CREATE/Feminisms cluster
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Latest research outputs
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Resist: be modern (again)
Maude-Roxby, A. and Seibold, S. 2019. Resist: be modern (again). John Hansard Gallery 25 May - 17 Aug 2019Show or exhibition
Censored Realities / Changing New York
Maude-Roxby, A. and Seibold, S. 2018. Censored Realities / Changing New York. AustriaArtefact
Crossing borders and other dividers in Western Europe and the British Isles
Kokoli, A. 2019. Crossing borders and other dividers in Western Europe and the British Isles. in: Robinson, H. and Buszek, M. (ed.) A Companion to Feminist Art United Kingdom WileyBlackwell. pp. 127-141Book chapter
Domestic fronts: towards a feminist survival(ism)
Kokoli, A. 2018. Domestic fronts: towards a feminist survival(ism). Symposium: Feminist Visual Activism. ICA, London 10 Jul 2018Conference paper
Creative Tensions: Making (it), unmaking, and making do in textiles informed by feminism
Kokoli, A. 2018. Creative Tensions: Making (it), unmaking, and making do in textiles informed by feminism. in: Harris, J. (ed.) A Companion to Textile Culture WileyBlackwell.Book chapter
Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University
Deepwell, K., Kokoli, A., Robinson, A., Mullaniff, K., Dick, E., Attwood, F., Leeson, L. and Maude-Roxby, A. 2018. Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University. Feminist Art Activisms and Artivisms. Middlesex University, London, UK 02 Jul 2018 Middlesex University. https://doi.org/10.22023/mdx.6716054.v1Conference item
HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018.
Kokoli, A. and Sliwinska, B. 2018. HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018. l'etrangere, 44a Charlotte Road, London EC2A 3PD 08 Mar - 21 Apr 2018Show or exhibition
n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons
Deepwell, K. 2017. n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons.Design
Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska
Deepwell, K. and Milevska, S. 2015. Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska. in: Lijster, T., Milevska, S., Gielen, P. and Sonderegger, R. (ed.) Spaces for Criticism: Shifts in Contemporary Art Discourses Amsterdam Valiz. pp. 171-192Book chapter
Feminist collaborative projects in the UK in the 1970s'
Deepwell, K. 2018. Feminist collaborative projects in the UK in the 1970s'. in: Jakubowska, A. and Deepwell, K. (ed.) All-Women art spaces in Europe in the Long 1970s Liverpool Liverpool University Press.Book chapter
‘Thinking/acting with tactics of displacement’
Deepwell, K. 2015. ‘Thinking/acting with tactics of displacement’. in: Alonso, S. and Marful, I. (ed.) RE-ACTION, una ginología artística contra el canon Spain, Asturia Sala LAUDEO, Universidad de Oviedo. pp. 31-36Book chapter
All-women art spaces in Europe in the long 1970s
Jakubowska, A. and Deepwell, K. (ed.) 2018. All-women art spaces in Europe in the long 1970s. Liverpool Liverpool University Press.Book
Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism
Kokoli, A. 2017. Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism. A Feminist Space at Leeds: Looking Back to Think Forward. Leeds University 16 - 17 Dec 2017Conference paper
Do textiles think?
Kokoli, A. 2017. Do textiles think? in: Kyprianidou, E. (ed.) Weaving Culture in Europe Nisos. pp. 99-102Book chapter
Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance
Kokoli, A. 2018. Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance. Hypatia: A Journal of Feminist Philosophy. 33 (3), pp. 485-499. https://doi.org/10.1111/hypa.12399Article
The writing’s on the wall: #QC against decipherability
Kokoli, A. 2017. The writing’s on the wall: #QC against decipherability. 'Transcending the Signified', Quilla Constance Symposium. Camberwell College of Arts, UAL, London 23 Jun 2017Conference paper
The ambiguous ambivalence of feminist textiles
Kokoli, A. 2017. The ambiguous ambivalence of feminist textiles. in: Ford, S. (ed.) CUT CLOTH: Contemporary Textiles and Feminism PO Publishing. pp. 60-65Book chapter
Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism
Kokoli, A. 2017. Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism. Oxford Art Journal. 40 (1), pp. 153-168. https://doi.org/10.1093/oxartj/kcx004Article
History or not: addressing omissions in the retelling of art's stories (roundtable discussion)
Kokoli, A., Allen, F., Boyce, S., Budd, A., Hiller, S., Hudek, A. and Sainsbury, A. 2017. History or not: addressing omissions in the retelling of art's stories (roundtable discussion). History or Not: Addressing Omissions in the Retelling of Art's Stories. Raven Row, London, United Kingdom 18 Mar 2017Conference item
Sapphic Modernists - Re-visiting Elizabeth McCausland and Berenice Abbott’s Changing New York
