The French documentary in context: genealogy, aesthetics, ethics

Article


Heinemann, D. and Tay, S. 2014. The French documentary in context: genealogy, aesthetics, ethics. Studies in French Cinema. 14 (3), pp. 157-166. https://doi.org/10.1080/14715880.2014.949452
TypeArticle
TitleThe French documentary in context: genealogy, aesthetics, ethics
AuthorsHeinemann, D. and Tay, S.
Abstract

Editorial

PublisherRoutledge
JournalStudies in French Cinema
ISSN1471-5880
Publication dates
Print23 Sep 2014
Publication process dates
Deposited28 Apr 2015
Output statusPublished
Digital Object Identifier (DOI)https://doi.org/10.1080/14715880.2014.949452
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/852qq

  • 26
    total views
  • 0
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

Voices apart
Heinemann, D., Nevardauskaite, E. and Broken Island Films 2020. Voices apart.
Remember, thou art clay
Heinemann, D., Nevardauskaite, E. and Broken Island Films 2017. Remember, thou art clay.
Unburied
Heinemann, D., Nevardauskaite, E. and Broken Island Films 2018. Unburied.
Siren song: the narrating voice in two films by Raúl Ruiz
Heinemann, D. 2013. Siren song: the narrating voice in two films by Raúl Ruiz. Cinema Comparat/ive Cinema. 1 (3), pp. 66-75.
Michael and Gertrud: art and the artist in the films of Carl Theodor Dreyer
Heinemann, D. 2012. Michael and Gertrud: art and the artist in the films of Carl Theodor Dreyer. in: Allen, S. and Hubner, L. (ed.) Framing film: cinema and the visual arts Bristol, UK Intellect. pp. 149-164
Whore
Heinemann, D., Vahey, S., Boulifa, F., Berliner, M., B3 Media and UK Film Council 2008. Whore.
Afternoon
Heinemann, D., Vahey, S., Boulifa, F., Ng, S., B3 Media and UK Film Council 2008. Afternoon.
The creative voice: free indirect speech in the cinema of Rohmer and Bresson
Heinemann, D. 2012. The creative voice: free indirect speech in the cinema of Rohmer and Bresson. Studies in French cinema: screen sounds. King's College, London 14 Apr 2008 Edinburgh University Press. https://doi.org/10.3366/sound.2012.0024