Charlton, J.

Apeth

Digital or visual media

Charlton, J. 2007. Apeth.

First publicly available date
Title of work	Apeth
Creators	Charlton, J.
Description	Short film; a surreal encounter in which a young man, a chav and an Ape meet for a threesome.
Output media	MiniDV
Publisher or commissioning body	White Dolphin Films
Print	2007
Publication process dates
Deposited	13 Apr 2011
Output status	Published
Additional information	Shown at (2008) Cannes Short Film Corner, Mix Brasil Festival of Sexual Diversity, Portobello Film Festival, (2009) QFilm Festival, Indonesia.
Language	English
Media type	Video

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Charlton, J. 2024. The Pilgrim’s Progress. Rickmansworth, UK TSL Publications.

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Charlton, J. 2024. Talbot Rothwell's vision of history. Carry On Conferencing: Carry On and/as history. University of Warwick, UK 30 - 30 May 2024

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Writing visionary drama: an anarcho-Christian approach to the contemporary British play through four theatre texts by James Martin Charlton: The World & his Wife, Coming Up, ecstasy + GRACE, Coward

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Been on the job too long: past and present visions of a folk crime

Charlton, J. 2014. Been on the job too long: past and present visions of a folk crime. Stage the Future: The First International Conference of Science Fiction Theatre. Royal Holloway, University of London, Egham Hill, TW20 0EX, UK 26 - 27 Apr 2014

Reformation

Charlton, J. 2019. Reformation. Kennington, London 25 Jun - 13 Jul 2019

Reformation

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VR and the dramatic theatre: are they fellow creatures?

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The Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton

Charlton, J. 2017. The Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton. 3rd International Conference in Creative Writing (University of Western Macedonia). Corfu, Greece 06 - 08 Oct 2017 pp. 1226-1230

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If a thing’s worth doing, it’s worth doing on public television – Joe Orton’s plays on television

Charlton, J. 2014. If a thing’s worth doing, it’s worth doing on public television – Joe Orton’s plays on television. Theatre and Television: Adaptation, Production, Performance. Alexandra Palace 19 - 20 Feb 2015

Battis boy

Charlton, J. 2013. Battis boy. Arcola Theatre 01 Dec 2013

A desire for immersion: the panorama to the Oculus Rift

Charlton, J. and Moar, M. 2015. A desire for immersion: the panorama to the Oculus Rift. 24th International Panorama Conference 2015. Namur, Belgium 09 - 12 Sep 2015 IPC.

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The anti-didactic hypothesis

Charlton, J. 2013. The anti-didactic hypothesis. Great Writing 2013. Imperial College London 29 - 30 Jun 2013

Coward: a speculative play about the life of Noël Coward

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Fat souls (plays volume one)

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Adapting The Pilgrim's Progress for the stage (2)

Charlton, J. 2015. Adapting The Pilgrim's Progress for the stage (2). The Recorder. 21, pp. 20-22.

Been on the job too long

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Revolution Farm

Charlton, J. and Kenworth, J. 2014. Revolution Farm. Newham City Farm 19 - 24 Aug 2014

Folk Song Stories as Structural Paradigms

Gibb, L. and Charlton, J. 2014. Folk Song Stories as Structural Paradigms. NAWE Conference 2014. Bristol, UK 14 - 16 Nov 2014

The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019)

Kenworth, J. and Charlton, J. 2014. The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019). Middlesex University Research Repository.

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