Electronic and Digital Arts cluster
| Title | Electronic and Digital Arts cluster |
|---|
Latest research outputs
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Bowed lamps
Spinks, T. and Garrelfs, I. 2016. Bowed lamps. V22, Dartmouth Rd.,Forest Hill, LondonPerformance
Performance for microphone and beach performed by The Lab of Sonic Possibility
Spinks, T. and Garrelfs, I. 2016. Performance for microphone and beach performed by The Lab of Sonic Possibility. Whitstable Beach, Kent 04 Jun 2016Performance
Interpreting Bruce Nauman's 'walking round (the studio) playing one note on the violin' as an invited response to the site specific work Pentagon Petal
Spinks, T., Cottell, F. and Mueller, M. 2016. Interpreting Bruce Nauman's 'walking round (the studio) playing one note on the violin' as an invited response to the site specific work Pentagon Petal. Rootstein Hopkins Chelsea Parade Ground 04 - 30 Jul 2016Performance
The echo of Henry's ballad
Spinks, T. 2016. The echo of Henry's ballad. APT Gallery, Deptford,Performance
[Film stills from 'Feel my way' (1997) and 'The man with the beatiful eyes' (1999) in TYPEMOTION: Type as Image in Motion]
Hodgson, J. 2015. [Film stills from 'Feel my way' (1997) and 'The man with the beatiful eyes' (1999) in TYPEMOTION: Type as Image in Motion]. in: Scheffer, B., Stenzer, C., Weibel, P. and Zehle, S. (ed.) TYPEMOTION: Type as Image in Motion Centre fort Art and Media,Karlsruhe, Germany Hatje Cantz Verlag.Book chapter
The man with the beautiful eyes
Hodgson, J. and Hannah, J. 2000. The man with the beautiful eyes.Artefact
Feeling my way [in TYPE MOTION exhibition]
Hodgson, J. 1997. Feeling my way [in TYPE MOTION exhibition].Artefact
Feeling my way
Hodgson, J. 1997. Feeling my way.Digital or visual media
Guantanamo Bay: the hunger strikes, animated documentary film [included in Animated Wonderworlds exhibition]
Hodgson, J. 2015. Guantanamo Bay: the hunger strikes, animated documentary film [included in Animated Wonderworlds exhibition].Artefact
The trouble with love & sex
Hodgson, J. 2013. The trouble with love & sex.Artefact
Jonathan Hodgson [Animation Sketchbook]
Hodgson, J. 2013. Jonathan Hodgson [Animation Sketchbook]. in: Heit, L. (ed.) Animation Sketchbooks London, United Kingdon Thames and Hudson Ltd.Book chapter
RUG
Hodgson, J. 2015. RUG.Digital or visual media
What comes after religion
Hodgson, J. and de Botton, A. 2015. What comes after religion.Digital or visual media
Meron's story
Hodgson, J. 2014. Meron's story.Digital or visual media
The Banana Massacre [animation excerpt from ‘Banana land: blood, bullets and poison’]
Hodgson, J. 2014. The Banana Massacre [animation excerpt from ‘Banana land: blood, bullets and poison’].Digital or visual media
Forschung im inneren des klangs
Dack, J. 2014. Forschung im inneren des klangs. Neue Zeitschrift für Musik.Other
La musique électroacoustique Mixte: Interactions entre le "réel" et le "virtuel"
Dack, J. 2016. La musique électroacoustique Mixte: Interactions entre le "réel" et le "virtuel". in: Musique Et Technologie : Regards Sur Les Musiques Mixtes Paris, France Ina GRM.Book chapter
Weighting
Sandiland, N. 2015. Weighting. Emporium, BrightonShow or exhibition
Black rice 1
Spinks, T., Nagle, P. and Kraft, R. 2016. Black rice 1. Iklectik artlab, London, UK 27 Sep 2016Public performance
‘I see you’: agency and empathy in animation
Buchan, S. 2015. ‘I see you’: agency and empathy in animation. Life Remade: The Politics and Aesthetics of Animation, Simulation and Rendering. Birkbeck London, UK 05 - 06 Jun 2015Conference paper
Abjection, the performative and creativity in the works of Suzan Pitt, Tabaimo and Miwa Matreyek
Buchan, S. 2015. Abjection, the performative and creativity in the works of Suzan Pitt, Tabaimo and Miwa Matreyek. 27th Annual International Society for Animation Studies Conference: Beyond the Frame. Canterbury, Kent, United Kingdom 13 - 16 Jul 2015Conference paper
