Dr Alexandra Kolb
| Name | Dr Alexandra Kolb |
|---|---|
| Job title | Associate Professor in Dance Studies |
| Research institute | |
| Primary appointment | School of Arts |
| Contact category | Academic staff (past) |
Research outputs
Dance and politics in China: interculturalism, hybridity, and the ArtsCross project
Kolb, A. 2017. Dance and politics in China: interculturalism, hybridity, and the ArtsCross project. in: Kowal, R., Siegmund, G. and Martin, R. (ed.) The Oxford Handbook of Dance and Politics Oxford University Press (OUP). pp. 347-370Jenn Joy, The Choreographic [Book Review]
Kolb, A. 2016. Jenn Joy, The Choreographic [Book Review]. Dance Research. 34 (2), pp. 243-244. https://doi.org/10.3366/drs.2016.0161Wiesenthal, Grete (1885–1970)
Kolb, A. 2016. Wiesenthal, Grete (1885–1970). in: The Routledge Encyclopedia of Modernism Taylor and Francis.Wigman’s witches: Reformism, Orientalism, Nazism
Kolb, A. 2016. Wigman’s witches: Reformism, Orientalism, Nazism. Dance Research Journal. 48 (2), pp. 26-43. https://doi.org/10.1017/S014976771600019XThe body of the people: East German dance since 1945 by Jens Richard Giersdorf (review)
Kolb, A. 2016. The body of the people: East German dance since 1945 by Jens Richard Giersdorf (review). German Studies Review. 39 (2), pp. 416-419. https://doi.org/10.1353/gsr.2016.0071Schuhplattler
Kolb, A. 2016. Schuhplattler. in: Hartmann, A. and Woitas, M. (ed.) Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen Laaber. pp. 548Hexentanz
Kolb, A. 2016. Hexentanz. in: Hartmann, A. and Woitas, M. (ed.) Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen Laaber. pp. 272-273Ausdruckstanz
Kolb, A. 2016. Ausdruckstanz. in: Woitas, M. and Hartmann, A. (ed.) Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen Laaber. pp. 33-36Mary Wigman
Kolb, A. 2016. Mary Wigman. in: Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen Laaber. pp. 682-684Collaboration, democracy and the total artwork
Kolb, A. 2015. Collaboration, democracy and the total artwork. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 51-74Mary Wigman the witch
Kolb, A. 2015. Mary Wigman the witch. Cut & Paste: Dance Advocacy in the Age of Austerity. Athens, Greece 04 - 07 Jun 2015Dancing the everyday: some very ordinary and private experiences
Kolb, A. 2015. Dancing the everyday: some very ordinary and private experiences. International Federation of Theatre Research (IFTR) Annual Conference 2015. Hyderabad, India 05 - 10 Jul 2015Royd Climenhaga (ed.), The Pina Bausch Sourcebook: The Making of Tanztheater, Abingdon, Oxon and New York: Routledge, 2013 [Review]
Kolb, A. 2014. Royd Climenhaga (ed.), The Pina Bausch Sourcebook: The Making of Tanztheater, Abingdon, Oxon and New York: Routledge, 2013 [Review]. Dance Research. 32 (1), pp. 93-97. https://doi.org/10.3366/drs.2014.0096Current trends in contemporary choreography: a political critique
Kolb, A. 2013. Current trends in contemporary choreography: a political critique. Dance Research Journal. 45 (3), pp. 29-52.Overt and covert politics in contemporary choreography
Kolb, A. 2012. Overt and covert politics in contemporary choreography. Jahrbuch Tanzforschung. 22, pp. 34-44.The migration and globalization of Schuhplattler dance: a sociological analysis
Kolb, A. 2013. The migration and globalization of Schuhplattler dance: a sociological analysis. Cultural Sociology. 7 (1), pp. 39-55. https://doi.org/10.1177/1749975512453658Able as anything: integrated dance performance in New Zealand
Kolb, A., Briggs, H. and Miyahara, M. 2012. Able as anything: integrated dance performance in New Zealand. Brolga: an Australian Journal about Dance. 37, pp. 16-30.In defence of Ballet: women, agency and the philosophy of pleasure
Kolb, A. and Kalogeropoulou, S. 2012. In defence of Ballet: women, agency and the philosophy of pleasure. Dance Research. 30 (2), pp. 107-125.Nijinsky's images of homosexuality: three case studies
Kolb, A. 2009. Nijinsky's images of homosexuality: three case studies. Journal of European Studies. 39 (2), pp. 147-171. https://doi.org/10.1177/0047244109104076Collaboration and democracy: a critique
Kolb, A. 2012. Collaboration and democracy: a critique. Collaboration in Performance Making. London, UK 04 May 2012Mata Hari's dance in the context of femininity and exoticism
Kolb, A. 2009. Mata Hari's dance in the context of femininity and exoticism. Mandrágora. 15, pp. 58-79.On the politics of interdisciplinary collaboration
Kolb, A. 2011. On the politics of interdisciplinary collaboration. Brolga: an Australian Journal about Dance.Cross-currents of dance and politics: an introduction
Kolb, A. 2011. Cross-currents of dance and politics: an introduction. in: Kolb, A. (ed.) Dance and Politics Oxford Peter Lang. pp. 1-35‘Theatre has to become political again…’. Interview by Alexandra Kolb
Kresnik, J. and Kolb, A. 2011. ‘Theatre has to become political again…’. Interview by Alexandra Kolb. in: Kolb, A. (ed.) Dance and Politics Oxford Peter Lang. pp. 67-87Terror without end? Choreographing the Red Army Faction and Weather Underground
Kolb, A. 2011. Terror without end? Choreographing the Red Army Faction and Weather Underground. in: Kolb, A. (ed.) Dance and Politics Oxford Peter Lang. pp. 89-115Dying for the cause: choreographing the myths of Ulrike Meinhof and Wolfgang Grams
Kolb, A. 2010. Dying for the cause: choreographing the myths of Ulrike Meinhof and Wolfgang Grams. The International Journal of the Arts in Society. 5 (3), pp. 275-284.Performing femininity: dance and literature in German modernism
Kolb, A. 2009. Performing femininity: dance and literature in German modernism. Oxford Peter Lang.Theatricalising terrorism: Johann Kresnik’s Ulrike Meinhof and the Red Army Faction
Kolb, A. 2009. Theatricalising terrorism: Johann Kresnik’s Ulrike Meinhof and the Red Army Faction. About Performance.Goodbye GDR! German reunification in Johann Kresnik's Wendewut
Kolb, A. 2008. Goodbye GDR! German reunification in Johann Kresnik's Wendewut. in: Varney, D. (ed.) Theatre in the Berlin Republic Peter Lang. pp. 267-285The never-ending trembling and vomiting of the soul: Carl Sternheim's critique of the modern dance movement
Kolb, A. 2008. The never-ending trembling and vomiting of the soul: Carl Sternheim's critique of the modern dance movement. Discourses in Dance. 4 (2), pp. 59-71.‘There was never anythin’ like this!!!’ Valeska Gert's performances in the context of Weimar culture
Kolb, A. 2007. ‘There was never anythin’ like this!!!’ Valeska Gert's performances in the context of Weimar culture. The European Legacy. 12 (3), pp. 293-309. https://doi.org/10.1080/10848770701286976Dance and political conflict: three comparative case studies
Kolb, A. 2006. Dance and political conflict: three comparative case studies. The International Journal of the Arts in Society. 1 (2), pp. 17-21.162
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