Electronic and Digital Arts cluster
| Title | Electronic and Digital Arts cluster |
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Latest research outputs
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Trickraum: spacetricks
Buchan, S. and Janser, A. 2005. Trickraum: spacetricks. Christoph Merian Verlag.Book
Animated 'worlds'
Buchan, S. (ed.) 2006. Animated 'worlds'. John Libbey.Book
Oscillating at the 'high/low' art divide: curating and exhibiting animation
Buchan, S. 2007. Oscillating at the 'high/low' art divide: curating and exhibiting animation. in: Rugg, J. and Sedgwick, M. (ed.) Issues in curating contemporary art and performance Intellect. pp. 131-146Book chapter
Guantanamo Bay: the hunger strikes - based on the personal statements of five detainees at Guantánamo prison camp
Hodgson, J. 2014. Guantanamo Bay: the hunger strikes - based on the personal statements of five detainees at Guantánamo prison camp. Art Journal. 73 (2), pp. 5-13. https://doi.org/10.1080/00043249.2014.949203Article
The Studio Di Fonologia: a musical journey 1954-1983, update 2008-2012
Novati, M. and Dack, J. (ed.) 2012. The Studio Di Fonologia: a musical journey 1954-1983, update 2008-2012. Milan, Italy Ricordi.Book
Points of view
Sandiland, N. 2011. Points of view. London, UK 03 - 09 Oct 2011Performance
Yours truly (aka Head over heels)
Parker, O., Gouldstone, I., McKinnon, M., Hill, L. and Bisineer, M. 2006. Yours truly (aka Head over heels).Digital or visual media
Wonderland: the trouble with love and sex
Hodgson, J. 2011. Wonderland: the trouble with love and sex.Digital or visual media
Misfits: strung out
Parker, O. 2013. Misfits: strung out.Digital or visual media
Guantánamo Bay: the hunger strikes - video animation
Hodgson, J. 2013. Guantánamo Bay: the hunger strikes - video animation.Digital or visual media
The magic flute: animations
Barritt, P. and 1927 (Suzanne Andrade and Paul Barritt) 2014. The magic flute: animations.Artefact
The nature of the instrument: Luciano Berio, instrumental thought and Schaefferian theory
Dack, J. 2012. The nature of the instrument: Luciano Berio, instrumental thought and Schaefferian theory. in: De Benedictis, A. (ed.) Luciano Berio: nuove prospettive / new perspectives Florence, Italy Leo S. Olschki.Book chapter
Instrument, que nous veux-tu?
Dack, J. 2008. Instrument, que nous veux-tu? in: Pierre Schaeffer France Ina GRM.Book chapter
Theatrical cartoon comedy: from animated portmanteau to the risus purus
Buchan, S. 2012. Theatrical cartoon comedy: from animated portmanteau to the risus purus. in: Horton, A. and Rapf, J. (ed.) A companion to film comedy WileyBlackwell. pp. 521-544Book chapter
Pervasive animation
Buchan, S. (ed.) 2013. Pervasive animation. Routledge.Book
Bruno Schulz's Generatio aequivoca: sites of (dis-)enchantment in the Quay Brothers' Street of Crocodiles
Buchan, S. 2011. Bruno Schulz's Generatio aequivoca: sites of (dis-)enchantment in the Quay Brothers' Street of Crocodiles. in: McAra, C. and Calvin, D. (ed.) Anti tales: the uses of disenchantment Newcastle upon Tyne Cambridge Scholars Publishing. pp. 84-97Book chapter
Uncanny place, narrative space: the architectural imagination of animation
Buchan, S. 2002. Uncanny place, narrative space: the architectural imagination of animation. in: Co to jest architektura? Antologia tekstów = What is Architecture? An anthology of texts Kraków, Poland Bunkier Sztuki Contemporary Art Gallery. pp. 354-391Book chapter
A curious chapter in the manual of animation: Stan VanDerBeek's animated spatial politics
Buchan, S. 2010. A curious chapter in the manual of animation: Stan VanDerBeek's animated spatial politics. Animation: an interdisciplinary journal. 5 (2), pp. 173-196. https://doi.org/10.1177/1746847710368325Article
The Quay brothers: choreographed chiaroscuro, enigmatic and sublime
