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Latest research outputs
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Rosemary Butcher: jottings on signature in the presence of the artist.
Melrose, S. 2009. Rosemary Butcher: jottings on signature in the presence of the artist. Bodies of Thought. Siobhan Davies Studio, London 03 Apr 2009Conference keynote
A cautionary note or two, amid the pleasures and pains of participation in performance-making as research.
Melrose, S. 2011. A cautionary note or two, amid the pleasures and pains of participation in performance-making as research. Participatory Research & Learning in the Performing Arts. Centre for Creative Collaboration London 06 May 2011Conference keynote
Detritus.
Jeyasingh, S., ResCen and Beijing Dance Academy 2009. Detritus. Poly Theatre, Beijing, China 06 - 07 Nov 2009Performance
Just add water?
Jeyasingh, S. and Gough, O. 2009. Just add water? Linbury Theatre, Royal Opera House, London 01 - 05 May 2009Performance
Bruise blood.
Jeyasingh, S. 2009. Bruise blood. London, UK 21 - 22 Oct 2009Performance
Performance as knowledge.
Bannerman, C., Smith, C., Melrose, S., Alston, R., Baxter, G., Adawole, F. and Davis, J. 2006. Performance as knowledge. Performance as knowledge seminar. Somerset house, London 03 May 2006Conference item
Danscross: dancing in a shaking world
Bannerman, C., Xu, R. and Beijing Dance Academy 2009. Danscross: dancing in a shaking world. Poly Theatre Beijing 07 - 08 Nov 2009Performance
Viewing a/new: the landscape of dance in 2009.
Bannerman, C. 2009. Viewing a/new: the landscape of dance in 2009. Research in Dance Education. 10 (3), pp. 231-240. https://doi.org/10.1080/14647890903347114Article
Collaborative ethics in practice-as-research
Bannerman, C. and McLaughlin, C. 2009. Collaborative ethics in practice-as-research. in: Fuschini, L., Jones, S., Kershaw, B. and Piccini, A. (ed.) Practice-as research In performance and screen Basingstoke Palgrave Macmillan.Book chapter
Textual turns - and a turn-up for the books.
Melrose, S. 2002. Textual turns - and a turn-up for the books. "Textual Conditions". University of Nottingham,Conference keynote
Before the posthuman can take [its] place: performing place and person in the early 21st century
Melrose, S. 2002. Before the posthuman can take [its] place: performing place and person in the early 21st century. Performance Arts International e-journal.Article
Words fail me: dancing with the other's familiar.
Melrose, S. 2005. Words fail me: dancing with the other's familiar. Towards Tomorrow?, International gathering.. Centre for Performance Research, Aberystwyth, University of WalesConference keynote
Just intuitive.
Melrose, S. 2005. Just intuitive. The impossibility of representation?. AHRC Research Centre for Cross-Cultural Music and Dance Performance, School of Oriental and African Studies, University of LondonConference keynote
The eventful articulation of singularities - or, "Chasing angels".
Melrose, S. 2003. The eventful articulation of singularities - or, "Chasing angels". New alignments and emergent forms: dance-making, theory and knowledge.. School of Arts, Froebel College, Roehampton, University of Surrey Dec 2003Conference keynote
Out of words.
Melrose, S. 2005. Out of words. CHARM (AHRC Research Centre for the History and Analysis of Recorded Music) Symposium 1: Comparative perspectives in the study of recordings.. Royal Holloway, University of London, Egham 14 - 16 Apr 2005Conference keynote
Signs of life, signs of the times: and if all artists are semioticians?
Melrose, S. 2009. Signs of life, signs of the times: and if all artists are semioticians? ADSA Conference, Boom or bust: economies of production and exchange in theatre, performance and culture.. Edith Cowan University, Curtin University and Murdoch University, WA, Australia 30 Jun - 03 Jul 2009Conference keynote
Who knows - and who cares: about performance mastery?
