Prof Hilary Robinson
| Name | Prof Hilary Robinson |
|---|---|
| Job title | Professor in Visual Culture |
| Research institute | |
| Primary appointment | School of Arts |
| Contact category | Academic staff (past) |
Research outputs
New feminist activism: memory, art, and context
Robinson, H. 2016. New feminist activism: memory, art, and context. XLIX AICA International Congress: New Utopias: Art, Memory, Context. Havana, Cuba 11 - 15 Oct 2016 AICA.Feminism meets the big exhibition: museum survey shows since 2005
Robinson, H. 2016. Feminism meets the big exhibition: museum survey shows since 2005. On Curating. 29, pp. 29-40.Feminism art theory: an anthology 1968 - 2014
Robinson, H. (ed.) 2015. Feminism art theory: an anthology 1968 - 2014. Chichester, West Sussex WileyBlackwell.Actionmyth, historypanic: the entry of VALIE EXPORT’s aktionhose: genitalpanik into art history
Robinson, H. 2013. Actionmyth, historypanic: the entry of VALIE EXPORT’s aktionhose: genitalpanik into art history. n.paradoxa: international feminist art journal. 23, pp. 84-89.Feminism meets the big exhibition: 2005 onwards
Robinson, H. 2013. Feminism meets the big exhibition: 2005 onwards. Anglo Saxonica. 3 (6).Feminist and ...
Robinson, H. 2012. Feminist and ... Pittsburgh, PA, USA 07 Sep 2012 - 26 May 2013Pleasure, painting, politics: the three graces – or: why I like Adélaïde Labille-Guiard’s Self-Portrait With Two Pupils
Robinson, H. 2012. Pleasure, painting, politics: the three graces – or: why I like Adélaïde Labille-Guiard’s Self-Portrait With Two Pupils. in: Arakistain, X. and Méndes, L. (ed.) Artistic Production and the Feminist Theory of Art: New Debates III Victoria-Gastiez, Spain Ayuntamiento de Vitoria-Gastiezko Udalak. pp. 306-316The third space: a paradigm for internationalisation
Harley, A., James, S., Reid, E., Reid, S., Robinson, H. and Watson, Y. 2008. The third space: a paradigm for internationalisation. in: Drew, L. (ed.) The Student Experience in Art and Design Higher Education: Drivers for Change Cambridge Jill Rogers Associates Ltd. pp. 167-187Reading art, reading Irigaray: the politics of art by women
Robinson, H. (ed.) 2006. Reading art, reading Irigaray: the politics of art by women. London I.B.Tauris.Becoming women: Irigaray, Ireland and visual representation
Robinson, H. 2003. Becoming women: Irigaray, Ireland and visual representation. in: Bhreathnach-Lynch, S. and Cusack, T. (ed.) Art, Gender and Nation: Ethnic Landscapes, Myths and Mother-Figures Aldershot Ashgate. pp. 113-127Feminism-art-theory: 1968-2000
Robinson, H. (ed.) 2001. Feminism-art-theory: 1968-2000. Oxford WileyBlackwell.Whose beauty? Women, art, and inter-subjectivity in Luce Irigaray’s writings
Robinson, H. 2000. Whose beauty? Women, art, and inter-subjectivity in Luce Irigaray’s writings. in: Brand, P. (ed.) Beauty Matters Indiana University Press. pp. 224-251Within the Pale in from: Beyond the Pale: the construction of femininity in the curating of an exhibition season at the Irish Museum of Modern Art, Dublin
Robinson, H. 1997. Within the Pale in from: Beyond the Pale: the construction of femininity in the curating of an exhibition season at the Irish Museum of Modern Art, Dublin. Journal of Gender Studies. 6 (3), pp. 255-267. https://doi.org/10.1080/09589236.1997.996068692
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