Electronic and Digital Arts cluster


TitleElectronic and Digital Arts cluster

Latest research outputs

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Sound, installations and music.
Dack, J. 2003. Sound, installations and music. in: MAXIS II Conference Proceedings MAXIS II Conference Proceedings. pp. 35-39

Book chapter

Sonic Art: Interactions between practice and theory.
Dack, J. 2005. Sonic Art: Interactions between practice and theory. in: IIASSRC Conference Proceedings IIASSRC Conference Proceedings. pp. 33-40

Book chapter

Review: the 'Nowalls' Conference at De Montfort University
Dack, J. 2002. Review: the 'Nowalls' Conference at De Montfort University. Computer Music Journal.

Article

Report on the Sonic Arts Network Conference, Newcastle
Dack, J. 2001. Report on the Sonic Arts Network Conference, Newcastle. Diffusion.

Article

Music in space, space in music.
Dack, J. 2008. Music in space, space in music. Society for the Promotion of New Music: New Notes.

Article

Ludwig van Henry: an interview with Pierre Henry.
Dack, J. 2000. Ludwig van Henry: an interview with Pierre Henry. Journal of Electroacoustic Music. 13, pp. 27-30.

Article

La musique électro-acoustique 'mixte'.
Dack, J. 2010. La musique électro-acoustique 'mixte'. in: Une étude des interactions entre le ‘réel’ et le ‘virtuel’ Paris MINT-OMF Université Paris-Sorbonne.

Book chapter

Karlheinz Stockhausen's kontakte and narrativity.
Dack, J. 1999. Karlheinz Stockhausen's kontakte and narrativity. Kontakte and Narrativity.

Conference paper

Introduction to the work of Sabine Schäfer
Dack, J. 2000. Introduction to the work of Sabine Schäfer. Diffusion.

Article

Introduction and Afterword to Sound - Time - Space - Movement by Sabine Schäfer/Joachim Krebs
Dack, J. and Nuhn, R. 2003. Introduction and Afterword to Sound - Time - Space - Movement by Sabine Schäfer/Joachim Krebs. Organised Sound. 8 (2), pp. 213-225.

Article

Instrument, what do you want of us?
Dack, J. 2009. Instrument, what do you want of us? in: Gayou, E. (ed.) Pierre Schaeffer Paris, France Institut National de l'Audiovisuel.

Book chapter

Histories and ideologies of synthesis.
Dack, J. 2002. Histories and ideologies of synthesis. in: Maxis Conference Proceedings Maxis Conference Proceedings. pp. 35-40

Book chapter

Henri Pousseur's 'Huit Etudes Paraboliques': the 'open' form as 'Remix'?
Dack, J. 2006. Henri Pousseur's 'Huit Etudes Paraboliques': the 'open' form as 'Remix'? in: IIASSRC Conference Proceedings IIASSRC Conference Proceedings. pp. 19-24

Book chapter

From sound to music: from recording to theory.
Dack, J. 2010. From sound to music: from recording to theory. in: Bayley, A. (ed.) Recorded music: performance, culture and technology Cambridge Cambridge University Press. pp. 271-290

Book chapter

Francis Dhomont in London.
Dack, J. 2000. Francis Dhomont in London. Electroacoustic Music and History Diffusion. May, pp. 2-3.

Article

Ear-training using the computer and PROGREMU Recueil des actes.
Dack, J. 2003. Ear-training using the computer and PROGREMU Recueil des actes. in: 10e Journées d’Informatique Musicale 10e Journées d’Informatique Musicale. pp. 1-10

Book chapter

Diffusion as performance.
Dack, J. 2001. Diffusion as performance. in: IIASSRC Conference Proceedings IIASSRC Conference Proceedings. pp. 81-88

Book chapter

Die Herausforderung traditioneller Konzepte.
Dack, J. 2000. Die Herausforderung traditioneller Konzepte. MusikTexte. 84.

Article

CD review: The British 'school' of acousmatic music
Dack, J. 2002. CD review: The British 'school' of acousmatic music. Computer Music Journal. 26 (3), pp. 91-94.

Article

At the limits of Schaeffer's TARTYP.
Dack, J. 2001. At the limits of Schaeffer's TARTYP.

Digital or visual media

Acoulogie: an answer to Lévi-Strauss?
Dack, J. 2007. Acoulogie: an answer to Lévi-Strauss? in: EMS07 Online Proceedings EMS07 Online Proceedings.

Book chapter

Abstract and concrete.
Dack, J. 2002. Abstract and concrete. Journal of Electroacoustic Music. 14, pp. 2-7.

Article

Writing aloud: the sonics of language
Dack, J. 2003. Writing aloud: the sonics of language. Computer Music Journal. 27 (1), pp. 86-88.

Article

Soundscape: the school of sound lectures.
Dack, J. 2005. Soundscape: the school of sound lectures. Sound Journal.

Article

Electroacoustic music: analytical perspectives
Dack, J. 2004. Electroacoustic music: analytical perspectives. Organised Sound. 9 (1), pp. 115-117.

Article

A sense of place: a sense of space
Dack, J. and Gibbs, T. 2008. A sense of place: a sense of space. in: Dogantan-Dack, M. (ed.) Recorded Music: Philosophical and Critical Reflections London Middlesex University Press.

Book chapter

Foreword, afterword and translation of "Sound - Time - Space - Movement: The Space-Sound Installations of the artist couple Sabine Schäfer/Joachim Krebsâ
Nuhn, R. and Dack, J. 2004. Foreword, afterword and translation of "Sound - Time - Space - Movement: The Space-Sound Installations of the artist couple Sabine Schäfer/Joachim Krebsâ. Organised Sound. 8 (2), pp. 213-225.

Article

i'Nstall.
Nuhn, R. 2008. i'Nstall. in: Lasker, G., Luz, A., Dack, J. and Dogantan-Dack, M. (ed.) Systems research in the arts and humanities: on interaction/ interactivity in music, design, visual and performative arts. Ontario The International Institute for Advanced Studies in Systems Research and Cybernetics.

Book chapter

Benchmark.
Sandiland, N. 2006. Benchmark. ArtsDepot arts centre, North Finchley, London. https://doi.org/DVD

Other

Webern's Op.21 and the unity of musical space.
Dack, J. 2002. Webern's Op.21 and the unity of musical space. in: Systems Research in the Arts. IIASSRC Conference.

Book chapter

"Open" forms and the computer.
Dack, J. 2004. "Open" forms and the computer. in: Barbanti, R. (ed.) Musiques, arts, technologie. Pour une Approche Critique. Collection: 'Musique-philosophie' Paris Harmattan. pp. 401-412

Book chapter

Technology and the instrument
Dack, J. 2002. Technology and the instrument. in: Grün, L. and Wiegand, F. (ed.) Musik netz werke - Konturen der neuen Musikkultur Germany Taschenbuch. pp. 39-54

Book chapter

Instrument und Pseudoinstrument - Akusmatische Konzepte
Dack, J. 2002. Instrument und Pseudoinstrument - Akusmatische Konzepte. in: Ungeheuer, E. and Bottenberg, E. (ed.) Elektroakustische Musik Laaber-Verlag.

Book chapter

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