Visual Arts
| Title | Visual Arts |
|---|---|
| Alternative | ACI - VA |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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Places in Flux and the Place for Art
Leeson, L. 2017. Places in Flux and the Place for Art. Places in Flux and the Place for Art. V&A Lansbury Micro Museum, London 29 Apr 2017Conference item
The Things that Make You Sick
Leeson, L. and Dunn, P. 2017. The Things that Make You Sick. ICA, London 06 May - 09 Jul 2017Show or exhibition
Art: Process: Change - inside a socially situated practice
Leeson, L. 2017. Art: Process: Change - inside a socially situated practice. London and New York Routledge.Authored Book
Nuclear war as false memory
Timberlake, J. 2017. Nuclear war as false memory. in: Wainwright, L. (ed.) Disturbing Pasts: Memories, Controversies and Creativity Manchester Manchester University Press. pp. 178-183Book chapter
The ethics of violence in the Kung Fu comedy [Presentation]
White, L. 2017. The ethics of violence in the Kung Fu comedy [Presentation]. 3rd International Martial Arts Studies Conference. Cardiff University, Wales, United Kingdom 11 - 13 Jul 2017Conference item
Jackie Chan vs. Walter Benjamin: postcolonial “Utopias of the Body” in Kung Fu comedy
White, L. 2017. Jackie Chan vs. Walter Benjamin: postcolonial “Utopias of the Body” in Kung Fu comedy. Research Seminar Series, Department of English Literature, Linguistics and Cultural Studies. University of Westminster, London, United Kingdom 08 Mar 2017Conference paper
Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism
Kokoli, A. 2017. Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism. Oxford Art Journal. 40 (1), pp. 153-168. https://doi.org/10.1093/oxartj/kcx004Article
Jet Black Futures I
Piper, K. 2017. Jet Black Futures I. Beaconsfield Gallery, Vauxhall 20 Sep - 29 Oct 2017Show or exhibition
Sohn-Rethel’s critique of epistemology and art
Martin, S. 2017. Sohn-Rethel’s critique of epistemology and art. in: Gerber, M. and Fugellie, D. (ed.) Das Wissen der Arbeit und das Wissen der Künste Leiden, The Netherlands Wilhelm Fink. pp. 29-48Book chapter
Artistic strategies from the 1980s and beyond: Keith Piper
Piper, K. 2017. Artistic strategies from the 1980s and beyond: Keith Piper. Artistic Strategies from the 1980s and Beyond: Keith Piper. Tate Modern, London, UK 07 Mar 2017Conference keynote
Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms
Kokoli, A. 2016. Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms. Feminist Perspectives on Artistic Productions and Theories of Art, 5th edition, organised by Xabier Arakistain and Lourdes Mendez. Azkuna Zentroa, Bilbao 28 - 30 Oct 2016Conference paper
Angry melancholia: towards a performative politics of time in the work of Monica Ross
Kokoli, A. 2016. Angry melancholia: towards a performative politics of time in the work of Monica Ross. in: Monica Ross: Ethical Actions - A Critical Fine Art Practice Berlin Sternberg Press. pp. 22-31Book chapter
Bowed lamps
Spinks, T. and Garrelfs, I. 2016. Bowed lamps. V22, Dartmouth Rd.,Forest Hill, LondonPerformance
Performance for microphone and beach performed by The Lab of Sonic Possibility
Spinks, T. and Garrelfs, I. 2016. Performance for microphone and beach performed by The Lab of Sonic Possibility. Whitstable Beach, Kent 04 Jun 2016Performance
Interpreting Bruce Nauman's 'walking round (the studio) playing one note on the violin' as an invited response to the site specific work Pentagon Petal
Spinks, T., Cottell, F. and Mueller, M. 2016. Interpreting Bruce Nauman's 'walking round (the studio) playing one note on the violin' as an invited response to the site specific work Pentagon Petal. Rootstein Hopkins Chelsea Parade Ground 04 - 30 Jul 2016Performance
The echo of Henry's ballad
Spinks, T. 2016. The echo of Henry's ballad. APT Gallery, Deptford,Performance
'Contrast' / Skyline Project Space / Curated by Kathleen Mullaniff
Mullaniff, K. 2016. 'Contrast' / Skyline Project Space / Curated by Kathleen Mullaniff. East SussexShow or exhibition
'Garland' part of Showcase
Mullaniff, K. 2016. 'Garland' part of Showcase.Artefact
"Four" Kathleen Mullaniff, Eugene Palmer, Charlotte Snook. Skyline Project Space Artists working with Artists. Curated by Kathleen Mullaniff
Mullaniff, K. 2016. "Four" Kathleen Mullaniff, Eugene Palmer, Charlotte Snook. Skyline Project Space Artists working with Artists. Curated by Kathleen Mullaniff.Show or exhibition
"Skyline" Sinéid Codd, Kathleen Mullaniff, Eugene Palmer, Charlotte Snook Kathleen Mullaniff, Senior Lecturer BA Fine Art, curates the exhibition Skyline.