(Re)claiming Aboriginal identity: Inuit animation from Cape Dorset to Quickdraw
Buchan, S. 2015. (Re)claiming Aboriginal identity: Inuit animation from Cape Dorset to Quickdraw. Society for Cinema and Media Studies Conference. Montreal, Canada 25 - 29 Mar 2015Conference paper
Animierte Wunderwelten / Animated Wonderworlds
Buchan, S., Janser, A., Emmerling, A. and Museum für Gestaltung Zürich Buchan, S. and Janser, A. (ed.) 2015. Animierte Wunderwelten / Animated Wonderworlds. Zürich, Switzerland Museum für Gestaltung Zürich.Book
Animated Wonderworlds / Animierte Wunderwelten Exhibition
Buchan, S. and Janser, A. 2015. Animated Wonderworlds / Animierte Wunderwelten Exhibition. Museum für Gestaltung Zürich 04 Sep 2015 - 10 Jan 2016Show or exhibition
(Re)Claiming cultural identity: the NFB’s Eskimo Legends and Inuit Animation from Cape Dorset
Buchan, S. 2019. (Re)Claiming cultural identity: the NFB’s Eskimo Legends and Inuit Animation from Cape Dorset. in: Marchessault, J. and Straw, W. (ed.) The Oxford Handbook of Canadian Cinema New York Oxford University Press (OUP). pp. 83-104Book chapter
Gravity shift
Sandiland, N. 2010. Gravity shift. Otter Gallery, Chichester, UK 2009Show or exhibition
Trip hazard
Sandiland, N. 2013. Trip hazard. The Dome, Brighton, UK 24 - 28 Sep 2013Show or exhibition
Pervasive animation : an introduction
Buchan, S. 2013. Pervasive animation : an introduction. in: Buchan, S., Branigan, E. and Wolfe, C. (ed.) Pervasive Animation New York and London Routledge. pp. 1-21Book chapter
Visual heteronym and animation as process in Frank Geßner’s Alias Yederbeck
Buchan, S. 2014. Visual heteronym and animation as process in Frank Geßner’s Alias Yederbeck. in: Gessner, F. (ed.) Alias Yederbeck. Expanded Animation Cinema Potsdam-Babelsberg/ Paris HFF "Konrad Wolf / RE-Voir. pp. 225-247Book chapter
Die Quay Brothers oder: «Die Produktivität des Fehlers»
Buchan, S. 2013. Die Quay Brothers oder: «Die Produktivität des Fehlers». Montage AV. Zeitschrift fur Theorie und Geschichte audiovisueller Kommunikation. 22 (2), pp. 17-31.Article
A cinema of apprehension: a third entelechy of the vitalist machine
Buchan, S. 2013. A cinema of apprehension: a third entelechy of the vitalist machine. in: Buchan, S. (ed.) Pervasive Animation New York and London Routledge. pp. 143-171Book chapter
Animation, in theory
Buchan, S. 2014. Animation, in theory. in: Beckman, K. (ed.) Animating Film Theory Durham and London Duke University Press. pp. 111-127Book chapter
Tricky spaces: animation, installation and spatial politics
Buchan, S. 2011. Tricky spaces: animation, installation and spatial politics. in: Grausgruber, W. and Wagner, B. (ed.) Tricky women: Animationsfilmkunst von Frauen [= women in animation] Marburg, Germany.Book chapter
Playing with words: typography and text
Buchan, S. 2006. Playing with words: typography and text. in: Pugh, A. (ed.) 5th Norwich International Animation Festival Norwich International Animation Festival. pp. 60-63Book chapter
Animated chiaroscuro
Buchan, S. 2006. Animated chiaroscuro. in: Pugh, A. (ed.) 5th Norwich International Animation Festival Norwich International Animation Festival. pp. 56-59Book chapter
Trip hazard
Sandiland, N. 2013. Trip hazard. The Dome, Brighton, UK 24 - 28 Sep 2013Show or exhibition
Remote dancing
Sandiland, N. and Lee, R. 2004. Remote dancing.Digital or visual media
Everything looks beautiful in slow motion.
Sandiland, N. and Dance digital 2010. Everything looks beautiful in slow motion. Sadlers Well's Theatre (smaller format, non-window installation) 2006Show or exhibition
Orbital
Sandiland, N., Parry, N. and Flexer, Y. 2010. Orbital. Stone Squid Gallery, Hastings 2010Show or exhibition
The animation fulcrum
Buchan, S. 2007. The animation fulcrum. in: Hertz, B. (ed.) Animated painting San Diego Museum of Art. pp. 28-35Book chapter
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