Visual Culture and Curating cluster
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Latest research outputs
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The third space: a paradigm for internationalisation
Robinson, H., Harley, A., Reid, E., Reid, S. and Watson, Y. 2008. The third space: a paradigm for internationalisation. in: Drew, L. (ed.) The Student Experience in Art and Design Higher Education: Drivers for Change Cambridge Jill Rodgers Associates.Book chapter
Short treatise on art
Martin, S. 2011. Short treatise on art. in: Avanessian, A. and Skrebowski, L. (ed.) Aesthetics and contemporary art Berlin Sternberg Press.Book chapter
Capitalist life in Lukács
Martin, S. 2011. Capitalist life in Lukács. in: Bewes, T. and Hall, T. (ed.) Georg Lukacs: the fundamental dissonance of existence aesthetics, politics, literature London Continuum International Publishing Group Ltd.Book chapter
Visual culture or art?
Martin, S. 2008. Visual culture or art? in: Hemingway, A. and Schneider, N. (ed.) Bildwissenschaft und Visual Culture Studies in der Diskussion University of Osnabrück V&R unipress.Book chapter
Graphic design, the expansion of the public sphere and the mass market book in France after 1950: the visual identity of the livre de poche
Mac an Bhreithiun, B. 2012. Graphic design, the expansion of the public sphere and the mass market book in France after 1950: the visual identity of the livre de poche. in: Proot, G. (ed.) Jaarboek voor Nederlandse boekgeschiedenis 19/2012 Netherlands Uitgeverij Vantilt.Book chapter
Graphic design, globalization, and placemaking in the neighbourhoods of Amsterdam
Mac an Bhreithiun, B. 2012. Graphic design, globalization, and placemaking in the neighbourhoods of Amsterdam. in: De Waard, M. (ed.) Imagining global Amsterdam: history, culture, and geography in a world city Amsterdam Amsterdam University Press. pp. 255-272Book chapter
Graphic design and the construction of gay masculinities in Kaiserin and Têtu
Mac an Bhreithiun, B. 2011. Graphic design and the construction of gay masculinities in Kaiserin and Têtu. in: Grandena, F. and Johnston, C. (ed.) New queer images: representations of homosexualities in contemporary francophone visual cultures Oxford Peter Lang.Book chapter
Artistic communism – a sketch
Martin, S. 2009. Artistic communism – a sketch. Third Text. 23 (4), pp. 481-494. https://doi.org/10.1080/09528820903007750Article
Theatrical cartoon comedy: from animated portmanteau to the risus purus
Buchan, S. 2012. Theatrical cartoon comedy: from animated portmanteau to the risus purus. in: Horton, A. and Rapf, J. (ed.) A companion to film comedy WileyBlackwell. pp. 521-544Book chapter
Pervasive animation
Buchan, S. (ed.) 2013. Pervasive animation. Routledge.Book
Dryden Goodwin: cast
Goodwin, D., Bode, S., Brown, C. and Chandler, D. Chandler, D. (ed.) 2009. Dryden Goodwin: cast. Steidl.Book
Bruno Schulz's Generatio aequivoca: sites of (dis-)enchantment in the Quay Brothers' Street of Crocodiles
Buchan, S. 2011. Bruno Schulz's Generatio aequivoca: sites of (dis-)enchantment in the Quay Brothers' Street of Crocodiles. in: McAra, C. and Calvin, D. (ed.) Anti tales: the uses of disenchantment Newcastle upon Tyne Cambridge Scholars Publishing. pp. 84-97Book chapter
Uncanny place, narrative space: the architectural imagination of animation
Buchan, S. 2002. Uncanny place, narrative space: the architectural imagination of animation. in: Co to jest architektura? Antologia tekstów = What is Architecture? An anthology of texts Kraków, Poland Bunkier Sztuki Contemporary Art Gallery. pp. 354-391Book chapter
A curious chapter in the manual of animation: Stan VanDerBeek's animated spatial politics
Buchan, S. 2010. A curious chapter in the manual of animation: Stan VanDerBeek's animated spatial politics. Animation: an interdisciplinary journal. 5 (2), pp. 173-196. https://doi.org/10.1177/1746847710368325Article
The Quay brothers: choreographed chiaroscuro, enigmatic and sublime
Buchan, S. 1998. The Quay brothers: choreographed chiaroscuro, enigmatic and sublime. Film Quarterly. 51 (3), pp. 2-15.Article
Ghosts in the machine: experiencing animation
Buchan, S. 2011. Ghosts in the machine: experiencing animation. in: Hilty, G. (ed.) Watch Me Move: The Animation Show London Merrell. pp. 28-38Book chapter
The Quay Brothers: into a metaphysical playroom
Buchan, S. 2011. The Quay Brothers: into a metaphysical playroom. Minneapolis University of Minnesota Press.Book
A metaphysics of space: the Quay Brothers atmospheric cosmogonies
Buchan, S. 2011. A metaphysics of space: the Quay Brothers atmospheric cosmogonies. in: Weinthal, L. (ed.) Toward a New Interior: an Anthology of Interior Design Theory New York Princeton Architectural Press. pp. 527-545Book chapter
Sally Mann: the family and the land
