Prof Carole-Anne Upton
| Name | Prof Carole-Anne Upton |
|---|---|
| Job title | Deputy Vice-Chancellor for Global Innovation & Impact |
| Research institute | |
| Primary appointment | Research, Knowledge Exchange & Engagement |
| ORCID | https://orcid.org/0000-0003-4766-8529 |
| Contact category | Researcher (past) |
Research outputs
Myth and gender in contemporary Irish drama
Maguire, T. and Upton, C. 2013. Myth and gender in contemporary Irish drama. Fitzpatrick, L. (ed.) Third Annual NEICN Conference, ‘Ireland: Lands of Saints and Scholars’. University of Sunderland Carysfort Press.Real people as actors: Actors as real people
Upton, C. 2011. Real people as actors: Actors as real people. Studies in Theatre and Performance. 31 (2), pp. 209-222. https://doi.org/10.1386/stap.31.2.209_1The translator as metteur en scene, with reference to Les Aveugles [The Blind] by Maurice Maeterlinck
Upton, C. 2011. The translator as metteur en scene, with reference to Les Aveugles [The Blind] by Maurice Maeterlinck. in: Baines, R., Marinetti, C. and Perteghella, M. (ed.) Staging and performing translation: text and theatre practice Basingstoke Palgrave Macmillan. pp. 31-48The performance of truth and justice in Northern Ireland: the case of Bloody Sunday
Upton, C. 2009. The performance of truth and justice in Northern Ireland: the case of Bloody Sunday. in: Forsyth, A. and Megson, C. (ed.) Get real: documentary theatre past and present Basingstoke Palgrave Macmillan. pp. 179-194Moving target: theatre translation and cultural relocation
Upton, C. (ed.) 2000. Moving target: theatre translation and cultural relocation. St Jerome Publishing.Botho Strauss on the English stage
Upton, C. and Meech, T. 1997. Botho Strauss on the English stage. Studies in Theatre Production. 16, pp. 35-46.Words in space: filling the empty space in francophone theatre
Upton, C. 1997. Words in space: filling the empty space in francophone theatre. in: Little, J. and Little, R. (ed.) Black accents: writing in French from Africa, Mauritius and the Caribbean theatre. Proceedings of the ASCALF Conference, held in Dublin, 8-10 April 1995 Grant and Cutler. pp. 235-251Ananse's wealth: response and responsibility in modern African theatre
Upton, C. 1996. Ananse's wealth: response and responsibility in modern African theatre. in: Merkin, R. (ed.) Popular theatres? Papers from the Popular Theatre Conference 1994 Liverpool John Moores University. pp. 140-160282
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