Dr Vlad Morariu


Dr Vlad Morariu
NameDr Vlad Morariu
Job titleSenior Lecturer in Fashion Visual Cultures
Research institute
Primary appointmentSchool of Design
Email addressv.morariu@mdx.ac.uk
ORCIDhttps://orcid.org/0000-0002-6421-5727
Contact categoryAcademic staff

Biography

Biography

Dr Vlad Morariu is a researcher, curator and academic based at Middlesex University London. His work sits across 20th Century philosophy, semiotics, and visual and material cultures, particularly focusing on the construction and deconstruction of institutional narratives. In 2017, together with Raluca Voinea and Judit Angel, Morariu initiated Collection Collective: an international art collection established, owned, and managed collectively by its more than 50 members.

Teaching

Postgraduate Examination and Supervision

External Examination

Tanya Abraham (2025) Across the Spectrum: The Kochi-Muziris Biennale's Possibilities within India's Complex Socio-Cultural Structure, with Dr James Hellings, Reading School of Art, University of Reading.

Internal Examination

Brian Baderman (2024): 'Navigating Netherne: Correlating Feeling with Place,' with Prof. Barry Curtis, Royal College of Art

Neda Mohamadi (2022): ‘A Curatorial Study of Migration in Arts,’ with Prof. Dorothee Richter, University of the Arts Zurich (ZHdK)/University of Reading

Viva Voce Chair

Casey MacKenzie (2023): Blood, Death and Desert. Engaging with Radical Theology Through Art Practice, History, and Theory’

Paula St. Clare Chambers (2020): ‘Feral Objects and Acts of Domestic Piracy: Sculpture, Secular Magic and Strategies of Feminist Disruption’ 

PhD Supervision Completions

Noura Al Otaibi (2020-Completion): ‘The Intercorrelation between Arabic Calligraphy and Graphic Design in Saudi Arabia’ (Director of Studies)

Current PhD Students 

Olgica Momirowska (2024-2027): 'Redefining Boundaries: Correlations between Fine Art and Fashion Design' (Director of Studies)

Matthew Maxwell (2022-2025): 'The Ghost in the Cloud: Generative Artificial Intelligence in contemporary art practice' (Director of Studies)

Elisabetta del Ponte (2023-2026):  'Est-Ethica! Toward an epistemology of ethical artistic collaboration between humans and non-human entities via our shared matter'  (Director of Studies)

 

MA Modules: Critical Debates in Contemporary Art (Level 7); Advanced Research (Level 7)

BA Modules: Visual Cultures Research Project (Module Leader – Level 6); Fashion Cultures and Social Responsibility (Co-Module Leader - Level 5); Fashion History and Social Identity (Co-Module Leader - Level 4)

 

Loughborough University (previous)

MA Modules: Publics: Histories, Theories and Critical Practices (Level 7)

BA Modules: Art and Design Dissertation (Level 6); Visual Culture: Histories and Theories (Level 5); Contemporary Art and Aesthetics (Level 5); Art and Society (Level 5); Research, Analysis and Study Skills in Art and Design (Level 4); Drawing: Discourses and Debates (Level 4)

Employment

Visiting Lecturer Art History and Visual Culture
Loughborough University
01 Oct 2014
01 Mar 2017
International Fellow for Art Theory and Practice
KÜNSTLERHAUS BÜCHSENHAUSEN
01 Oct 2013
31 Jul 2014
Lecturer/Senior Lecturer in Visual Cultures
Middlesex University
01 Oct 2016

Education and qualifications

Grants

Prizes and Awards

Research outputs

Ritual, magic, and politics: the haunting of Farid Fairuz

Morariu, V. 2022. Ritual, magic, and politics: the haunting of Farid Fairuz. in: Voinea, R. (ed.) Farid Fairuz PUNCH.

Unpacking a collection: Phil Cleaver’s Book-Object-Art

Morariu, V. 2021. Unpacking a collection: Phil Cleaver’s Book-Object-Art. Zhuangshi - Chinese Journal of Design.

Project sigma: the temporality of activism

Morariu, V. and Karhunen, J. 2020. Project sigma: the temporality of activism. in: Kinna, R. and Whiteley, G. (ed.) Cultures of violence. Visual arts and political violence Routledge. pp. 60-78

Nada Prlja: the left, language and writing

Morariu, V. 2019. Nada Prlja: the left, language and writing. The Large Glass - Journal of Contemporary Art, Culture and Theory.

Collection collective: collection of contemporary art

Morariu, V., Angel, J., Voinea, R. and Collection Collective Members 2018. Collection collective: collection of contemporary art. Collection Collective.

Collection Collective. Tools for self-representation. Documentary display with website launch and public seminar at tranzit.ro (Romania)

Morariu, V., Angel, J., Voinea, R. and Collection Collective Members 2018. Collection Collective. Tools for self-representation. Documentary display with website launch and public seminar at tranzit.ro (Romania). tranzit.ro, Str. Gazelei, nr. 44, sector 4 Bucharest, Romania 25 Oct - 04 Nov 2018

Collection collective: rethinking function, ownership and possession

Morariu, V. 2018. Collection collective: rethinking function, ownership and possession. 'Applied Baudrillard' - 2nd International Multidisciplinary Conference on Baudrillard Studies. Oxford Brookes University, Oxford, UK 05 - 07 Sep 2018

Collection Collective

Morariu, V., Angel, J., Voinea, R. and Collection Collective Members 2017. Collection Collective. Middlesex University Research Repository.

Collection Collective. Template for a Future Model of Representation (Exhibition at tranzit.sk, Bratislava, Slovakia) & Collection Collective. In the Future All Our Homes Will Be Museums (Public seminar at Kunsthalle Bratislava, Slovakia) [Curator]

Morariu, V., Angel, J. and Voinea, R. 2017. Collection Collective. Template for a Future Model of Representation (Exhibition at tranzit.sk, Bratislava, Slovakia) & Collection Collective. In the Future All Our Homes Will Be Museums (Public seminar at Kunsthalle Bratislava, Slovakia) [Curator]. tranzit.sk, Beskydská 12, Bratislava, Slovakia 10 Oct - 18 Nov 2017

Transitory erasures: subjects of institutional critique

Morariu, V. 2017. Transitory erasures: subjects of institutional critique. in: Oberprantacher, A. and Siclodi, A. (ed.) Subjectivation in Political Theory and Contemporary Practices Palgrave Macmillan UK. pp. 165-180

The “independent” condition: perspectives on Eastern Europe’s cultural sector

Morariu, V. 2016. The “independent” condition: perspectives on Eastern Europe’s cultural sector. Mezosfera.org.

Parerga. Frames of Art/Institutional Critique (within Dissent and Certainty)

Siclodi, A., Morariu, V., Jarosch, D., Ausserdorfer, P., Brebenel, M., Grupa, F. and Freee Art Collective 2014. Parerga. Frames of Art/Institutional Critique (within Dissent and Certainty). Kunstpavillon Innsbruck 25 Oct 2013
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