Nada Prlja: the left, language and writing

Article


Morariu, V. 2019. Nada Prlja: the left, language and writing. The Large Glass - Journal of Contemporary Art, Culture and Theory.
TypeArticle
TitleNada Prlja: the left, language and writing
AuthorsMorariu, V.
Abstract

In 2013 artist Nada Prlja invited me to moderate Red Discussion, a performance-debate that aimed to untangle the conditions of possibility of Marxism and the Left in contemporary (Western) society. In the performance I sat in the centre of a red table in the form of a pentagon and write notes, concepts, ideas, and arguments emerging from the my discussion with five scholars: Dave Beech, Hannah Black, Gail Day, Mark Fisher, and Nina Power.
In 2019 Nada Prlja invited me to reprise my role in a second instalment of the work, within North Macedonia's pavilion at the Venice Biennale. The other 5 participants were Charles Esche, Maurizio Lazzarato, Chantal Mouffe, Laura Raicovich and Artan Sadiku.
In 'Nada Prlja: the Left, Language and Writing' I am reflecting on my experience of performing in Red Discussion 1&2, specifically considering the relations between speech, discourse, language and writing. I’m arguing that the kernel of this work is eminently linguistic; thus, instead of promising to reveal or discover the ‘essence’ of a ‘new left’, the project rather articulates an ‘infra-semiological system of signification’ (Roland Barthes) which resists the seduction of essentialism, mythification and ideologization.

PublisherMuseum of Contemporary Art Skopje
JournalThe Large Glass - Journal of Contemporary Art, Culture and Theory
ISSN1409-5823
Publication dates
Online15 Jan 2020
Print2019
Publication process dates
Deposited15 Sep 2020
Accepted07 Oct 2019
Output statusPublished
Web address (URL)https://msu.mk/the-large-glass-journal-vol-27-28-2019/
LanguageEnglish
ISBN
Hardcover9771409582008
Permalink -

https://repository.mdx.ac.uk/item/89126

  • 40
    total views
  • 0
    total downloads
  • 5
    views this month
  • 0
    downloads this month

Export as

Related outputs

Ritual, magic, and politics: The haunting of Farid Fairuz
Morariu, V. 2022. Ritual, magic, and politics: The haunting of Farid Fairuz. in: Voinea, R. (ed.) Farid Fairuz PUNCH.
Unpacking a collection: Phil Cleaver’s Book-Object-Art
Morariu, V. 2021. Unpacking a collection: Phil Cleaver’s Book-Object-Art. Zhuangshi - Chinese Journal of Design.
Collection Collective. Template for a Future Model of Representation (Exhibition at tranzit.sk, Bratislava, Slovakia) & Collection Collective. In the Future All Our Homes Will Be Museums (Public seminar at Kunsthalle Bratislava, Slovakia) [Curator]
Morariu, V., Angel, J. and Voinea, R. 2017. Collection Collective. Template for a Future Model of Representation (Exhibition at tranzit.sk, Bratislava, Slovakia) & Collection Collective. In the Future All Our Homes Will Be Museums (Public seminar at Kunsthalle Bratislava, Slovakia) [Curator]. tranzit.sk, Beskydská 12, Bratislava, Slovakia 10 Oct - 18 Nov 2017
Project sigma: the temporality of activism
Morariu, V. and Karhunen, J. 2020. Project sigma: the temporality of activism. in: Kinna, R. and Whiteley, G. (ed.) Cultures of violence. Visual arts and political violence Routledge. pp. 60-78
Collection collective: rethinking function, ownership and possession
Morariu, V. 2018. Collection collective: rethinking function, ownership and possession. 'Applied Baudrillard' - 2nd International Multidisciplinary Conference on Baudrillard Studies. Oxford Brookes University, Oxford, UK 05 - 07 Sep 2018
Collection collective: collection of contemporary art
Morariu, V., Angel, J., Voinea, R. and Collection Collective Members 2018. Collection collective: collection of contemporary art. Collection Collective.
Collection Collective. Tools for self-representation. Documentary display with website launch and public seminar at tranzit.ro (Romania)
Morariu, V., Angel, J., Voinea, R. and Collection Collective Members 2018. Collection Collective. Tools for self-representation. Documentary display with website launch and public seminar at tranzit.ro (Romania). tranzit.ro, Str. Gazelei, nr. 44, sector 4 Bucharest, Romania 25 Oct - 04 Nov 2018
The “independent” condition: perspectives on Eastern Europe’s cultural sector
Morariu, V. 2016. The “independent” condition: perspectives on Eastern Europe’s cultural sector. Mezosfera.org.
Transitory erasures: subjects of institutional critique
Morariu, V. 2017. Transitory erasures: subjects of institutional critique. in: Oberprantacher, A. and Siclodi, A. (ed.) Subjectivation in Political Theory and Contemporary Practices Palgrave Macmillan UK. pp. 165-180
Collection Collective
Morariu, V., Angel, J., Voinea, R. and Collection Collective Members 2017. Collection Collective. Middlesex University Research Repository.
Parerga. Frames of Art/Institutional Critique (within Dissent and Certainty)
Siclodi, A., Morariu, V., Jarosch, D., Ausserdorfer, P., Brebenel, M., Grupa, F. and Freee Art Collective 2014. Parerga. Frames of Art/Institutional Critique (within Dissent and Certainty). Kunstpavillon Innsbruck 25 Oct 2013