Dr Vlad Morariu


Dr Vlad Morariu
NameDr Vlad Morariu
Job titleSenior Lecturer in Fashion Visual Cultures
Research institute
Primary appointmentSchool of Design
Email addressV.Morariu@mdx.ac.uk
ORCIDhttps://orcid.org/0000-0002-6421-5727
Contact categoryAcademic staff

Biography

Biography

Dr Vlad Morariu is a researcher, curator and academic based at Middlesex University London. His work sits across 20th Century philosophy, semiotics, and visual and material cultures, particularly focusing on the construction and deconstruction of institutional narratives. In 2017, together with Raluca Voinea and Judit Angel, Morariu initiated Collection Collective: an international art collection established, owned, and managed collectively by its more than 50 members.

Teaching

Middlesex University (current)

Current PhD Supervision 

Olgica Momirowska (2024-2027): 'Redefining Boundaries: Correlations between Fine Art and Fashion Design' (Director of Studies)

Matthew Maxwell (2022-2025): 'The Ghost in the Cloud: Generative Artificial Intelligence in contemporary art practice' (Director of Studies)

Elisabetta del Ponte (2023-2026):  'Est-Ethica! Toward an epistemology of ethical artistic collaboration between humans and non-human entities via our shared matter'  (Director of Studies)

PhD Competions

Noura Al Otaibi (2020-Completion): ‘The Intercorrelation between Arabic Calligraphy and Graphic Design in Saudi Arabia’ (Director of Studies)

PhD Examination

Brian Baderman (2024): 'Navigating Netherne: Correlating Feeling with Place'

Neda Mohamadi (2022): ‘A Curatorial Study of Migration in Arts’ 

Viva Voce Chair

Casey MacKenzie (2023): Blood, Death and Desert. Engaging with Radical Theology Through Art Practice, History, and Theory’ (Viva Voce Chair)

Paula St. Clare Chambers (2020): ‘Feral Objects and Acts of Domestic Piracy: Sculpture, Secular Magic and Strategies of Feminist Disruption’ (PhD Transfer Examiner and Viva Chair)

 

MA Modules: Critical Debates in Contemporary Art (Level 7); Advanced Research (Level 7)

BA Modules: Visual Cultures Research Project (Module Leader – Level 6); Fashion Cultures and Social Responsibility (Co-Module Leader - Level 5); Fashion History and Social Identity (Co-Module Leader - Level 4)

 

Loughborough University (previous)

MA Modules: Publics: Histories, Theories and Critical Practices (Level 7)

BA Modules: Art and Design Dissertation (Level 6); Visual Culture: Histories and Theories (Level 5); Contemporary Art and Aesthetics (Level 5); Art and Society (Level 5); Research, Analysis and Study Skills in Art and Design (Level 4); Drawing: Discourses and Debates (Level 4)

Employment

Visiting Lecturer Art History and Visual Culture
Loughborough University
01 Oct 2014
01 Mar 2017
International Fellow for Art Theory and Practice
KÜNSTLERHAUS BÜCHSENHAUSEN
01 Oct 2013
31 Jul 2014
Lecturer/Senior Lecturer in Visual Cultures
Middlesex University
01 Oct 2016

Education and qualifications

PhD, Contemporary Art History and Theory
01 Dec 2014
Loughborough University
PGCHE Teaching and Supporting Learning
01 Oct 2018
Middlesex University
MA, Theories and Practices of Interpretation
01 Mar 2009
Alexandru Ioan Cuza University, Iași, Romania
MA, Philosophy and Art Theory (Exchange Year)
01 Sept 2007
Humboldt Universität, Berlin, Germany
BPhil, Systematic Philosophy
01 Jul 2005
Alexandru Ioan Cuza University, Iași, Romania

