Visual Culture and Curating cluster
| Title | Visual Culture and Curating cluster |
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Latest research outputs
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The Independent Group: towards a redefinition
Massey, A. 1987. The Independent Group: towards a redefinition. The Burlington Magazine. 129 (1009).Article
Interior design of the twentieth century
Massey, A. 1990. Interior design of the twentieth century. Thames and Hudson.Book
Blue guide to Berlin and Eastern Germany
Massey, A. 1994. Blue guide to Berlin and Eastern Germany. London A & C Black.Book
The Independent Group: modernism and mass culture in Britain, 1945-1959
Massey, A. 1995. The Independent Group: modernism and mass culture in Britain, 1945-1959. Manchester University Press.Book
Hollywood beyond the screen: design and material culture
Massey, A. 2000. Hollywood beyond the screen: design and material culture. London Berg.Book
Designing liners: a history of interior design afloat
Massey, A. 2006. Designing liners: a history of interior design afloat. Routledge.Book
Interior design since 1900
Massey, A. 2008. Interior design since 1900. London Thames and Hudson.Book
Designing the modern interior: from the Victorians to today
Sparke, P., Massey, A., Keeble, T. and Martin, B. (ed.) 2009. Designing the modern interior: from the Victorians to today. Berg Publishers.Book
Unsustainability: towards a new design history, with reference to British utility
Massey, A. and Micklethwaite, P. 2009. Unsustainability: towards a new design history, with reference to British utility. Design Philosophy Papers.Article
Chair
Massey, A. 2011. Chair. London Reaktion Books Ltd.Book
Foster carer reviews: process, practicalities and best practice.
Brown, H. 2011. Foster carer reviews: process, practicalities and best practice. London BAAF.Book
Social work with lesbians and gay men
Brown, H. and Cocker, C. 2011. Social work with lesbians and gay men. London Sage.Book
Nature, the metropolis and the apocalyptic sublime
White, L. 2012. Nature, the metropolis and the apocalyptic sublime. Landscape & Eschatology. Tate BritainConference paper
Towards a radical aesthetics of kung fu cinema: authenticity and the pedagogy of performing bodies in Lau Kar-leung’s Shaolin Cycle
White, L. 2011. Towards a radical aesthetics of kung fu cinema: authenticity and the pedagogy of performing bodies in Lau Kar-leung’s Shaolin Cycle. Radical Aesthetics and Politics: Intersections in Music, Art and Critical Social Theory. Roosevelt House, Hunter College, CUNY 09 Dec 2011Conference paper
Radical, like in the 80s
White, L. 2011. Radical, like in the 80s. Radical Philosophy. 168, pp. 56-58.Article
Time-lapse, time map: the photographic body of San Francisco in David Fincher’s Zodiac
Sutton, D. 2011. Time-lapse, time map: the photographic body of San Francisco in David Fincher’s Zodiac. L’Atalante: Revista de Estudios Cinematográficos.Article
Philosophy, politics and homage in Tears of the Black Tiger
Sutton, D. 2012. Philosophy, politics and homage in Tears of the Black Tiger. in: Martin-Jones, D. and Brown, W. (ed.) Deleuze and film Edinburgh Edinburgh University Press.Book chapter
Deleuze reframed: a guide for the arts student
Sutton, D. and Martin-Jones, D. 2008. Deleuze reframed: a guide for the arts student. London, UK I.B.Tauris.Book
Cinema by design: Hollywood as network neighbourhood
Sutton, D. 2009. Cinema by design: Hollywood as network neighbourhood. in: Julier, G. and Moor, L. (ed.) Design and Creativity: policy, management and practice. Oxford Berg. pp. 174-190Book chapter
Immanent images: photography after mobility
Sutton, D. 2009. Immanent images: photography after mobility. in: Rodowick, D. (ed.) Afterimages of Gilles Deleuze’s film philosophy. Minneapolis, MN, USA University of Minnesota Press.Book chapter
Delay: notes on photography as non-representational thinking
Sutton, D. 2010. Delay: notes on photography as non-representational thinking. in: Mah, S. (ed.) PhotoEspaña 2010 catalogue: time expanded Madrid La Fabrica. pp. 145-151Book chapter
The platonic photographer: the role of political portraiture and the task of the photographer as author
Sutton, D. 2010. The platonic photographer: the role of political portraiture and the task of the photographer as author. Athens Dialogues E-Journal.Article
Adorno and the problem of philosophy.
