Dr Sharon Tay
| Name | Dr Sharon Tay |
|---|---|
| Job title | Senior Lecturer in Film Studies |
| Research institute | |
| Primary appointment | ACI Faculty Leadership |
| Contact category | Academic staff (past) |
Research outputs
Architectures of control and points of resistance: surveillance culture and digital documentaries
Tay, S. 2015. Architectures of control and points of resistance: surveillance culture and digital documentaries. in: Juhasz, A. and Lebow, A. (ed.) A Companion to Contemporary Documentary Film WileyBlackwell. pp. 566-579The French documentary in context: genealogy, aesthetics, ethics
Heinemann, D. and Tay, S. 2014. The French documentary in context: genealogy, aesthetics, ethics. Studies in French Cinema. 14 (3), pp. 157-166. https://doi.org/10.1080/14715880.2014.949452Geopolitics and the Location of Cultural Memories
Tay, S. 2011. Geopolitics and the Location of Cultural Memories. Documentary Now!. University of Westminster, London 29 Jan 2011Geography, politics and location in transnational media practices
Tay, S. 2011. Geography, politics and location in transnational media practices. 1st International Conference on Emerging Research Paradigms in Business and Social Science. Dubai, UAE 22 - 26 Nov 2011Beyond trauma: politicising the expository documentary
Tay, S. 2010. Beyond trauma: politicising the expository documentary. Research Seminar at the Wee Kim Wee School of Communications and Information. Nanyang Technological University, Singapore 24 Mar 2010Culture and aesthetics in transnational contexts
Tay, S. 2011. Culture and aesthetics in transnational contexts. The Language of Art and Music: A Three Piece Puzzle in the Relationship between Culture, International Relations and Globalization. London, UK 26 Aug 2011Trafficked identities
Tay, S. and Hudson, D. 2011. Trafficked identities. Ithaca, NY, USA Apr 2011Digital checkpoints
Tay, S. and Hudson, D. 2011. Digital checkpoints. Ithaca, NY, USA Apr 2011Map open space
Tay, S. and Hudson, D. 2010. Map open space. Ithaca, New YorkOpen space
Tay, S., Zimmermann, P. and Draper, N. 2010. Open space. Suntec City, Singapore 22 - 26 Jun 2010Geographical dislocations, personal upheavals, and feminist politics in Guo Xiaolu and Deepa Mehta's film practices
Tay, S. 2010. Geographical dislocations, personal upheavals, and feminist politics in Guo Xiaolu and Deepa Mehta's film practices. Conference on China and the West: Cosmopolitics, Memory and Visual Media in the 21st Century. Hong Kong, China 11 - 12 Jun 2010Abbas Kiarostami
Tay, S. 2010. Abbas Kiarostami. in: Tasker, Y. (ed.) Fifty Contemporary Film Directors Routledge. pp. 233-239Women on the edge: twelve political film practices
Tay, S. 2009. Women on the edge: twelve political film practices. Basingstoke Palgrave Macmillan.Undisclosed recipients: online digital art and global political imaginaries.
Tay, S. and Hudson, D. 2007. Undisclosed recipients: online digital art and global political imaginaries. Visible Evidence XIV. Ruhr-Universität, Bochum, Germany. 20 Dec 2007How to theorise the cinematic bitches from hell: the genealogy from abjection to resistance.
Tay, S. 2003. How to theorise the cinematic bitches from hell: the genealogy from abjection to resistance. Screen Studies Conference. Glasgow University, Scotland 06 Jul 2003Psychogeography, locative media, and performativity.
Tay, S. 2008. Psychogeography, locative media, and performativity. Visible Evidence XV. University of Lincoln, UK 05 Aug 2008Digitising desire: sustaining the throb and pulsation of desire in film theory.
Tay, S. 2004. Digitising desire: sustaining the throb and pulsation of desire in film theory. The Spectacle and the Spectacular Conference. Buckinghamshire Chilterns University College, High Wycombe 24 Apr 2004Deleuze meets Hitchcock; and the horror thereafter.
Tay, S. 2002. Deleuze meets Hitchcock; and the horror thereafter. Screen Studies Conference. Glasgow University, Scotland. 30 Jun 2002Digitising desire in documentary: image, contingency, theory, and copyright
Tay, S. and Zimmermann, P. 2005. Digitising desire in documentary: image, contingency, theory, and copyright. Visible Evidence XII. Concordia University, Montreal, Canada, 23 Aug 2005Contingencies: an introduction to the exhibition.