Brown, C. 2010. Sally Mann: the family and the land. London, UK 2010Show or exhibition
Kung-fu cinema's Shaolin heroes in the Longue Durée of Chinese revolt
White, L. 2012. Kung-fu cinema's Shaolin heroes in the Longue Durée of Chinese revolt. Riot, Revolt, Revolution. University of Brighton 05 - 07 Sep 2012Conference paper
Vicissitudes of violence: Hong Kong martial arts cinema and the 1966/7 unrest
White, L. 2012. Vicissitudes of violence: Hong Kong martial arts cinema and the 1966/7 unrest. Genre Beyond Hollywood. University of Southampton 08 Jul 2012Conference paper
The mother of pop? Dorothy Morland and the Independent Group
Massey, A. 2013. The mother of pop? Dorothy Morland and the Independent Group. Journal of Visual Culture. 12 (2), pp. 262-278. https://doi.org/10.1177/1470412913489865Article
Actionmyth, historypanic: the entry of VALIE EXPORT’s aktionhose: genitalpanik into art history
Robinson, H. 2013. Actionmyth, historypanic: the entry of VALIE EXPORT’s aktionhose: genitalpanik into art history. n.paradoxa: international feminist art journal. 23, pp. 84-89.Article
Modern history and interior design
Massey, A. 2013. Modern history and interior design. in: Brooker, G. and Weinthal, L. (ed.) The handbook of interior architecture and design London Bloomsbury.Book chapter
Out of the ivory tower: the independent group and popular culture
Massey, A. 2013. Out of the ivory tower: the independent group and popular culture. Manchester University Press.Book
The Independent Group: modernism and mass culture in Britain, 1945-1959
Massey, A. 1995. The Independent Group: modernism and mass culture in Britain, 1945-1959. Manchester University Press.Book
Feminist and ...
Robinson, H. 2012. Feminist and ... Pittsburgh, PA, USA 07 Sep 2012 - 26 May 2013Show or exhibition
Foster carer reviews: process, practicalities and best practice.
Brown, H. 2011. Foster carer reviews: process, practicalities and best practice. London BAAF.Book
Social work with lesbians and gay men
Brown, H. and Cocker, C. 2011. Social work with lesbians and gay men. London Sage.Book
Nature, the metropolis and the apocalyptic sublime
White, L. 2012. Nature, the metropolis and the apocalyptic sublime. Landscape & Eschatology. Tate BritainConference paper
Towards a radical aesthetics of kung fu cinema: authenticity and the pedagogy of performing bodies in Lau Kar-leung’s Shaolin Cycle
White, L. 2011. Towards a radical aesthetics of kung fu cinema: authenticity and the pedagogy of performing bodies in Lau Kar-leung’s Shaolin Cycle. Radical Aesthetics and Politics: Intersections in Music, Art and Critical Social Theory. Roosevelt House, Hunter College, CUNY 09 Dec 2011Conference paper
Radical, like in the 80s
White, L. 2011. Radical, like in the 80s. Radical Philosophy. 168, pp. 56-58.Article
Hotel lobbies and lounges: the architecture of professional hospitality
Avermaete, T. and Massey, A. (ed.) 2012. Hotel lobbies and lounges: the architecture of professional hospitality. Routledge.Edited Book
Shifting spaces
Brooker, G. 2012. Shifting spaces. in: Avermaete, T. and Massey, A. (ed.) Hotel lobbies and lounges: the architecture of professional hospitality Routledge. pp. 89-102Book chapter
Pleasure, painting, politics: the three graces – or: why I like Adélaïde Labille-Guiard’s Self-Portrait With Two Pupils
Robinson, H. 2012. Pleasure, painting, politics: the three graces – or: why I like Adélaïde Labille-Guiard’s Self-Portrait With Two Pupils. in: Arakistain, X. and Méndes, L. (ed.) Artistic Production and the Feminist Theory of Art: New Debates III Victoria-Gastiez, Spain Ayuntamiento de Vitoria-Gastiezko Udalak. pp. 306-316Book chapter
Time-lapse, time map: the photographic body of San Francisco in David Fincher’s Zodiac
Sutton, D. 2011. Time-lapse, time map: the photographic body of San Francisco in David Fincher’s Zodiac. L’Atalante: Revista de Estudios Cinematográficos.Article
Philosophy, politics and homage in Tears of the Black Tiger
Sutton, D. 2012. Philosophy, politics and homage in Tears of the Black Tiger. in: Martin-Jones, D. and Brown, W. (ed.) Deleuze and film Edinburgh Edinburgh University Press.Book chapter
Deleuze reframed: a guide for the arts student
Sutton, D. and Martin-Jones, D. 2008. Deleuze reframed: a guide for the arts student. London, UK I.B.Tauris.Book
Cinema by design: Hollywood as network neighbourhood
Sutton, D. 2009. Cinema by design: Hollywood as network neighbourhood. in: Julier, G. and Moor, L. (ed.) Design and Creativity: policy, management and practice. Oxford Berg. pp. 174-190Book chapter
Immanent images: photography after mobility
Sutton, D. 2009. Immanent images: photography after mobility. in: Rodowick, D. (ed.) Afterimages of Gilles Deleuze’s film philosophy. Minneapolis, MN, USA University of Minnesota Press.Book chapter
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