School of Design
Title | School of Design |
---|---|
Alternative | ACI - Design |
Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
Sort by Date Title
Transitory erasures: subjects of institutional critique
Morariu, V. 2017. Transitory erasures: subjects of institutional critique. in: Oberprantacher, A. and Siclodi, A. (ed.) Subjectivation in Political Theory and Contemporary Practices Palgrave Macmillan UK. pp. 165-180Book chapter
The edge condition: re-use of industrial heritage on urban waterfronts: a case of London’s second river
Evans, G. and House, N. 2017. The edge condition: re-use of industrial heritage on urban waterfronts: a case of London’s second river. Interventions I Adaptive Reuse. 8, pp. 26-33.Article
Writing spaces
Murialdo, F., Thomas, P. and Bonazza, R. 2017. Writing spaces. EATAW (European Association for the Teaching of Academic Writing) 2017. Royal Holloway, University of London in the United Kingdom 19 - 21 Jun 2017Conference paper
Adaptive use and reuse: a time-specific process
Murialdo, F. 2017. Adaptive use and reuse: a time-specific process. 5th Workshop on Conservation/Adaptation. Hasselt/Liège, Belgium 13 - 16 Oct 2015 EAAE: European Association for Architectural Education. pp. 204-216Conference paper
'There is no such thing as a boring place': architecture and the built environment as a televisual experience
Curtis, B. and House, N. 2018. 'There is no such thing as a boring place': architecture and the built environment as a televisual experience. Screen. 59 (1), pp. 105-113. https://doi.org/10.1093/screen/hjy012Article
Traces, clues and palimpsests: toward a forensic design pedagogy
House, N. and Parrinder, M. 2016. Traces, clues and palimpsests: toward a forensic design pedagogy. Design and Time: Design History Society Conference 2016. Middlesex University, London, United Kingdom 08 - 10 Sep 2016Conference paper
Sanitising the city: exploring hegemonic gentrification in London's Soho
Sanders-McDonagh, E., Peyrefitte, M. and Ryalls, M. 2016. Sanitising the city: exploring hegemonic gentrification in London's Soho. Sociological Research Online. 21 (3). https://doi.org/10.5153/sro.4004Article
Interiority complex
House, N. and Harriss, H. 2016. Interiority complex. in: A Gendered Profession - A Question of Representation in Space Making London RIBA Publishing.Book chapter
Requests and counters in Russian traffic police officer-citizen encounters: face and identity implications
Marquez-Reiter, R., Ganchenko, K. and Charalambidou, A. 2016. Requests and counters in Russian traffic police officer-citizen encounters: face and identity implications. Pragmatics and Society. 7 (4), pp. 512-539. https://doi.org/10.1075/ps.7.4.01marArticle
Towards a theory of performative design
Williams, G. 2016. Towards a theory of performative design. Design and Time: Design History Society Conference 2016. Middlesex University, London, United Kingdom 08 - 10 Sep 2016Conference paper
IDEA store
Murialdo, F. 2014. IDEA store. SITUATION symposium and exhibition. RMIT University, Melbourne, Australia Interior Design, RMIT University, Melbourne, Australia. pp. 140-141Conference item
Draft two
Murialdo, F., Fern, D., House, N., Mortimer, J., Koslowski, B., Thomas, P. and Evans, G. 2016. Draft two. InteriorsMDX.Other
INSIDEOUT|(e)merging practice + education
Murialdo, F. 2015. INSIDEOUT|(e)merging practice + education. Emerging Practices: Design Research and Education. College of Design & Innovation, Tongji University, Shanghai, China 13 Oct 2014 CIP. pp. 73-81Conference paper
Practice of consumption and spaces for goods
Murialdo, F. 2016. Practice of consumption and spaces for goods. in: Crespi, L. (ed.) Design Innovations for Contemporary Interiors and Civic Art IGI Global. pp. 190-208Book chapter
Draft one, process
Murialdo, F., Fern, D., Mortimer, J. and Westthorp, M. 2016. Draft one, process. InteriorsMDX.Other
Curating emerging design practice
Williams, G. 2013. Curating emerging design practice. in: Museums and higher education working together, challenges and opportunities Farnham Ashgate. pp. 91-101Book chapter
Contemporary designers, cultural diplomacy and the museum without walls
Williams, G. 2016. Contemporary designers, cultural diplomacy and the museum without walls. in: Design Objects and the Museum London Bloomsbury. pp. 97-104Book chapter
Branded? Products and their personalities
Williams, G. 2000. Branded? Products and their personalities. London V&A Publishing.Book
The furniture machine, furniture since 1990
Williams, G. 2006. The furniture machine, furniture since 1990. London V&A Publishing.Book
Telling tales, fantasy and fear in contemporary design
Williams, G. 2009. Telling tales, fantasy and fear in contemporary design. London V&A Publishing.Book
21 Twenty-one, 21 designers for twenty-first century Britain
Williams, G. 2012. 21 Twenty-one, 21 designers for twenty-first century Britain. London V&A Publishing.Book
Design: an essential introduction
Williams, G. 2015. Design: an essential introduction. London Goodman Fiell (Imprint of Carlton Publishing Group).Book
Knitted hats for designers Meadham/Kirchoff catwalk show S/S 2014. London Fashion Week.
