Myth and gender in contemporary Irish drama

Conference paper


Maguire, T. and Upton, C. 2013. Myth and gender in contemporary Irish drama. Fitzpatrick, L. (ed.) Third Annual NEICN Conference, ‘Ireland: Lands of Saints and Scholars’. University of Sunderland Carysfort Press.
TypeConference paper
TitleMyth and gender in contemporary Irish drama
AuthorsMaguire, T. and Upton, C.
Abstract

[Summary of the book containing this chapter:] This collection of fourteen new essays by scholars of literature, theatre, historiography, psychology and political science explores aspects of feminism in Ireland four decades after the founding of the Irish Women s Liberation Movement. The tremendous changes to the social, economic, educational and personal lives of Irish women are discussed and analyzed here in terms of the everyday performance of being a woman in Ireland, and the everyday negotiation of gender roles and expectations in Irish society in the twenty-first century. The essays address such disparate areas as the visibility of women practitioners in the 2011 Dublin Theatre Festival; stand-up comedy; dramatic representations of gender and sexuality; gender and the iconography of the nation; women and publishing; motherhood; activism; and reproductive rights. This collection speaks to national issues that continue to concern women around the globe. Contributors include: Suzanne Colleary; Sara Keating; Brenda Donohue; Charlotte Headrick and John Countryman; Tom Maguire and Carole-Anne Upton; S.E. Wilme and Mary Caulfield; Megan Buckley and Julia Walther; Lisa McGonigle; Maria Kurdi; Jacinta Byrne - Doran; Lisa Fitzpatrick; Aideen Kerr; Alyson Cambell and Suzanne Platman; Fiona Bloomer TABLE OF CONTENTS Introduction: Performing Feminisms Lisa Fitzpatrick 1 | Women in the Dublin Theatre Festival 2011 by Sara Keating 2 | Eating Tiny Cakes in the Dark: Maeve Higgins and the Politics of Self Deprecation by Susanne Colleary 3 | Marina Carr Writing as a Feminist Act by Brenda Donohue 4 | Damned If You Do; Damned If You Don t: Competing Feminisms in Irish theatre by Charlotte Headrick & John Countryman 5 | Myth and Gender in Irish Drama by Tom Maguire & Carole-Anne Upton 6 | Gendering the Nation in Iconography and Historiography by S.E. Wilmer & Mary Caulfield 7 | Midwives to Creativity : Irish women and public(ation), 1975-1996 by Megan Buckley & Julia Walther 8 | Judgemental oul hoors : Catholicism in the work of Marian Keyes by Lisa McGonigle 9 | The Mother-Daughter Relationship in Contemporary Plays by Women by Mária Kurdi 10 | An Exploration of the Intergenerational Influences on Working Mothers by Jacinta Byrne-Doran 11 | Rape, Murder and Mayhem: Women Writing Violence by Lisa Fitzpatrick 12 | Feminism, Gender Roles, and Sexualities in Contemporary Productions of Oscar Wilde by Aideen Kerr 13 | Le Monkey Homosexuel : the role of Ruth McCarthy s queerzines in Northern Ireland in the 1990s and 2000s by Alyson Campbell & Suzanne Patman 14 | Protests, Parades and Marches: activism and extending abortion legislation to Northern Ireland by Fiona Bloomer

Research GroupTheatre Arts group
ConferenceThird Annual NEICN Conference, ‘Ireland: Lands of Saints and Scholars’
SeriesPerforming Ireland
EditorsFitzpatrick, L.
ISBN
Hardcover9781904505624
PublisherCarysfort Press
Publication dates
Print18 Mar 2013
Publication process dates
Deposited10 Sep 2010
Output statusPublished
Web address (URL)http://www.carysfortpress.com/products/performingfeminisms.htm
LanguageEnglish
Book titlePerforming feminisms in contemporary Ireland
File
File Access Level
Controlled
Permalink -

https://repository.mdx.ac.uk/item/83z6v

  • 50
    total views
  • 0
    total downloads
  • 1
    views this month
  • 0
    downloads this month

Export as

Related outputs

The performance of truth and justice in Northern Ireland: the case of Bloody Sunday
Upton, C. 2009. The performance of truth and justice in Northern Ireland: the case of Bloody Sunday. in: Forsyth, A. and Megson, C. (ed.) Get real: documentary theatre past and present Basingstoke Palgrave Macmillan. pp. 179-194
The translator as metteur en scene, with reference to Les Aveugles [The Blind] by Maurice Maeterlinck
Upton, C. 2011. The translator as metteur en scene, with reference to Les Aveugles [The Blind] by Maurice Maeterlinck. in: Baines, R., Marinetti, C. and Perteghella, M. (ed.) Staging and performing translation: text and theatre practice Basingstoke Palgrave Macmillan. pp. 31-48
Real people as actors: Actors as real people
Upton, C. 2011. Real people as actors: Actors as real people. Studies in Theatre and Performance. 31 (2), pp. 209-222. https://doi.org/10.1386/stap.31.2.209_1
Ananse's wealth: response and responsibility in modern African theatre
Upton, C. 1996. Ananse's wealth: response and responsibility in modern African theatre. in: Merkin, R. (ed.) Popular theatres? Papers from the Popular Theatre Conference 1994 Liverpool John Moores University. pp. 140-160
Botho Strauss on the English stage
Upton, C. and Meech, T. 1997. Botho Strauss on the English stage. Studies in Theatre Production. 16, pp. 35-46.
Words in space: filling the empty space in francophone theatre
Upton, C. 1997. Words in space: filling the empty space in francophone theatre. in: Little, J. and Little, R. (ed.) Black accents: writing in French from Africa, Mauritius and the Caribbean theatre. Proceedings of the ASCALF Conference, held in Dublin, 8-10 April 1995 Grant and Cutler. pp. 235-251