Maude-Roxby, A., Seibold, S. and Goldsmiths University in conjunction with Tate Modern 2016. Sapphic Modernists - Re-visiting Elizabeth McCausland and Berenice Abbott’s Changing New York. Urban Encounters Conference. Goldsmiths University and Tate Modern 03 - 06 Nov 2016Conference item
Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller
Kokoli, A. Kokoli, A. (ed.) 2017. Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller. Tate Research Publication.Book
On the beginnings and end of n.paradoxa: international feminist art journal
Deepwell, K. 2017. On the beginnings and end of n.paradoxa: international feminist art journal. n.paradoxa: international feminist art journal. 40, pp. 5-13.Article
Read my QR: Quilla Constance and the conceptualist promise of intelligibility
Kokoli, A. 2017. Read my QR: Quilla Constance and the conceptualist promise of intelligibility. Aikens, N., lok, s. and Orlando, S. (ed.) Conceptualism: Intersectional Readings, International Framings, Black Artists and Modernism (BAM) Conference. Van Abbemuseum, Eindhoven, Netherlands 07 - 09 Dec 2017 Van Abbemuseum. pp. 36-53Conference paper
Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms
Kokoli, A. 2016. Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms. Feminist Perspectives on Artistic Productions and Theories of Art, 5th edition, organised by Xabier Arakistain and Lourdes Mendez. Azkuna Zentroa, Bilbao 28 - 30 Oct 2016Conference paper
Angry melancholia: towards a performative politics of time in the work of Monica Ross
Kokoli, A. 2016. Angry melancholia: towards a performative politics of time in the work of Monica Ross. in: Monica Ross: Ethical Actions - A Critical Fine Art Practice Berlin Sternberg Press. pp. 22-31Book chapter
New feminist activism: memory, art, and context
Robinson, H. 2016. New feminist activism: memory, art, and context. XLIX AICA International Congress: New Utopias: Art, Memory, Context. Havana, Cuba 11 - 15 Oct 2016 AICA.Conference paper
#QC: Read My QR
Kokoli, A. 2016. #QC: Read My QR. Quilla Constance: #QC_Symposium. Toynbee Studios, Artsdmin, 28 Commercial Street, London E1 6AB 10 Mar 2016Conference paper
Feminism reframed: reflections on art and difference
Kokoli, A., Heath, J., Hemus, R., Chase, A., Roulstone, K., Behm, A., Germann, J., Grant, C., Tate, S., Lauritis, B., Pollock, G. and Swartz, A. Kokoli, A. (ed.) 2008. Feminism reframed: reflections on art and difference. Cambridge Scholars Publishing.Book
Pre-emptive mourning (or melancholia)? : the home as tomb in art informed by feminism and anti-nuclear activism
Kokoli, A. 2015. Pre-emptive mourning (or melancholia)? : the home as tomb in art informed by feminism and anti-nuclear activism. House, work, artwork: feminism and Art History's new domesticities. University of Birmingham, Birmingham. United Kingdom 03 - 04 Jul 2015Conference paper
Uncanny domesticities in art informed by feminist anti-nuclear activism
Kokoli, A. 2016. Uncanny domesticities in art informed by feminist anti-nuclear activism. Artists’ Critical Interventions into Architecture and Urbanism. University of Warwick, United Kingdom 15 - 16 Jul 2016Conference keynote
Interview with Margaret Harrison and participation in roundtable discussion
Kokoli, A., Harrison, M., Farkas, R., Leeson, L. and Maple, S. 2016. Interview with Margaret Harrison and participation in roundtable discussion. The Practicing Feminist. Tate Britain 21 May 2016Conference item
Now, then, and again: between anniversary and HERitage
Kokoli, A. 2015. Now, then, and again: between anniversary and HERitage. Day + Gluckman.Other
The feminist uncanny in theory and art practice
Kokoli, A. 2016. The feminist uncanny in theory and art practice. London Bloomsbury Academic.Book
What Bear Grylls can’t do: survivalist mediascapes in austerity Britain
Kokoli, A. and Winter, A. 2015. What Bear Grylls can’t do: survivalist mediascapes in austerity Britain. In Media Res: A Media Commons Project Media Commons (http://mediacommons.futureofthebook.org/).Other
Feminism meets the big exhibition: museum survey shows since 2005
Robinson, H. 2016. Feminism meets the big exhibition: museum survey shows since 2005. On Curating. 29, pp. 29-40.Article
Community politics of the GLC (Greater London Council)
Leeson, L. 2016. Community politics of the GLC (Greater London Council). How to Do It. King's College London, UK 09 - 10 Apr 2016Conference item
Feminism-art-theory 1968-2014: an anthology
Robinson, H. (ed.) 2015. Feminism-art-theory 1968-2014: an anthology. Malden MA; Oxford UK WileyBlackwell.Book
The performer emerges in the work of Sian Bonnell
Brown, C. 2014. The performer emerges in the work of Sian Bonnell. Photomonitor.Article
Bettina von Zwehl: Made up Love Song
Brown, C. 2012. Bettina von Zwehl: Made up Love Song. Photomonitor.Article
Gayle Chong Kwan 'Arripare', 2013
Brown, C. 2014. Gayle Chong Kwan 'Arripare', 2013. Photomonitor.Article
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