 2018. 'Ray & Liz' - feature film for cinema, broadcast, DVD and online formats. London, UKDigital or visual media
Black Rice Trio, improvising live at Iklecktik
Nagle, P., Spinks, T. and Kraft, R. 2018. Black Rice Trio, improvising live at Iklecktik. Iklectik artlab, London, UK 27 Sep 2016Public performance
Water power: creativity and the unlocking of community knowledge
Leeson, L. 2018. Water power: creativity and the unlocking of community knowledge. in: Roberts, L. and Phillips, K. (ed.) Water, Creativity and Meaning: Multidisciplinary understandings of human-water relationships Routledge. pp. 23-35Book chapter
Cultural democracy [Blog post]
Leeson, L. 2018. Cultural democracy [Blog post]. MDX Minds Middlesex University.Blog
Landscape and the Science Fiction Imaginary
Timberlake, J. 2018. Landscape and the Science Fiction Imaginary. Bristol Intellect.Authored Book
But a storm is blowing from paradise: contemporary art of the Middle East and North Africa (2016), Solomon R. Guggenheim Museum, New York
Cavusoglu, E. 2016. But a storm is blowing from paradise: contemporary art of the Middle East and North Africa (2016), Solomon R. Guggenheim Museum, New York.Artefact
Desire Lines /Tarot & Chess/
Cavusoglu, E. 2016. Desire Lines /Tarot & Chess/.Digital or visual media
Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance
Kokoli, A. 2018. Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance. Hypatia: A Journal of Feminist Philosophy. 33 (3), pp. 485-499. https://doi.org/10.1111/hypa.12399Article
Cultural democracy
Jacques, J., Leeson, L., Wainwright, H. and Mahamdallie, H. 2017. Cultural democracy. Resonance FM - Suite (212).Other
For Walls with Tongues
Leeson, L. 2017. For Walls with Tongues. For Walls with Tongues. Whitechapel Gallery 01 Nov 2017Conference item
The viscosity of duration: Painterly surface and the phenomenology of time in the London paintings of Frank Auerbach
Robinson, A. 2018. The viscosity of duration: Painterly surface and the phenomenology of time in the London paintings of Frank Auerbach. Journal of Contemporary Painting. 4 (1), pp. 199-217. https://doi.org/10.1386/jcp.4.1.199_1Article
Another Country IV, Another Country XIII, Another Country XIV, Another Country IX installed as part of Turning Points (Fordulopontok) curated by Zsolt Petranyi and Vito Vojnits Purcsar
Timberlake, J. 2014. Another Country IV, Another Country XIII, Another Country XIV, Another Country IX installed as part of Turning Points (Fordulopontok) curated by Zsolt Petranyi and Vito Vojnits Purcsar.Artefact
We are history
Timberlake, J. 2014. We are history. Beaconsfield, 22 Newport St, London SE11 28 Jun - 30 Aug 2014Show or exhibition
We are history
Timberlake, J. 2015. We are history. in: Garlake, M. (ed.) Beaconsfield: Chronic Epoch Black Dog Publishing. pp. 171Book chapter
Confluence: Public Art and the Thames / A Conversation with Six Artists
Leeson, L. 2017. Confluence: Public Art and the Thames / A Conversation with Six Artists. Totally Thames Festival. Thames Tunnel Shaft, Brunel Museum 11 Sep 2017Conference item
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