Charlton, J.

The Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton

Conference paper

Charlton, J. 2017. The Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton. 3rd International Conference in Creative Writing (University of Western Macedonia). Corfu, Greece 06 - 08 Oct 2017 pp. 1226-1230

ISBN
Type	Conference paper
Title	The Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton
Authors	Charlton, J.
Conference	3rd International Conference in Creative Writing (University of Western Macedonia)
Page range	1226-1230
Hardcover	9786188104792
Publication dates
Print	07 Oct 2017
Publication process dates
Deposited	03 Sep 2018
Accepted	29 Jul 2017
Output status	Published
Web address (URL)	http://cwconference.web.uowm.gr/archives/3rd_cw_conference_2017.pdf
Language	English
Book title	Conference Proceedings of the 3rd Creative Writing Conference 2017

Permalink -

https://repository.mdx.ac.uk/item/87x05

Log in to edit

File access - Request a copy

Restricted files

Accepted author manuscript

Under embargo indefinitely

113
total views
0
total downloads
0
views this month
0
downloads this month

Export as

Related outputs

The Pilgrim’s Progress

Charlton, J. 2024. The Pilgrim’s Progress. Rickmansworth, UK TSL Publications.

Talbot Rothwell's vision of history

Charlton, J. 2024. Talbot Rothwell's vision of history. Carry On Conferencing: Carry On and/as history. University of Warwick, UK 30 - 30 May 2024

Divine Vision: William Blake in Felpham

Charlton, J. 2023. Divine Vision: William Blake in Felpham. London, UK TSL Publications.

Protomartyr reading

Charlton, J. 2022. Protomartyr reading.

Farms, libraries and adventure playground spaces for Orwell, Hardie, Carroll and Fry: James Martin Charlton's site-responsive productions of James Kenworth's plays in Newham

Charlton, J. 2023. Farms, libraries and adventure playground spaces for Orwell, Hardie, Carroll and Fry: James Martin Charlton's site-responsive productions of James Kenworth's plays in Newham. Performing Space 2023 - Argolida. Nafplio, Greece 07 - 09 Jul 2023

Building a text for actors and AR (Backpages 32.1)

Charlton, J., Cottis, D. and Moar, M. 2022. Building a text for actors and AR (Backpages 32.1). Contemporary Theatre Review. 32 (1), pp. 112-115. https://doi.org/10.1080/10486801.2022.2009659

Elizabeth Fry: 'The Angel of Prisons'

Kenworth, J. and Charlton, J. 2022. Elizabeth Fry: 'The Angel of Prisons'. Canning Town, London E16 1GY 22 - 27 Aug 2022

Writing visionary drama: an anarcho-Christian approach to the contemporary British play through four theatre texts by James Martin Charlton: The World & his Wife, Coming Up, ecstasy + GRACE, Coward

Charlton, J. 2021. Writing visionary drama: an anarcho-Christian approach to the contemporary British play through four theatre texts by James Martin Charlton: The World & his Wife, Coming Up, ecstasy + GRACE, Coward. PhD thesis Middlesex University

Fellow Creature 360 annotated

Moar, M. and Charlton, J. 2020. Fellow Creature 360 annotated.

Been on the job too long: past and present visions of a folk crime

Charlton, J. 2014. Been on the job too long: past and present visions of a folk crime. Stage the Future: The First International Conference of Science Fiction Theatre. Royal Holloway, University of London, Egham Hill, TW20 0EX, UK 26 - 27 Apr 2014

Reformation

Charlton, J. 2019. Reformation. Kennington, London 25 Jun - 13 Jul 2019

Reformation

Charlton, J. 2019. Reformation. Portsmouth Playdead Press.

VR and the dramatic theatre: are they fellow creatures?

Charlton, J. and Moar, M. 2018. VR and the dramatic theatre: are they fellow creatures? International Journal of Performance Arts and Digital Media. 14 (2), pp. 187-198. https://doi.org/10.1080/14794713.2018.1511137

Fellow Creature 360°

Moar, M. and Charlton, J. 2017. Fellow Creature 360°.

Fellow Creatures360° project

Moar, M. and Charlton, J. 2017. Fellow Creatures360° project.

If a thing’s worth doing, it’s worth doing on public television – Joe Orton’s plays on television

Charlton, J. 2014. If a thing’s worth doing, it’s worth doing on public television – Joe Orton’s plays on television. Theatre and Television: Adaptation, Production, Performance. Alexandra Palace 19 - 20 Feb 2015

Battis boy

Charlton, J. 2013. Battis boy. Arcola Theatre 01 Dec 2013

A desire for immersion: the panorama to the Oculus Rift

Charlton, J. and Moar, M. 2015. A desire for immersion: the panorama to the Oculus Rift. 24th International Panorama Conference 2015. Namur, Belgium 09 - 12 Sep 2015 IPC.

Telling and retelling the tale. adapting the murder ballad ‘Duncan and Brady’ for the stage as past and future visions of a folk crime

Charlton, J. 2016. Telling and retelling the tale. adapting the murder ballad ‘Duncan and Brady’ for the stage as past and future visions of a folk crime. Writing in Practice: The Journal of Creative Writing Research. 2.

The anti-didactic hypothesis

Charlton, J. 2013. The anti-didactic hypothesis. Great Writing 2013. Imperial College London 29 - 30 Jun 2013

Coward: a speculative play about the life of Noël Coward

Charlton, J. 2013. Coward: a speculative play about the life of Noël Coward. London Playdead Press.

Fat souls (plays volume one)

Charlton, J. 2015. Fat souls (plays volume one). London Playdead Press.

Adapting The Pilgrim's Progress for the stage (2)

Charlton, J. 2015. Adapting The Pilgrim's Progress for the stage (2). The Recorder. 21, pp. 20-22.

Revolution Farm

Charlton, J. and Kenworth, J. 2014. Revolution Farm. Newham City Farm, UK 19 - 24 Aug 2014

'Been on the job too long' and 'Telling and re-telling the tale ...'

Charlton, J. 2015. 'Been on the job too long' and 'Telling and re-telling the tale ...'.

Been on the job too long

Charlton, J. 2015. Been on the job too long. Theatre N16, Stoke Newington, London, UK 26 - 27 May 2015

Folk Song Stories as Structural Paradigms

Gibb, L. and Charlton, J. 2014. Folk Song Stories as Structural Paradigms. NAWE Conference 2014. Bristol, UK 14 - 16 Nov 2014

The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019)

Kenworth, J. and Charlton, J. 2014. The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019). Middlesex University Research Repository.