Visual Arts
| Title | Visual Arts |
|---|---|
| Alternative | ACI - VA |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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The Unlimited Edition Live!
Leeson, L. 2017. The Unlimited Edition Live! London Festival of Architecture 2017. Underdog Gallery, London 07 Jun 2017Conference item
Places in Flux and the Place for Art
Leeson, L. 2017. Places in Flux and the Place for Art. Places in Flux and the Place for Art. V&A Lansbury Micro Museum, London 29 Apr 2017Conference item
Active energy: Three Mills - project launch
Leeson, L. 2017. Active energy: Three Mills - project launch.Artefact
The Things that Make You Sick
Leeson, L. and Dunn, P. 2017. The Things that Make You Sick. ICA, London 06 May - 09 Jul 2017Show or exhibition
The writing’s on the wall: #QC against decipherability
Kokoli, A. 2017. The writing’s on the wall: #QC against decipherability. 'Transcending the Signified', Quilla Constance Symposium. Camberwell College of Arts, UAL, London 23 Jun 2017Conference paper
The ethics of violence in the Kung Fu comedy
White, L. 2017. The ethics of violence in the Kung Fu comedy. Martial Arts Studies Conference, 2017. Cardiff University, Wales, United Kingdom 11 - 13 Jul 2017Conference paper
Jackie Chan vs. Walter Benjamin: postcolonial “Utopias of the Body” in Kung Fu comedy
White, L. 2017. Jackie Chan vs. Walter Benjamin: postcolonial “Utopias of the Body” in Kung Fu comedy. Research Seminar Series, Department of English Literature, Linguistics and Cultural Studies. University of Westminster, London, United Kingdom 08 Mar 2017Conference paper
Marvel’s Daredevil: Ninjas, Blind Swordsmen and the Oriental Obscene
White, L. 2017. Marvel’s Daredevil: Ninjas, Blind Swordsmen and the Oriental Obscene. Them! The Visual Cultures of 'Othering' in Post-Referendum UK and Post-General-Election USA. Middlesex University, London, United Kingdom 13 Jan 2017Conference paper
The ambiguous ambivalence of feminist textiles
Kokoli, A. 2017. The ambiguous ambivalence of feminist textiles. in: Ford, S. (ed.) CUT CLOTH: Contemporary Textiles and Feminism PO Publishing. pp. 60-65Book chapter
Associating places: strategies for live, site specific, sound art performance
Spinks, T. 2015. Associating places: strategies for live, site specific, sound art performance. PhD thesis University of the Arts London London College of CommunicationPhD thesis
Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism
Kokoli, A. 2017. Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism. Oxford Art Journal. 40 (1), pp. 153-168. https://doi.org/10.1093/oxartj/kcx004Article
The Hum
Sandiland, N., Houston, W., Oshodi, M., Hutera, D., Phillips, P. and Keane, J. 2017. The Hum. Brighton Festival, Brighton 06 - 28 May 2017Performance
History or not: addressing omissions in the retelling of art's stories (roundtable discussion)
Kokoli, A., Allen, F., Boyce, S., Budd, A., Hiller, S., Hudek, A. and Sainsbury, A. 2017. History or not: addressing omissions in the retelling of art's stories (roundtable discussion). History or Not: Addressing Omissions in the Retelling of Art's Stories. Raven Row, London, United Kingdom 18 Mar 2017Conference item
Our Land: creative approaches to the redevelopment of London’s Docklands
Leeson, L. 2019. Our Land: creative approaches to the redevelopment of London’s Docklands. International Journal of Heritage Studies. 25 (4), pp. 365-379. https://doi.org/10.1080/13527258.2018.1485166Article
Sapphic Modernists - Re-visiting Elizabeth McCausland and Berenice Abbott’s Changing New York
Maude-Roxby, A., Seibold, S. and Goldsmiths University in conjunction with Tate Modern 2016. Sapphic Modernists - Re-visiting Elizabeth McCausland and Berenice Abbott’s Changing New York. Urban Encounters Conference. Goldsmiths University and Tate Modern 03 - 06 Nov 2016Conference item
Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller
Kokoli, A. Kokoli, A. (ed.) 2017. Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller. Tate Research Publication.Book
The Docklands Community Poster Project and other creative approaches to regeneration
Leeson, L. 2016. The Docklands Community Poster Project and other creative approaches to regeneration. Top down meets bottom up in post-industrial regeneration: Good practice and challenges in participatory approaches to community engagement in city planning. Riverside Museum, Glasgow 20 - 21 Jan 2017Conference paper
Art practice and the community
Leeson, L. and Duman, A. 2018. Art practice and the community. in: Sholette, G. and Bass, C. (ed.) Art as Social Action: An Introduction to the Principles and Practices of Teaching Social Practice Art New York Allworth Press, NY.Book chapter
Active Energy
Leeson, L. 2016. Active Energy. Feeding the Insatiable: a creative summit. Dartington Hall, Devon, England 09 - 11 Nov 2016Conference item
La alternativa de Bugs Bunny. Matador y Estrella en "Bully for Bugs" (Chuck Jones,1953)
Smith, S. and Summers, S. 2017. La alternativa de Bugs Bunny. Matador y Estrella en "Bully for Bugs" (Chuck Jones,1953). Revista de Estudios Taurinos. 41, pp. 251-278.Article