Tay, S. and Simmermsnn, P. 2003. Contingencies: an introduction to the exhibition. Substation.Conceiving Ada: the weaving of a feminist imperative into the cinematic new mediascape.
Tay, S. 2005. Conceiving Ada: the weaving of a feminist imperative into the cinematic new mediascape. Cinema and Technology International Conference. Lancaster University, UK, 07 Apr 2005Cinema on the pulse: the 52nd London film festival
Tay, S. 2009. Cinema on the pulse: the 52nd London film festival. Afterimage. 36 (4), pp. 4-5.Bodily traces in digital encounters: materializing virtualities for the political documentary
Tay, S. 2009. Bodily traces in digital encounters: materializing virtualities for the political documentary. Afterimage. 36 (4), pp. 20-22.Les LeVeque et la numérisation du désir
Tay, S. and Zimmermann, P. 2008. Les LeVeque et la numérisation du désir. in: Lioult, J. (ed.) Des mouvants indices du monde: documentaire, traces, aléas Université de Provence.Sticky-content.
Hudson, D. and Tay, S. 2008. Sticky-content. Ithaca College, New York.Undisclosed recipients: documentary in an era of digital convergence
Tay, S. and Hudson, D. 2008. Undisclosed recipients: documentary in an era of digital convergence. Studies in Documentary Film. 2 (1), pp. 79-88. https://doi.org/10.1386/sdf.2.1.79_1Ubuntu kuqala.
Tay, S. and Hudson, D. 2008. Ubuntu kuqala. Ithaca College, New YorkUndisclosed recipients.
Hudson, D. and Tay, S. 2007. Undisclosed recipients. Ithaca College, New YorkThrobs and pulsations: Les LeVeque and the digitization of desire
Tay, S. and Zimmermann, P. 2007. Throbs and pulsations: Les LeVeque and the digitization of desire. Afterimage. 34 (4), pp. 12-16.Conceiving Ada: conceiving feminist possibilities in the new mediascape
Tay, S. 2007. Conceiving Ada: conceiving feminist possibilities in the new mediascape. Women: a cultural review. 18 (2), pp. 182-198.Activating the future: political documentaries and media activism.
Tay, S. 2006. Activating the future: political documentaries and media activism. in: VanMeenen, K. (ed.) Afterimage : the journal of media arts and the cultural activism vol. 34, nos. 1 & 2 New York Visual Studies Workshop.. pp. 46-47Gendering the auteur: time, narrative, and intertextuality in scenes from a marriage and faithless
Tay, S. 2006. Gendering the auteur: time, narrative, and intertextuality in scenes from a marriage and faithless. in: Thomson, C. (ed.) Northern constellations: new readings in Nordic cinema Norwich Norvik Press.Stunning simplicity: Abbas Kiarostami, visions of the artist
Tay, S. 2005. Stunning simplicity: Abbas Kiarostami, visions of the artist. Afterimage. 33 (2), pp. 47-48.Sustaining the cinematic bitch from hell: the politics of Dolores Claiborne within a feminist genealogy
Tay, S. 2004. Sustaining the cinematic bitch from hell: the politics of Dolores Claiborne within a feminist genealogy. in: Schubart, R. and Gjelsvik, A. (ed.) Femme fatalities: representations of strong women in the media Göteborg Nordicom. pp. 219-230Constructing a feminist cinematic genealogy: the gothic woman's film beyond psychoanalysis
Tay, S. 2003. Constructing a feminist cinematic genealogy: the gothic woman's film beyond psychoanalysis. Women: a cultural review. 14 (3), pp. 263-280.Abbas Kiarostami: new waves, authorship, and the politics of the festival circuit
Tay, S. 2002. Abbas Kiarostami: new waves, authorship, and the politics of the festival circuit. in: Tasker, Y. (ed.) Fifty Contemporary Filmmakers London Routledge. pp. 203-210Sally Potter
Tay, S. 2001. Sally Potter. in: Allon, Y., Cullen, D. and Patterson, H. (ed.) Contemporary British and Irish film directors: a Wallflower critical guide London Wallflower. pp. 271-273148
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