The translator as metteur en scene, with reference to Les Aveugles [The Blind] by Maurice Maeterlinck

Book chapter

Upton, C. 2011. The translator as metteur en scene, with reference to Les Aveugles [The Blind] by Maurice Maeterlinck. in: Baines, R., Marinetti, C. and Perteghella, M. (ed.) Staging and performing translation: text and theatre practice Basingstoke Palgrave Macmillan. pp. 31-48
Chapter titleThe translator as metteur en scene, with reference to Les Aveugles [The Blind] by Maurice Maeterlinck
AuthorsUpton, C.
Abstract

My project was to create a performance text on the basis of a culturally remote, necessarily incomplete, and foreign-language play text.
In translating and directing the piece, I wanted to explore the relationship between translation for performance and directing, based on the contention that theatre translation may usefully be regarded as a function of mise en scene.

Research GroupTheatre Arts group
Page range31-48
Book titleStaging and performing translation: text and theatre practice
EditorsBaines, R., Marinetti, C. and Perteghella, M.
PublisherPalgrave Macmillan
Place of publicationBasingstoke
ISBN
Hardcover9780230228191
Publication dates
Print18 Jan 2011
Publication process dates
Deposited14 Aug 2013
Output statusPublished
Web address (URL)http://www.palgrave.com/products/title.aspx?pid=357318
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/84460

Log in to edit
  • 25
    total views
  • 0
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

The performance of truth and justice in Northern Ireland: the case of Bloody Sunday
Upton, C. 2009. The performance of truth and justice in Northern Ireland: the case of Bloody Sunday. in: Forsyth, A. and Megson, C. (ed.) Get real: documentary theatre past and present Basingstoke Palgrave Macmillan. pp. 179-194
Real people as actors: Actors as real people
Upton, C. 2011. Real people as actors: Actors as real people. Studies in Theatre and Performance. 31 (2), pp. 209-222. https://doi.org/10.1386/stap.31.2.209_1
Ananse's wealth: response and responsibility in modern African theatre
Upton, C. 1996. Ananse's wealth: response and responsibility in modern African theatre. in: Merkin, R. (ed.) Popular theatres? Papers from the Popular Theatre Conference 1994 Liverpool John Moores University. pp. 140-160
Botho Strauss on the English stage
Upton, C. and Meech, T. 1997. Botho Strauss on the English stage. Studies in Theatre Production. 16, pp. 35-46.
Words in space: filling the empty space in francophone theatre
Upton, C. 1997. Words in space: filling the empty space in francophone theatre. in: Little, J. and Little, R. (ed.) Black accents: writing in French from Africa, Mauritius and the Caribbean theatre. Proceedings of the ASCALF Conference, held in Dublin, 8-10 April 1995 Grant and Cutler. pp. 235-251
Myth and gender in contemporary Irish drama
Maguire, T. and Upton, C. 2013. Myth and gender in contemporary Irish drama. Fitzpatrick, L. (ed.) Third Annual NEICN Conference, ‘Ireland: Lands of Saints and Scholars’. University of Sunderland Carysfort Press.