Theatre Arts group
| Title | Theatre Arts group |
|---|
Latest research outputs
Sort by Date Title
Words in space: filling the empty space in francophone theatre
Upton, C. 1997. Words in space: filling the empty space in francophone theatre. in: Little, J. and Little, R. (ed.) Black accents: writing in French from Africa, Mauritius and the Caribbean theatre. Proceedings of the ASCALF Conference, held in Dublin, 8-10 April 1995 Grant and Cutler. pp. 235-251Book chapter
Story of a rude gal
Thompson, C. 2011. Story of a rude gal.Performance
Beyond borders: David Greig's transpersonal dramaturgy
Thompson, C. 2011. Beyond borders: David Greig's transpersonal dramaturgy. in: Muller, A. and Wallace, C. (ed.) Cosmotopia: transnational identities in David Greig's theatre Litteraria Pragensia. pp. 103-117Book chapter
Myth and gender in contemporary Irish drama
Maguire, T. and Upton, C. 2013. Myth and gender in contemporary Irish drama. Fitzpatrick, L. (ed.) Third Annual NEICN Conference, ‘Ireland: Lands of Saints and Scholars’. University of Sunderland Carysfort Press.Conference paper
Performance as knowledge.
Bannerman, C., Smith, C., Melrose, S., Alston, R., Baxter, G., Adawole, F. and Davis, J. 2006. Performance as knowledge. Performance as knowledge seminar. Somerset house, London 03 May 2006Conference item
Sensualities/textualities and technologies: writings of the body in 21st Century performance
Broadhurst, S. and Machon, J. (ed.) 2010. Sensualities/textualities and technologies: writings of the body in 21st Century performance. Basingstoke Palgrave Macmillan.Book
Textual turns - and a turn-up for the books.
Melrose, S. 2002. Textual turns - and a turn-up for the books. "Textual Conditions". University of Nottingham,Conference keynote
Before the posthuman can take [its] place: performing place and person in the early 21st century
Melrose, S. 2002. Before the posthuman can take [its] place: performing place and person in the early 21st century. Performance Arts International e-journal.Article
Words fail me: dancing with the other's familiar.
Melrose, S. 2005. Words fail me: dancing with the other's familiar. Towards Tomorrow?, International gathering.. Centre for Performance Research, Aberystwyth, University of WalesConference keynote
Just intuitive.
Melrose, S. 2005. Just intuitive. The impossibility of representation?. AHRC Research Centre for Cross-Cultural Music and Dance Performance, School of Oriental and African Studies, University of LondonConference keynote
The eventful articulation of singularities - or, "Chasing angels".
Melrose, S. 2003. The eventful articulation of singularities - or, "Chasing angels". New alignments and emergent forms: dance-making, theory and knowledge.. School of Arts, Froebel College, Roehampton, University of Surrey Dec 2003Conference keynote
Out of words.
Melrose, S. 2005. Out of words. CHARM (AHRC Research Centre for the History and Analysis of Recorded Music) Symposium 1: Comparative perspectives in the study of recordings.. Royal Holloway, University of London, Egham 14 - 16 Apr 2005Conference keynote
Signs of life, signs of the times: and if all artists are semioticians?
Melrose, S. 2009. Signs of life, signs of the times: and if all artists are semioticians? ADSA Conference, Boom or bust: economies of production and exchange in theatre, performance and culture.. Edith Cowan University, Curtin University and Murdoch University, WA, Australia 30 Jun - 03 Jul 2009Conference keynote
Who knows - and who cares: about performance mastery?
Melrose, S. 2006. Who knows - and who cares: about performance mastery? in: Christie, J., Gough, R. and Watt, D. (ed.) A performance cosmology: testimony from the future evidence of the past London and New York Routledge. pp. 132-139Book chapter
A semiotics of the dramatic text
Melrose, S. 1994. A semiotics of the dramatic text. Basingstoke Macmillan.Book
(Re)marking the overlooked or, Stanislavski's napkin
Melrose, S. 2001. (Re)marking the overlooked or, Stanislavski's napkin. Performance Research. 6 (2), pp. 4-19.Article
Not yet, and already no longer: loitering with intent between the expert practitioner at work, and the archive
Melrose, S. 2007. Not yet, and already no longer: loitering with intent between the expert practitioner at work, and the archive. in: DeLahunta, S. and Bastien, M. (ed.) (Capturing intention): documentatie, analyse en notatieonderzoek gebaseerd Amsterdam, Netherlands Emio Greco. pp. 74-78Book chapter
Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance
Melrose, S. 2009. Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance. in: Butterworth, J. and Wildschut, L. (ed.) Contemporary choreography: a critical reader London and New York Routledge. pp. 23Book chapter
Practice as Research website: http://www.sfmelrose.u-net.com
Melrose, S. 2007. Practice as Research website: http://www.sfmelrose.u-net.com. Susan Melrose.Other
Constitutive ambiguities: writing professional or expert performance practices, and the Theatre du Soleil, Paris
Melrose, S. 2006. Constitutive ambiguities: writing professional or expert performance practices, and the Theatre du Soleil, Paris. in: Kelleher, J. and Ridout, N. (ed.) Contemporary theatres in Europe Routledge. pp. 120-135Book chapter
Rosemary Butcher: choreography/collisions/collaborations
Melrose, S. and Butcher, R. 2005. Rosemary Butcher: choreography/collisions/collaborations. Hendon, London Middlesex University Press.Book
Performance and technology: practices of virtual embodiment and interactivity
Broadhurst, S. and Machon, J. (ed.) 2006. Performance and technology: practices of virtual embodiment and interactivity. Basingstoke, UK Palgrave Macmillan.Book
Bodies without bodies
Melrose, S. 2006. Bodies without bodies. in: Broadhurst, S. and Machon, J. (ed.) Performance and Technology: Practices of Virtual Embodiment and Interactivity Basingstoke Palgrave Macmillan. pp. 1-12Book chapter
The vanishing, or little erasures without significance?
Melrose, S. 2006. The vanishing, or little erasures without significance? Performance Research. 11 (2), pp. 95-107. https://doi.org/10.1080/13528160600812042Article
Techne, technology, technician: the creative practices of the mastercraftsperson
Hunt, N. and Melrose, S. 2005. Techne, technology, technician: the creative practices of the mastercraftsperson. Performance Research. 10 (4), pp. 70-82. https://doi.org/10.1080/13528165.2005.10871452Article
0
total views0
total downloads0
views this month0
downloads this month