Afternoon

Digital or visual media


Heinemann, D., Vahey, S., Boulifa, F., Ng, S., B3 Media and UK Film Council 2008. Afternoon.
Media typeAudio
Title of workAfternoon
CreatorsHeinemann, D., Vahey, S., Boulifa, F., Ng, S., B3 Media and UK Film Council
Output mediaHD Video
Publication process dates
Deposited08 Apr 2010
Output statusPublished
LanguageEnglish
Publisher's version
Permalink -

https://repository.mdx.ac.uk/item/8271v

Download files

  • 43
    total views
  • 12
    total downloads
  • 2
    views this month
  • 0
    downloads this month

Export as

Related outputs

Voices apart
Heinemann, D., Nevardauskaite, E. and Broken Island Films 2020. Voices apart.
Remember, thou art clay
Heinemann, D., Nevardauskaite, E. and Broken Island Films 2017. Remember, thou art clay.
Unburied
Heinemann, D., Nevardauskaite, E. and Broken Island Films 2018. Unburied.
The French documentary in context: genealogy, aesthetics, ethics
Heinemann, D. and Tay, S. 2014. The French documentary in context: genealogy, aesthetics, ethics. Studies in French Cinema. 14 (3), pp. 157-166. https://doi.org/10.1080/14715880.2014.949452
Siren song: the narrating voice in two films by Raúl Ruiz
Heinemann, D. 2013. Siren song: the narrating voice in two films by Raúl Ruiz. Cinema Comparat/ive Cinema. 1 (3), pp. 66-75.
Michael and Gertrud: art and the artist in the films of Carl Theodor Dreyer
Heinemann, D. 2012. Michael and Gertrud: art and the artist in the films of Carl Theodor Dreyer. in: Allen, S. and Hubner, L. (ed.) Framing film: cinema and the visual arts Bristol, UK Intellect. pp. 149-164
Whore
Heinemann, D., Vahey, S., Boulifa, F., Berliner, M., B3 Media and UK Film Council 2008. Whore.
The creative voice: free indirect speech in the cinema of Rohmer and Bresson
Heinemann, D. 2012. The creative voice: free indirect speech in the cinema of Rohmer and Bresson. Studies in French cinema: screen sounds. King's College, London 14 Apr 2008 Edinburgh University Press. https://doi.org/10.3366/sound.2012.0024