Mr Keith Piper
| Name | Mr Keith Piper |
|---|---|
| Job title | Professor of Fine Art |
| Research institute | |
| Primary appointment | School of Arts |
| Email address | K.Piper@mdx.ac.uk |
| ORCID | https://orcid.org/0000-0002-8551-5630 |
| Contact category | Researcher |
Research outputs
Music devised for the film Viva Voce by Keith Piper
Piper, K. and Spinks, T. 2024. Music devised for the film Viva Voce by Keith Piper. London, UK Tate Britain.Jet Black Futures (Monograph)
Piper, K., Dalal-Clayton, A. and Robinson, D. 2022. Jet Black Futures (Monograph). UK New Art Gallery Walsall.Jet Black Futures II
Piper, K. 2022. Jet Black Futures II. The New Art Gallery Walsall 14 Jan - 24 Apr 2022A Ship Called Jesus Redux
Piper, K. 2021. A Ship Called Jesus Redux.Outside Narration
Piper, K. 2021. Outside Narration. Gallery 8. Graves Art Gallery 03 Sep 2021 - 31 Dec 2022Keith Piper: Body politics. Work from 1982 - 2007
Piper, K. 2019. Keith Piper: Body politics. Work from 1982 - 2007. Wolverhampton Art Gallery, Wolverhampton, UK 10 Oct - 01 Dec 2019Rites of return politics of memory and diaspora
Piper, K., Kempadoo, R. and de Miranda, M. 2016. Rites of return politics of memory and diaspora. Rites of Return Politics of Memory and Diaspora - Talk. Hangar, Lisbon, Portugal 30 Sep 2016Artistic strategies from the 1980s and beyond: Keith Piper
Piper, K. 2017. Artistic strategies from the 1980s and beyond: Keith Piper. Artistic Strategies from the 1980s and Beyond: Keith Piper. Tate Modern, London 07 Mar 2017An Artist’s Story [object and video work in a group exhibition "Speech Acts"]
Piper, K. 2018. An Artist’s Story [object and video work in a group exhibition "Speech Acts"].Installation work in 'Hope is Strong' exhibition
Piper, K. 2018. Installation work in 'Hope is Strong' exhibition. Millennium Gallery, Sheffield 17 Feb - 10 Jun 2018Bloomberg New Contemporaries 2018 [Selectors]
Drew, B., Moran, K. and Piper, K. 2018. Bloomberg New Contemporaries 2018 [Selectors]. Liverpool School of Art & Design 14 Jul - 09 Sep 2018Special relationships: debates about black art in America impacted a later generation of black British artists
Piper, K. 2017. Special relationships: debates about black art in America impacted a later generation of black British artists. Apollo: The International Art Magazine. Oct 17, pp. 118-119.Jet Black Futures I
Piper, K. 2017. Jet Black Futures I. Beaconsfield Gallery, Vauxhall 20 Sep - 29 Oct 2017Unearthing the Banker's Bones: notes on tricksters and robots
Piper, K. 2017. Unearthing the Banker's Bones: notes on tricksters and robots.Unearthing the bankers bones
Piper, K. 2016. Unearthing the bankers bones. Bluecoat Liverpool 28 Oct 2016 - 22 Jan 2017Robot Bodies
Piper, K. 2015. Robot Bodies.Code/Code II
Piper, K. 2015. Code/Code II.A short sprint
Piper, K. A short sprint. Lake gallery, Birmingham 03 - 17 Aug 2012Getting into character: encounters with 'tricksterism' in contemporary depictions of the American slave plantation
Piper, K. 2013. Getting into character: encounters with 'tricksterism' in contemporary depictions of the American slave plantation. Art Across the Black Diaspora: Visualizing Slavery in America. Rothermere American Institute and the Art History Department, University of Oxford 24 Jul 2013The Blk Art Group research project 2012
Piper, K., Smith, M. and Johnson, C. 2012. The Blk Art Group research project 2012. Keith Piper.A future museum of the present
Piper, K. 2010. A future museum of the present.Donald Rodney in retrospect
Piper, K. 2008. Donald Rodney in retrospect.Forest fields
Piper, K. 2008. Forest fields.Lost Vitrines.
Piper, K. 2007. Lost Vitrines. Victoria and Albert Museum. 2007Crusade.
Piper, K. 2004. Crusade. Contemporary Art Museum, St Louis, USA, 2004.Synthetic Geographies.
Piper, K. 2004. Synthetic Geographies. Der Black Atlantic, Haus Der Kulturen Der Welt, Berlin, Germany.The Mechanoid's Bloodline/Robot Bodies III.
Piper, K. 2001. The Mechanoid's Bloodline/Robot Bodies III. Regina Gouger Miller Gallery, Carnegie Mellon University, Pittsburgh, USA. Apr 20011167
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