Houghton, E. 2013. Knitted hats for designers Meadham/Kirchoff catwalk show S/S 2014. London Fashion Week. Meadham / Kirchoff Designers. London..Artefact
Commissioned by TOPSHOP UNIQUE in collaboration with Simone Rocha to crochet a CYGNET jacket for their capsule collection at Dover Street Market, London
Houghton, E. 2005. Commissioned by TOPSHOP UNIQUE in collaboration with Simone Rocha to crochet a CYGNET jacket for their capsule collection at Dover Street Market, London. London TOPSHOP UNIQUE.Other
Commissioned by TOPSHOP UNIQUE, London to crochet / macrame a swimsuit and knotted / netted dress and bikini for their catwalk show for spring / summer 2008
Houghton, E. 2008. Commissioned by TOPSHOP UNIQUE, London to crochet / macrame a swimsuit and knotted / netted dress and bikini for their catwalk show for spring / summer 2008. London TOPSHOP UNIQUE.Other
Commissioned by TOPSHOP UNIQUE to handknit a cropped, puff sleeved boat necked sweater in strawberry pink mohair for press day
Houghton, E. 2008. Commissioned by TOPSHOP UNIQUE to handknit a cropped, puff sleeved boat necked sweater in strawberry pink mohair for press day. London TOPSHOP UNIQUE.Other
Commissioned by TOPSHOP UNIQUE, London to handknit a 3 colour mohair sweater in entrelac stitch for their A/W 2008/9 catwalk show
Houghton, E. 2008. Commissioned by TOPSHOP UNIQUE, London to handknit a 3 colour mohair sweater in entrelac stitch for their A/W 2008/9 catwalk show. London TOPSHOP UNIQUE.Other
Commissioned by TOPSHOP UNIQUE, London to handknit 3 identical angora & alpaca hooded garments for their Wonderland Collection catwalk show autumn/winter 2008/9
Houghton, E. 2008. Commissioned by TOPSHOP UNIQUE, London to handknit 3 identical angora & alpaca hooded garments for their Wonderland Collection catwalk show autumn/winter 2008/9. London TOPSHOP UNIQUE.Other
Commissioned by TOPSHOP UNIQUE to handknit a multi-yarn, open knitted cobweb garment for catwalk show, spring / summer collection 2009
Houghton, E. 2009. Commissioned by TOPSHOP UNIQUE to handknit a multi-yarn, open knitted cobweb garment for catwalk show, spring / summer collection 2009. London TOPSHOP UNIQUE.Other
Commissioned by TOPSHOP UNIQUE, London to handknit a shawl-collared, camel-coloured cotton cardigan with folk-inspired applied embroidery for spring / summer catwalk show
Houghton, E. 2009. Commissioned by TOPSHOP UNIQUE, London to handknit a shawl-collared, camel-coloured cotton cardigan with folk-inspired applied embroidery for spring / summer catwalk show. London TOPSHOP UNIQUE.Other
Commissioned by TOPSHOP UNIQUE, London to handknit a cotton camel-coloured poncho with folk-inspired hand embroidery for catwalk show for spring / summer 2009/10.
Houghton, E. 2009. Commissioned by TOPSHOP UNIQUE, London to handknit a cotton camel-coloured poncho with folk-inspired hand embroidery for catwalk show for spring / summer 2009/10. London TOPSHOP UNIQUE.Other
Commissioned by GUCCI Menswear, Milan, Italy to handknit a military tunic-inspired cashmere cable-knit sweater for catwalk show, Milan autumn / winter collection 2005/6
Houghton, E. 2005. Commissioned by GUCCI Menswear, Milan, Italy to handknit a military tunic-inspired cashmere cable-knit sweater for catwalk show, Milan autumn / winter collection 2005/6. Milan, Italy. GUCCI Design.Other
Commissioned by GUCCI Menswear, Milan, Italy to handknit elaborate garments for their catwalk shows
Houghton, E. 2005. Commissioned by GUCCI Menswear, Milan, Italy to handknit elaborate garments for their catwalk shows. Italy GUCCI Design.Other
Commissioned by GUCCI Menswear, Milan, Italy to knit a Henri Lartique-inspired sweater for their spring / summer catwalk show
Houghton, E. 2006. Commissioned by GUCCI Menswear, Milan, Italy to knit a Henri Lartique-inspired sweater for their spring / summer catwalk show. London GUCCI.Other
Commissioned by TOPMAN Design to produce 12 pairs chunky socks for catwalk show, Natural History Museum, London as part of London Fashion Week
Houghton, E. 2009. Commissioned by TOPMAN Design to produce 12 pairs chunky socks for catwalk show, Natural History Museum, London as part of London Fashion Week. London TOPMAN Design.Other
Commissioned by TOPMAN Design to knit 2 chunky handknitted garments of A/W catwalk show, Natural History Museum. London Fashion Week, London
Houghton, E. 2009. Commissioned by TOPMAN Design to knit 2 chunky handknitted garments of A/W catwalk show, Natural History Museum. London Fashion Week, London. London TOPMAN Design.Other
Commissioned by TOPMAN to handknit a canary yellow aran, hooded, kangaroo-pouch top designed by designer Kim Jones for them for the Kim Jones capsule collection sold exclusively in The Void, flagshipe TOPMAN store, Oxford St. London
Houghton, E. 2003. Commissioned by TOPMAN to handknit a canary yellow aran, hooded, kangaroo-pouch top designed by designer Kim Jones for them for the Kim Jones capsule collection sold exclusively in The Void, flagshipe TOPMAN store, Oxford St. London. London TOPMAN.Other
Grapheme synaesthesia - a coloured alphabet
Fereday, G. 2013. Grapheme synaesthesia - a coloured alphabet. 12th International Conference AIC2013 Colour Conference - Gateshead. The Sage, Gateshead, Newcastle 02 - 08 Jul 2013Conference poster
Trend prediction of double & single knitted jersey fabrics for the International Wool Secretariat
Houghton, E. 1985. Trend prediction of double & single knitted jersey fabrics for the International Wool Secretariat. International Wool Secretariat.Other
New types of Shakespeare
Lewis, C. 2016. New types of Shakespeare.Artefact
20548
total views4633
total downloads2142
views this month464
downloads this month