Buchan, S. 1998. The Quay brothers: choreographed chiaroscuro, enigmatic and sublime. Film Quarterly. 51 (3), pp. 2-15.Article
Ghosts in the machine: experiencing animation
Buchan, S. 2011. Ghosts in the machine: experiencing animation. in: Hilty, G. (ed.) Watch Me Move: The Animation Show London Merrell. pp. 28-38Book chapter
The Quay Brothers: into a metaphysical playroom
Buchan, S. 2011. The Quay Brothers: into a metaphysical playroom. Minneapolis University of Minnesota Press.Book
A metaphysics of space: the Quay Brothers atmospheric cosmogonies
Buchan, S. 2011. A metaphysics of space: the Quay Brothers atmospheric cosmogonies. in: Weinthal, L. (ed.) Toward a New Interior: an Anthology of Interior Design Theory New York Princeton Architectural Press. pp. 527-545Book chapter
Mostafaei: end the death penalty
Hodgson, J. 2012. Mostafaei: end the death penalty.Digital or visual media
ParaSites: new propositions
Nuhn, R. and Colle, C. 2011. ParaSites: new propositions. in: Lasker, G., Dack, J. and Dogantan-Dack, M. (ed.) Music and Sonic Art: practices and theories. Ontario The International Institute for Advanced Studies in Systems Research and Cybernetics.Book chapter
The relationship between electro-acoustic music and instrumental/vocal composition in Europe in the period 1948-1970.
Dack, J. 1989. The relationship between electro-acoustic music and instrumental/vocal composition in Europe in the period 1948-1970. PhD thesis Middlesex Polytechnic Faculty of Education and Performimg Arts.PhD thesis
Alko.
Hodgson, J. 2009. Alko.Digital or visual media
The age of stupid.
Hodgson, J. 2009. The age of stupid.Digital or visual media
SPDT
Sandiland, N. 2010. SPDT.Artefact
The blind man’s stick
Sandiland, N. 2010. The blind man’s stick.Show or exhibition
ByPasser [Commissioned by Dance Digital].
Sandiland, N. and Flexer, Y. 2010. ByPasser [Commissioned by Dance Digital].Show or exhibition
Doing.
Sandiland, N. and Flexer, Y. 2008. Doing. Swindon Dance Agency 07 - 08 Nov 2008Show or exhibition
Virtuosity and the virtual.
Dack, J. 2004. Virtuosity and the virtual. John Dack.Working paper
Translating Pierre Schaeffer: symbolism, literature and music.
Dack, J. 2006. Translating Pierre Schaeffer: symbolism, literature and music. Musicacoustica 2006.Article
The open form in the arts.
Dack, J. 2004. The open form in the arts. in: IIASSRC Conference Proceedings IIASSRC Conference Proceedings. pp. 7-13Book chapter
The evocation of space as a compositional determinant.
Dack, J. 2000. The evocation of space as a compositional determinant. in: IIASSRC Conference Proceedings IIASSRC Conference Proceedings. pp. 61-66Book chapter
The electroacoustic music of Henri Pousseur and the open form
Dack, J. 2009. The electroacoustic music of Henri Pousseur and the open form. in: Heile, B. (ed.) The modernist legacy: essays on new music Aldershot Ashgate. pp. 177-188Book chapter
The artist-couple (Sabine Schäfer and Joachim Krebs).
Dack, J. 2004. The artist-couple (Sabine Schäfer and Joachim Krebs). in: AquaAngelusVox MDG.Book chapter
The 'series' in Music and Art.
Dack, J. 2003. The 'series' in Music and Art. in: IIASSRC Conference Proceedings IIASSRC Conference Proceedings. pp. 21-28Book chapter
Spectral music and Schaefferian methodology.
Dack, J. 2008. Spectral music and Schaefferian methodology. in: Reigle, R. and Whitehead, P. (ed.) Spectral World Musics: proceedings of the Istanbul Spectral Music Conference. Istanbul Pan Yayincilik. pp. 75-92Book chapter
The 'open' score as source for interaction.
Dack, J. 2000. The 'open' score as source for interaction. in: IIASSRC Conference Proceedings: On Interaction/Interactivity in Music, Design, Visual and Performing Arts IIASSRC Conference Proceedings.Book chapter
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