Mullaniff, K. 2016. "Skyline" Sinéid Codd, Kathleen Mullaniff, Eugene Palmer, Charlotte Snook Kathleen Mullaniff, Senior Lecturer BA Fine Art, curates the exhibition Skyline. East Sussex 30 Jul - 07 Aug 2016Show or exhibition
'A gallery closed in spring: on Maria Eichhorn's 5 weeks, 25 days, 175 hours' Chisenhale Gallery Symposium
Martin, S. 2016. 'A gallery closed in spring: on Maria Eichhorn's 5 weeks, 25 days, 175 hours' Chisenhale Gallery Symposium.Digital or visual media
A gallery closed in spring: on Maria Eichhorn’s 5 weeks, 25 days, 175 hours
Martin, S. and Chisenhale Gallery 2016. A gallery closed in spring: on Maria Eichhorn’s 5 weeks, 25 days, 175 hours. in: Guggenheim, K. and Staple, P. (ed.) 5 weeks, 25 days, 175 hours Chisenhale Gallery. pp. 50-58Book chapter
[Film stills from 'Feel my way' (1997) and 'The man with the beatiful eyes' (1999) in TYPEMOTION: Type as Image in Motion]
Hodgson, J. 2015. [Film stills from 'Feel my way' (1997) and 'The man with the beatiful eyes' (1999) in TYPEMOTION: Type as Image in Motion]. in: Scheffer, B., Stenzer, C., Weibel, P. and Zehle, S. (ed.) TYPEMOTION: Type as Image in Motion Centre fort Art and Media,Karlsruhe, Germany Hatje Cantz Verlag.Book chapter
The man with the beautiful eyes
Hodgson, J. and Hannah, J. 2000. The man with the beautiful eyes.Artefact
Feeling my way [in TYPE MOTION exhibition]
Hodgson, J. 1997. Feeling my way [in TYPE MOTION exhibition].Artefact
Feeling my way
Hodgson, J. 1997. Feeling my way.Digital or visual media
Guantanamo Bay: the hunger strikes, animated documentary film [included in Animated Wonderworlds exhibition]
Hodgson, J. 2015. Guantanamo Bay: the hunger strikes, animated documentary film [included in Animated Wonderworlds exhibition].Artefact
The trouble with love & sex
Hodgson, J. 2013. The trouble with love & sex.Artefact
Jonathan Hodgson [Animation Sketchbook]
Hodgson, J. 2013. Jonathan Hodgson [Animation Sketchbook]. in: Heit, L. (ed.) Animation Sketchbooks London, United Kingdon Thames and Hudson Ltd.Book chapter
RUG
Hodgson, J. 2015. RUG.Digital or visual media
What comes after religion
Hodgson, J. and de Botton, A. 2015. What comes after religion.Digital or visual media
Meron's story
Hodgson, J. 2014. Meron's story.Digital or visual media
The Banana Massacre [animation excerpt from ‘Banana land: blood, bullets and poison’]
Hodgson, J. 2014. The Banana Massacre [animation excerpt from ‘Banana land: blood, bullets and poison’].Digital or visual media
Beyond the personal a new chapter in the work of Marjolaine Ryley
Brown, C. 2015. Beyond the personal a new chapter in the work of Marjolaine Ryley. in: The Thin Blue Line, The Deep Red Sea Explorations of Miscarriage and Pregnancy Loss UK NEPN (North East Photography Network) UK.Book chapter
#QC: Read My QR
Kokoli, A. 2016. #QC: Read My QR. Quilla Constance: #QC_Symposium. Toynbee Studios, Artsdmin, 28 Commercial Street, London E1 6AB 10 Mar 2016Conference paper
Big money is moving in, Docklands community poster project and posters from the east London health project
Leeson, L. and Dunn, P. 2015. Big money is moving in, Docklands community poster project and posters from the east London health project.Artefact
In the mind’s ear
Spinks, T. 2016. In the mind’s ear. M2 Gallery, Peckham, London, UKShow or exhibition
The laboratory of sonic possibilities
Spinks, T. and Garrelfs, I. 2014. The laboratory of sonic possibilities. Wimbledon Space Wimbledon College of Art London Mar 2014Performance
Fluxus water scores
Spinks, T. 2015. Fluxus water scores. White Cube gallery, Bermondsey,Performance
Feminism reframed: reflections on art and difference
Kokoli, A., Heath, J., Hemus, R., Chase, A., Roulstone, K., Behm, A., Germann, J., Grant, C., Tate, S., Lauritis, B., Pollock, G. and Swartz, A. Kokoli, A. (ed.) 2008. Feminism reframed: reflections on art and difference. Cambridge Scholars Publishing.Book
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