Melrose, S. 2006. Who knows - and who cares: about performance mastery? in: Christie, J., Gough, R. and Watt, D. (ed.) A performance cosmology: testimony from the future evidence of the past London and New York Routledge. pp. 132-139Book chapter
A semiotics of the dramatic text
Melrose, S. 1994. A semiotics of the dramatic text. Basingstoke Macmillan.Book
(Re)marking the overlooked or, Stanislavski's napkin
Melrose, S. 2001. (Re)marking the overlooked or, Stanislavski's napkin. Performance Research. 6 (2), pp. 4-19.Article
Not yet, and already no longer: loitering with intent between the expert practitioner at work, and the archive
Melrose, S. 2007. Not yet, and already no longer: loitering with intent between the expert practitioner at work, and the archive. in: DeLahunta, S. and Bastien, M. (ed.) (Capturing intention): documentatie, analyse en notatieonderzoek gebaseerd Amsterdam, Netherlands Emio Greco. pp. 74-78Book chapter
Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance
Melrose, S. 2009. Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance. in: Butterworth, J. and Wildschut, L. (ed.) Contemporary choreography: a critical reader London and New York Routledge. pp. 23Book chapter
Mapping dance provision: Confidential Report for Department of Culture, Media and Sport (DCMS).
Bannerman, C. and Department of Culture, Media and Sport 2006. Mapping dance provision: Confidential Report for Department of Culture, Media and Sport (DCMS). Department of Culture, Media and Sport.Project report
Animating architecture: foliage chorus.
Jeyasingh, S. and Watt, J. 2005. Animating architecture: foliage chorus.Digital or visual media
Vanishing point
Butcher, R. 2003. Vanishing point.Digital or visual media
Faultline.
Jeyasingh, S. 2007. Faultline.Performance
Exit no exit.
Jeyasingh, S. 2006. Exit no exit.Performance
[h]interland GDA, and touring as [h]interland 2.
Jeyasingh, S. 2002. [h]interland GDA, and touring as [h]interland 2. Greenwich Dance Agency and touring nationally.Performance
Six frames: memories of two women
Butcher, R. 2005. Six frames: memories of two women. 16 - 21 Aug 2005Performance
WHITE
Butcher, R. 2004. WHITE.Performance
Songs of a wayfarer and two footnotes to Ashton
Brandstrup, K. 2004. Songs of a wayfarer and two footnotes to Ashton. Edinburgh Festival and Linbury Studio, Royal Opera House, Covent GardenPerformance
Hamlet
Brandstrup, K. 2003. Hamlet.Performance
The anatomy of a storyteller
Brandstrup, K. 2004. The anatomy of a storyteller.Performance
Practice as Research website: http://www.sfmelrose.u-net.com
Melrose, S. 2007. Practice as Research website: http://www.sfmelrose.u-net.com. Susan Melrose.Other
Constitutive ambiguities: writing professional or expert performance practices, and the Theatre du Soleil, Paris
Melrose, S. 2006. Constitutive ambiguities: writing professional or expert performance practices, and the Theatre du Soleil, Paris. in: Kelleher, J. and Ridout, N. (ed.) Contemporary theatres in Europe Routledge. pp. 120-135Book chapter
Proximity, wisdom and creativity.
Bannerman, C. 2008. Proximity, wisdom and creativity. in: Craft, A., Gardner, H. and Claxton, G. (ed.) Creativity, wisdom and trusteeship: exploring the role of education California Corwin Press. pp. 23-37Book chapter
Rosemary Butcher: choreography/collisions/collaborations
Melrose, S. and Butcher, R. 2005. Rosemary Butcher: choreography/collisions/collaborations. Hendon, London Middlesex University Press.Book
Navigating the unknown: the creative process in contemporary performing arts
Bannerman, C., Sofaer, J. and Watt, J. 2006. Navigating the unknown: the creative process in contemporary performing arts. Hendon, London Middlesex University Press / ResCen Publications.Book
rescen.net
Bannerman, C. 2007. rescen.net.Design
Court
Broadhead, C. and Woodhouse, A. 2003. Court. Court toured to 13 venues across the UK including: Angel Row Gallery, Nottingham 13-18 January, 2005; Yorkshire Sculpture Park 16-20 November 2005; Sadlers Wells Theatre, London 16,17,18 November 2006. 26 Jun 2003Show or exhibition
Rosemary Butcher: the digital archive
Butcher, R. 2007. Rosemary Butcher: the digital archive. AHRC Fellowship.Other
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