The Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton

Conference paper

Charlton, J. 2017. The Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton. 3rd International Conference in Creative Writing (University of Western Macedonia). Corfu, Greece 06 - 08 Oct 2017 pp. 1226-1230
TypeConference paper
TitleThe Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton
AuthorsCharlton, J.
Conference3rd International Conference in Creative Writing (University of Western Macedonia)
Page range1226-1230
ISBN
Hardcover9786188104792
Publication dates
Print07 Oct 2017
Publication process dates
Deposited03 Sep 2018
Accepted29 Jul 2017
Output statusPublished
Web address (URL)http://cwconference.web.uowm.gr/archives/3rd_cw_conference_2017.pdf
LanguageEnglish
Book titleConference Proceedings of the 3rd Creative Writing Conference 2017
Permalink -

https://repository.mdx.ac.uk/item/87x05

Log in to edit
File access - Request a copy

Restricted files

Accepted author manuscript

  • 52
    total views
  • 0
    total downloads
  • 4
    views this month
  • 0
    downloads this month

Export as

Related outputs

The Pilgrim’s Progress
Charlton, J. 2024. The Pilgrim’s Progress. Rickmansworth, UK TSL Publications.
Talbot Rothwell's vision of history
Charlton, J. 2024. Talbot Rothwell's vision of history. Carry On Conferencing: Carry On and/as history. University of Warwick, UK 30 - 30 May 2024
Divine Vision: William Blake in Felpham
Charlton, J. 2023. Divine Vision: William Blake in Felpham. London, UK TSL Publications.
Protomartyr reading
Charlton, J. 2022. Protomartyr reading.
Farms, libraries and adventure playground spaces for Orwell, Hardie, Carroll and Fry: James Martin Charlton's site-responsive productions of James Kenworth's plays in Newham
Charlton, J. 2023. Farms, libraries and adventure playground spaces for Orwell, Hardie, Carroll and Fry: James Martin Charlton's site-responsive productions of James Kenworth's plays in Newham. Performing Space 2023 - Argolida. Nafplio, Greece 07 - 09 Jul 2023
Elizabeth Fry: 'The Angel of Prisons'
Kenworth, J. and Charlton, J. 2022. Elizabeth Fry: 'The Angel of Prisons'. Canning Town, London E16 1GY 22 - 27 Aug 2022
Building a text for actors and AR (Backpages 32.1)
Charlton, J., Cottis, D. and Moar, M. 2022. Building a text for actors and AR (Backpages 32.1). Contemporary Theatre Review. 32 (1), pp. 112-115. https://doi.org/10.1080/10486801.2022.2009659
Writing visionary drama: an anarcho-Christian approach to the contemporary British play through four theatre texts by James Martin Charlton: The World & his Wife, Coming Up, ecstasy + GRACE, Coward
Charlton, J. 2021. Writing visionary drama: an anarcho-Christian approach to the contemporary British play through four theatre texts by James Martin Charlton: The World & his Wife, Coming Up, ecstasy + GRACE, Coward. PhD thesis Middlesex University Arts and Creative Industries
Fellow Creature 360 annotated
Moar, M. and Charlton, J. 2020. Fellow Creature 360 annotated.
Been on the job too long: past and present visions of a folk crime
Charlton, J. 2014. Been on the job too long: past and present visions of a folk crime. Stage the Future: The First International Conference of Science Fiction Theatre. Royal Holloway, University of London, Egham Hill, TW20 0EX, UK 26 - 27 Apr 2014
Reformation
Charlton, J. 2019. Reformation. Kennington, London 25 Jun - 13 Jul 2019
Reformation
Charlton, J. 2019. Reformation. Portsmouth Playdead Press.
VR and the dramatic theatre: are they fellow creatures?
Charlton, J. and Moar, M. 2018. VR and the dramatic theatre: are they fellow creatures? International Journal of Performance Arts and Digital Media. 14 (2), pp. 187-198. https://doi.org/10.1080/14794713.2018.1511137
Fellow Creature 360°
Moar, M. and Charlton, J. 2017. Fellow Creature 360°.
Fellow Creatures360° project
Moar, M. and Charlton, J. 2017. Fellow Creatures360° project.
If a thing’s worth doing, it’s worth doing on public television – Joe Orton’s plays on television
Charlton, J. 2014. If a thing’s worth doing, it’s worth doing on public television – Joe Orton’s plays on television. Theatre and Television: Adaptation, Production, Performance. Alexandra Palace 19 - 20 Feb 2015
Battis boy
Charlton, J. 2013. Battis boy. Arcola Theatre 01 Dec 2013
A desire for immersion: the panorama to the Oculus Rift
Charlton, J. and Moar, M. 2015. A desire for immersion: the panorama to the Oculus Rift. 24th International Panorama Conference 2015. Namur, Belgium 09 - 12 Sep 2015 IPC.
Telling and retelling the tale. adapting the murder ballad ‘Duncan and Brady’ for the stage as past and future visions of a folk crime
Charlton, J. 2016. Telling and retelling the tale. adapting the murder ballad ‘Duncan and Brady’ for the stage as past and future visions of a folk crime. Writing in Practice: The Journal of Creative Writing Research. 2.
The anti-didactic hypothesis
Charlton, J. 2013. The anti-didactic hypothesis. Great Writing 2013. Imperial College London 29 - 30 Jun 2013
Coward: a speculative play about the life of Noël Coward
Charlton, J. 2013. Coward: a speculative play about the life of Noël Coward. London Playdead Press.
Fat souls (plays volume one)
Charlton, J. 2015. Fat souls (plays volume one). London Playdead Press.
Adapting The Pilgrim's Progress for the stage (2)
Charlton, J. 2015. Adapting The Pilgrim's Progress for the stage (2). The Recorder. 21, pp. 20-22.
Been on the job too long
Charlton, J. 2015. Been on the job too long. Theatre N16, Stoke Newington, London, UK 26 - 27 May 2015
Revolution Farm
Charlton, J. and Kenworth, J. 2014. Revolution Farm. Newham City Farm 19 - 24 Aug 2014
Folk Song Stories as Structural Paradigms
Gibb, L. and Charlton, J. 2014. Folk Song Stories as Structural Paradigms. NAWE Conference 2014. Bristol, UK 14 - 16 Nov 2014
The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019)
Kenworth, J. and Charlton, J. 2014. The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019). Middlesex University Research Repository.
Revolution Farm - The Film
Kenworth, J. and Charlton, J. 2014. Revolution Farm - The Film. Newham, London, UK
What shall we do with the drunken sailor
Ward, C. and Charlton, J. 2011. What shall we do with the drunken sailor.
Academic
Charlton, J. 2011. Academic.
Coward
Charlton, J. 2012. Coward. The Met, Bury 02 Jun 2012
Fellow creature
Charlton, J. 2009. Fellow creature. Arcola Theatre, London 18 Oct 2009
Best shot.
Kelleher, A., Charlton, J. and Thorn, M. 2006. Best shot.
Apeth
Charlton, J. 2007. Apeth.
Teaching screenwriting.
Charlton, J. 2009. Teaching screenwriting. Writing in education.
Whose journey is this? A radical approach to the question of the 'journey' taken in scripts.
Charlton, J. 2007. Whose journey is this? A radical approach to the question of the 'journey' taken in scripts. in: Butt, M. (ed.) Story: the heart of the matter. London Greenwich Exchange. pp. 111-123