Grants

Collection Collective: Tools for Self-Representation
01 Sept 2018
Administration for the National Fund for Culture, Romania
R.D. Laing and The Institutional Condition of Art: Alternatives to Art-Historical Readings and the Legacy of Institutional Critique’
31 Jan 2016
AHRC Cultural Engagement Fund
Parerga. The Politics of Framing in the Current Discourse of Institutional Critique’
01 Apr 2013
Künstlerhaus Büchsenhausen/Tiroler Künstlerschaft, Innsbruck, Austria
The Kontakt Collection. History, Discourse, and Market
01 Jun 2012
Erste Foundation/Museums Quartier Vienna

Prizes and Awards

Research outputs

Ritual, magic, and politics: the haunting of Farid Fairuz

Morariu, V. 2022. Ritual, magic, and politics: the haunting of Farid Fairuz. in: Voinea, R. (ed.) Farid Fairuz PUNCH.

Unpacking a collection: Phil Cleaver’s Book-Object-Art

Morariu, V. 2021. Unpacking a collection: Phil Cleaver’s Book-Object-Art. Zhuangshi - Chinese Journal of Design.

Project sigma: the temporality of activism

Morariu, V. and Karhunen, J. 2020. Project sigma: the temporality of activism. in: Kinna, R. and Whiteley, G. (ed.) Cultures of violence. Visual arts and political violence Routledge. pp. 60-78

Nada Prlja: the left, language and writing

Morariu, V. 2019. Nada Prlja: the left, language and writing. The Large Glass - Journal of Contemporary Art, Culture and Theory.

Collection collective: collection of contemporary art

Morariu, V., Angel, J., Voinea, R. and Collection Collective Members 2018. Collection collective: collection of contemporary art. Collection Collective.

Collection Collective. Tools for self-representation. Documentary display with website launch and public seminar at tranzit.ro (Romania)

Morariu, V., Angel, J., Voinea, R. and Collection Collective Members 2018. Collection Collective. Tools for self-representation. Documentary display with website launch and public seminar at tranzit.ro (Romania). tranzit.ro, Str. Gazelei, nr. 44, sector 4 Bucharest, Romania 25 Oct - 04 Nov 2018

Collection collective: rethinking function, ownership and possession

Morariu, V. 2018. Collection collective: rethinking function, ownership and possession. 'Applied Baudrillard' - 2nd International Multidisciplinary Conference on Baudrillard Studies. Oxford Brookes University, Oxford, UK 05 - 07 Sep 2018

Collection Collective. Template for a Future Model of Representation (Exhibition at tranzit.sk, Bratislava, Slovakia) & Collection Collective. In the Future All Our Homes Will Be Museums (Public seminar at Kunsthalle Bratislava, Slovakia) [Curator]

Morariu, V., Angel, J. and Voinea, R. 2017. Collection Collective. Template for a Future Model of Representation (Exhibition at tranzit.sk, Bratislava, Slovakia) & Collection Collective. In the Future All Our Homes Will Be Museums (Public seminar at Kunsthalle Bratislava, Slovakia) [Curator]. tranzit.sk, Beskydská 12, Bratislava, Slovakia 10 Oct - 18 Nov 2017

Collection Collective

Morariu, V., Angel, J., Voinea, R. and Collection Collective Members 2017. Collection Collective. Middlesex University Research Repository.

Transitory erasures: subjects of institutional critique

Morariu, V. 2017. Transitory erasures: subjects of institutional critique. in: Oberprantacher, A. and Siclodi, A. (ed.) Subjectivation in Political Theory and Contemporary Practices Palgrave Macmillan UK. pp. 165-180

The “independent” condition: perspectives on Eastern Europe’s cultural sector

Morariu, V. 2016. The “independent” condition: perspectives on Eastern Europe’s cultural sector. Mezosfera.org.

Parerga. Frames of Art/Institutional Critique (within Dissent and Certainty)

Siclodi, A., Morariu, V., Jarosch, D., Ausserdorfer, P., Brebenel, M., Grupa, F. and Freee Art Collective 2014. Parerga. Frames of Art/Institutional Critique (within Dissent and Certainty). Kunstpavillon Innsbruck 25 Oct 2013
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