Martin, S. 2002. Adorno and the problem of philosophy. PhD thesis Middlesex University School of Arts and EducationPhD thesis
Photography, cinema, memory: the crystal image of time
Sutton, D. 2009. Photography, cinema, memory: the crystal image of time. University of Minnesota Press.Book
Mutual dependencies
Akerman, J., Bartram, A., Bauer, D., Bird, J., Boyce, S., Coutts, N., Press, G., Holmwood, S., Johanknecht, S., Meynell, K., Mooney, J., Nimarkoh, V., Poulson, K., Richardson, E., Stevens, G., Stone, W., Walsh, M. and Westley-Smith, H. Meynell, K. (ed.) 2011. Mutual dependencies. London Artwords Press.Book
Leon Golub [retrospective exhibition]
Bird, J. 2011. Leon Golub [retrospective exhibition]. Madrid, Spain 05 May - 12 Sep 2011Show or exhibition
Young homeless refugees in London: an exploratory research
D'Angelo, A., Fumanti, M., Brown, R., Middlesex University Social Policy Research Centre and Community Advance Project 2009. Young homeless refugees in London: an exploratory research. London Middlesex University.Project report
Damien Hirst’s shark: nature, capitalism and the sublime.
White, L. 2010. Damien Hirst’s shark: nature, capitalism and the sublime. Tate Papers (Tate's Online Research Journal). 14.Article
Conceptual art and/as philosophy.
Osborne, P. 1999. Conceptual art and/as philosophy. in: Newman, M. and Bird, J. (ed.) Rewriting conceptual art. London Reaktion Books. pp. 47-65Book chapter
Damien Hirst, Colley Cibber and the bathos of the commercialised sublime.
White, L. 2007. Damien Hirst, Colley Cibber and the bathos of the commercialised sublime. Taste, vision, transcendence: sublimity 1700-1900.. University of Sussex 05 Jan 2007Conference paper
Sublimity, beauty and decorum
White, L. 2007. Sublimity, beauty and decorum. in: Petry, M. (ed.) Richmond Burton and Maisie Kendall: decorum Hornsey MOCA in conjunction with the Royal Academy Schools. pp. 5-10Book chapter
Damien Hirst and the legacy of the sublime in contemporary art and culture
White, L. 2009. Damien Hirst and the legacy of the sublime in contemporary art and culture. PhD thesis Middlesex University Visual Culture / History of Art and DesignPhD thesis
Damien Hirst's diamond skull and the capitalist sublime
White, L. 2009. Damien Hirst's diamond skull and the capitalist sublime. in: White, L. and Pajaczkowska, C. (ed.) The Sublime Now Newcastle Upon Tyne Cambridge Scholars Publishing. pp. 155-171Book chapter
Hepatitis C viraemia in United Kingdom blood donors: a multicentre study
Garson, J., Clewley, J., Simmonds, P., Zhang, L., Mori, J., Ring, C., Follett, E., Dow, B., Martin, S. and Gunson, H. 1992. Hepatitis C viraemia in United Kingdom blood donors: a multicentre study. Vox Sanguinis. 62 (4), pp. 218-223. https://doi.org/10.1111/j.1423-0410.1992.tb01202.xArticle
The sublime in the work of Cornelia Parker
White, L. and Pajaczkowska, C. 2009. The sublime in the work of Cornelia Parker. in: White, L. and Pajaczkowska, C. (ed.) The Sublime Now. Newcastle Upon Tyne Cambridge Scholars Publishing. pp. 181-196Book chapter
The sublime now
White, L. and Pajaczkowska, C. White, L. and Pajaczkowska, C. (ed.) 2009. The sublime now. Newcastle Upon Tyne Cambridge Scholars Publishing.Book
Rewriting conceptual art
Bird, J. and Newman, M. 1999. Rewriting conceptual art. London Reaktion Books.Book
Leon Golub: echoes of the real [2nd ed.]
Bird, J. 2010. Leon Golub: echoes of the real [2nd ed.]. London Reaktion Books.Book
On installation
Bird, J. and Garb, T. 2001. On installation. Oxford Art Journal. 24 (2).Article
Hubert Damisch
Bird, J. 2005. Hubert Damisch. Oxford Art Journal. 28 (2), pp. 151-288.Article
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