CREATE/Feminisms cluster
| Title | CREATE/Feminisms cluster |
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Latest research outputs
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Six Women / Art Vapours
lok, s. and Kristensen, J. 2015. Six Women / Art Vapours. Mnemoscape Magazine.Article
Not a straight line by a spiral: charting continuity and change in textiles informed by feminism
Kokoli, A. 2014. Not a straight line by a spiral: charting continuity and change in textiles informed by feminism. Image and Text. 23, pp. 110-129.Article
Citizen innovation: DIY design and the Thames water turbine
Leeson, L. and Light, A. 2014. Citizen innovation: DIY design and the Thames water turbine. Creative Citizens. Royal College of Art, London 18 - 19 Sep 2014Conference paper
Reflections on an art and politics of social engagement
Leeson, L. 2014. Reflections on an art and politics of social engagement. The Impossible Constellation. University of Lincoln 02 - 03 Jun 2014Conference paper
Re-thinking (e)valuation
Leeson, L. 2014. Re-thinking (e)valuation. Art, Recognition and Social Science: Re-Thinking (E)valuation. Central Library, Liverpool, UK 16 May 2014Conference paper
Art as a force for change
Leeson, L. 2014. Art as a force for change. Curating Community? The Relational and Agonistic Value of Participatory Arts in Superdiverse Localities. Centre For Creative Collaboration, London, UK 01 May 2014Conference paper
Experiments in ‘real world’ education
Leeson, L. 2014. Experiments in ‘real world’ education. Just What Is It That Makes Today's Art Schools So Different, So Appealing?. ICA, London 29 Mar 2014Conference paper
Some lessons learned on the art and politics of social engagement 1978 – 2013
Leeson, L. 2014. Some lessons learned on the art and politics of social engagement 1978 – 2013. The Tetley Feast. The Tetley, Leeds, UK 08 Jan - 12 Feb 2014Conference item
Active Energy - where art and engineering meet
Leeson, L. 2014. Active Energy - where art and engineering meet. CAA 102nd Annual Conference. Chicago 12 - 15 Feb 2014Conference paper
Case study: engaging older people in creative thinking: the Active Energy project
Leeson, L. 2015. Case study: engaging older people in creative thinking: the Active Energy project. in: Clift, S. and Camic, P. (ed.) Oxford Textbook of Creative Arts, Health and Wellbeing: International perspectives on practice, policy and research Oxford University Press (OUP). pp. 245-250Book chapter
Past-present -future
Maude-Roxby, A. 2015. Past-present -future. in: Vason, M. and Evans, D. (ed.) Double Exposures: Performance as Photography, Photography as Performance London Intellect. pp. 31-34Book chapter
Performance and Photography: Theatre of Photography
Maude-Roxby, A., London College of Communication and Swedenborg 2015. Performance and Photography: Theatre of Photography. Moose on the Loose. Swedenborg Society LondonConference item
What a girl’s gotta do: the labour of the biopolitical celebrity in austerity Britain
Kokoli, A. and Winter, A. 2015. What a girl’s gotta do: the labour of the biopolitical celebrity in austerity Britain. Women & Performance: a journal of feminist theory. 25 (2), pp. 157-174. https://doi.org/10.1080/0740770X.2015.1057015Article
Misogyny: Witches and Wicked Bodies
Petherbridge, D., Segal, L., Kokoli, A., Deepwell, K. and Create/Feminism Cluster 2015. Misogyny: Witches and Wicked Bodies. Misogyny: Witches and Wicked Bodies. ICA, London, United Kingdom 18 Mar 2015Conference item
Writing textile, making text: cloth and stitch as agency for disorderly text
Dormor, C. 2014. Writing textile, making text: cloth and stitch as agency for disorderly text. New Directions: Examining the Past, Creating the Future. Textile Society of America 14th Biennial Symposium. Los Angeles, CA, USA. 10 - 14 Sep 2014Conference paper
“...it was true! How can you laugh?”: the conflation of history and memory in the reception of Titanic in Britain and Southampton’
Massey, A. and Hammond, M. 1999. “...it was true! How can you laugh?”: the conflation of history and memory in the reception of Titanic in Britain and Southampton’. in: Studlar, G. and Sandler, K. (ed.) Titanic: Anatomy of a Blockbuster Rutgers University Press. pp. 239-264Book chapter
The Independent Group as design theorists
Massey, A. 1985. The Independent Group as design theorists. in: Hamilton, N. (ed.) From Spitfire to microchip: studies in the history of design from 1945 (Proceedings of a conference of the Design History Society held at the City of London Polytechnic, 1981.) Design Council.Book chapter
Interior lifestyles
Massey, A. 1993. Interior lifestyles. in: Biba: the Look, the Lifestyle, the Label: Exhibition Catalogue Tyne & Wear Museums.Book chapter
Life in the UK: the creative partnership of Lawrence Alloway and Sylvia Sleigh
