Video installation as a creative means of representing temporality in visual data

Article

Hansen, S. 2018. Video installation as a creative means of representing temporality in visual data. Qualitative Research in Psychology. 15 (2-3), pp. 292-297. https://doi.org/10.1080/14780887.2018.1430011
TypeArticle
TitleVideo installation as a creative means of representing temporality in visual data
AuthorsHansen, S.
Abstract

This paper describes the use of video installation as a creative means of engaging audiences in visual research. A detailed image-based overview of the project, 1247 Days on Whymark Avenue, is also presented. This interactive video installation offered viewers a level of phenomenological immersion in the compressed temporality and asynchronous dialogue captured by this visual research project. This film is part of a larger research project on the longitudinal photo-documentation of urban life (Hansen & Flynn 2015a). The project uses repeat photography to study street art and graffiti as visual dialogue.

PublisherTaylor & Francis (Routledge)
JournalQualitative Research in Psychology
ISSN1478-0887
Publication dates
Online01 Mar 2018
Print03 Jul 2018
Publication process dates
Deposited23 Feb 2018
Accepted07 Feb 2018
Output statusPublished
Accepted author manuscript
Copyright Statement

This is an Accepted Manuscript of an article published by Taylor & Francis in Qualitative Research in Psychology on 01/03/2018, available online: http://www.tandfonline.com/10.1080/14780887.2018.1430011

Digital Object Identifier (DOI)https://doi.org/10.1080/14780887.2018.1430011
LanguageEnglish
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