Keynote at 'Responding to a Landscape', Midlands Art Centre, Birmingham (Symposium)
Billingham, R. 2017. Keynote at 'Responding to a Landscape', Midlands Art Centre, Birmingham (Symposium). Responding to a Landscape. Midlands Art Center, Birmingham, UK 24 Nov 2017Conference keynote
'Order out of Chaos' - artists talk and solo exhibition
Billingham, R. 2017. 'Order out of Chaos' - artists talk and solo exhibition. Art Exchange, University of Essex, Colchester, UK 24 Feb - 25 Mar 2017Show or exhibition
On the beginnings and end of n.paradoxa: international feminist art journal
Deepwell, K. 2017. On the beginnings and end of n.paradoxa: international feminist art journal. n.paradoxa: international feminist art journal. 40, pp. 5-13.Article
Art: Process: Change - inside a socially situated practice
Leeson, L. 2017. Art: Process: Change - inside a socially situated practice. London and New York Routledge.Book
Nuclear war as false memory
Timberlake, J. 2017. Nuclear war as false memory. in: Wainwright, L. (ed.) Disturbing Pasts: Memories, Controversies and Creativity Manchester Manchester University Press. pp. 178-183Book chapter
Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms
Kokoli, A. 2016. Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms. Feminist Perspectives on Artistic Productions and Theories of Art, 5th edition, organised by Xabier Arakistain and Lourdes Mendez. Azkuna Zentroa, Bilbao 28 - 30 Oct 2016Conference paper
Angry melancholia: towards a performative politics of time in the work of Monica Ross
Kokoli, A. 2016. Angry melancholia: towards a performative politics of time in the work of Monica Ross. in: Monica Ross: Ethical Actions - A Critical Fine Art Practice Berlin Sternberg Press. pp. 22-31Book chapter
Bowed lamps
Spinks, T. and Garrelfs, I. 2016. Bowed lamps. V22, Dartmouth Rd.,Forest Hill, LondonPerformance
Performance for microphone and beach performed by The Lab of Sonic Possibility
Spinks, T. and Garrelfs, I. 2016. Performance for microphone and beach performed by The Lab of Sonic Possibility. Whitstable Beach, Kent 04 Jun 2016Performance
Interpreting Bruce Nauman's 'walking round (the studio) playing one note on the violin' as an invited response to the site specific work Pentagon Petal
Spinks, T., Cottell, F. and Mueller, M. 2016. Interpreting Bruce Nauman's 'walking round (the studio) playing one note on the violin' as an invited response to the site specific work Pentagon Petal. Rootstein Hopkins Chelsea Parade Ground 04 - 30 Jul 2016Performance
The echo of Henry's ballad
Spinks, T. 2016. The echo of Henry's ballad. APT Gallery, Deptford,Performance
'Contrast' / Skyline Project Space / Curated by Kathleen Mullaniff
Mullaniff, K. 2016. 'Contrast' / Skyline Project Space / Curated by Kathleen Mullaniff. East SussexShow or exhibition
'Garland' part of Showcase
Mullaniff, K. 2016. 'Garland' part of Showcase.Artefact
"Four" Kathleen Mullaniff, Eugene Palmer, Charlotte Snook. Skyline Project Space Artists working with Artists. Curated by Kathleen Mullaniff
Mullaniff, K. 2016. "Four" Kathleen Mullaniff, Eugene Palmer, Charlotte Snook. Skyline Project Space Artists working with Artists. Curated by Kathleen Mullaniff.Show or exhibition
"Skyline" Sinéid Codd, Kathleen Mullaniff, Eugene Palmer, Charlotte Snook Kathleen Mullaniff, Senior Lecturer BA Fine Art, curates the exhibition Skyline.
Mullaniff, K. 2016. "Skyline" Sinéid Codd, Kathleen Mullaniff, Eugene Palmer, Charlotte Snook Kathleen Mullaniff, Senior Lecturer BA Fine Art, curates the exhibition Skyline. East Sussex 30 Jul - 07 Aug 2016Show or exhibition
Unearthing the bankers bones
Piper, K. 2016. Unearthing the bankers bones. Bluecoat Liverpool 28 Oct 2016 - 22 Jan 2017Show or exhibition
'A gallery closed in spring: on Maria Eichhorn's 5 weeks, 25 days, 175 hours' Chisenhale Gallery Symposium
Martin, S. 2016. 'A gallery closed in spring: on Maria Eichhorn's 5 weeks, 25 days, 175 hours' Chisenhale Gallery Symposium.Digital or visual media
Sohn-Rethel’s critique of epistemology and art
Martin, S. 2017. Sohn-Rethel’s critique of epistemology and art. in: Gerber, M. and Fugellie, D. (ed.) Das Wissen der Arbeit und das Wissen der Künste Leiden, The Netherlands Wilhelm Fink. pp. 29-48Book chapter
A gallery closed in spring: on Maria Eichhorn’s 5 weeks, 25 days, 175 hours
Martin, S. and Chisenhale Gallery 2016. A gallery closed in spring: on Maria Eichhorn’s 5 weeks, 25 days, 175 hours. in: Guggenheim, K. and Staple, P. (ed.) 5 weeks, 25 days, 175 hours Chisenhale Gallery. pp. 50-58Book chapter
[Film stills from 'Feel my way' (1997) and 'The man with the beatiful eyes' (1999) in TYPEMOTION: Type as Image in Motion]
Hodgson, J. 2015. [Film stills from 'Feel my way' (1997) and 'The man with the beatiful eyes' (1999) in TYPEMOTION: Type as Image in Motion]. in: Scheffer, B., Stenzer, C., Weibel, P. and Zehle, S. (ed.) TYPEMOTION: Type as Image in Motion Centre fort Art and Media,Karlsruhe, Germany Hatje Cantz Verlag.Book chapter
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