Massey, A. 2001. Life in the UK: the creative partnership of Lawrence Alloway and Sylvia Sleigh. in: An unnerving romanticism : the art of Sylvia Sleigh and Lawrence Alloway (Catalogue of an exhibition held at Philadelphia Art Alliance (Philadelphia), 22 Mar. - 13 May 2001.) Philadelphia Art Alliance.Book chapter
The Independent Group : urban reality and the impact of science, the media and American popular culture
Massey, A. 2002. The Independent Group : urban reality and the impact of science, the media and American popular culture. in: Hughes, H., Van Tuyl, G. and Broeker, H. (ed.) Blast to Freeze : British Art in the 20th Century (Catalogue of an exhibition held at Kunstmuseum Wolfsburg, Sept. 14, 2002-Jan. 19, 2003; Les Abattoirs, Toulouse, Feb. 24-May 11, 2003) Wolfsburg Kunstmuseum.Book chapter
Ocean liner posters
Cadringher, G. and Massey, A. 2011. Ocean liner posters. Antique Collectors' Club.Book
Whose beauty? Women, art, and inter-subjectivity in Luce Irigaray’s writings
Robinson, H. 2000. Whose beauty? Women, art, and inter-subjectivity in Luce Irigaray’s writings. in: Brand, P. (ed.) Beauty Matters Indiana University Press. pp. 224-251Book chapter
Within the Pale in from: Beyond the Pale: the construction of femininity in the curating of an exhibition season at the Irish Museum of Modern Art, Dublin
Robinson, H. 1997. Within the Pale in from: Beyond the Pale: the construction of femininity in the curating of an exhibition season at the Irish Museum of Modern Art, Dublin. Journal of Gender Studies. 6 (3), pp. 255-267. https://doi.org/10.1080/09589236.1997.9960686Article
Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities
Leeson, L. 2014. Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities. Women Environmental Artists Directory. (7).Article
The Art of Intervention
Maude-Roxby, A. 2009. The Art of Intervention. Fleur Gallery, Kyoto, Japan; UKShow or exhibition
12 Approaches to 12 Shooters
Maude-Roxby, A. 2009. 12 Approaches to 12 Shooters. in: Maizlish, J. (ed.) Marcia Farquhar's 12 shooters London Live Art Development Agency. pp. 177-189Book chapter
Performing memory
Maude-Roxby, A. 2010. Performing memory. Kunstraum Niederösterreich, Vienna, AustriaShow or exhibition
Anti-academy
Maude-Roxby, A. 2013. Anti-academy. John Hansard Gallery, Southampton, UKShow or exhibition
The mother of pop? Dorothy Morland and the Independent Group
Massey, A. 2013. The mother of pop? Dorothy Morland and the Independent Group. Journal of Visual Culture. 12 (2), pp. 262-278. https://doi.org/10.1177/1470412913489865Article
Hotel lobbies and lounges: the architecture of professional hospitality
Avermaete, T. and Massey, A. (ed.) 2012. Hotel lobbies and lounges: the architecture of professional hospitality. Routledge.Book
Move
Boyce, S. 2013. Move.Digital or visual media
Pleasure, painting, politics: the three graces - or: why I like Adélaïde Labille-Guiard's 'self-portrait with two pupils'
Robinson, H. Pleasure, painting, politics: the three graces - or: why I like Adélaïde Labille-Guiard's 'self-portrait with two pupils'. in: Arakistain, X. and Méndes, L. (ed.) Artistic production and the feminist theory of art: new debates III Vitoria-Gasteiz, Spain Ayuntamiento de Vitoria-Gasteizko Udalak. pp. 306-316Book chapter
Shifting spaces
Brooker, G. 2012. Shifting spaces. in: Avermaete, T. and Massey, A. (ed.) Hotel lobbies and lounges: the architecture of professional hospitality Routledge. pp. 89-102Book chapter
Feminism meets the big exhibition: 2005 onwards
Robinson, H. 2013. Feminism meets the big exhibition: 2005 onwards. Anglo Saxonica. 3 (6).Article
Becoming women: Irigaray, Ireland and visual representation
Robinson, H. 2003. Becoming women: Irigaray, Ireland and visual representation. in: Bhreathnach-Lynch, S. and Cusack, T. (ed.) Art, Gender and Nation: Ethnic Landscapes, Myths and Mother-Figures Aldershot Ashgate. pp. 113-127Book chapter
Pleasure, painting, politics: the three graces – or: why I like Adélaïde Labille-Guiard’s Self-Portrait With Two Pupils
Robinson, H. 2012. Pleasure, painting, politics: the three graces – or: why I like Adélaïde Labille-Guiard’s Self-Portrait With Two Pupils. in: Artistic Production and the Feminist Theory of Art: New Debates III Victoria-Gastiez, Spain Ayuntamiento de Vitoria-Gastiezko Udalak. pp. 306-316Book chapter
Feminism-art-theory : 1968-2000
Robinson, H. (ed.) 2001. Feminism-art-theory : 1968-2000. Oxford WileyBlackwell.Book
Reading art, reading Irigaray: the politics of art by women
Robinson, H. (ed.) 2006. Reading art, reading Irigaray: the politics of art by women. London I.B.Tauris.Book
The woman artist as curatorial effect
Kokoli, A. 2013. The woman artist as curatorial effect. in: Dimitrakaki, A. and Perry, L. (ed.) Politics in a glass case: feminism, exhibition cultures and curatorial transgressions Liverpool University Press.Book chapter
On probation: Tracey Emin as sign
Kokoli, A. 2010. On probation: Tracey Emin as sign. Wasafiri. 25 (1), pp. 33-40. https://doi.org/10.1080/02690050903425342Article
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