Charlton, J.; Kenworth, J.

Revolution Farm

Performance

Charlton, J. and Kenworth, J. 2014. Revolution Farm. Newham City Farm 19 - 24 Aug 2014

First publicly available date
Title of work	Revolution Farm
Creators	Charlton, J. and Kenworth, J.
Description	Directed by James Martin Charlton. Theatre production by Community Links of a play by James Kenworth, adapted from Orwell. Performed August 2014 at Newham City Farm. Cast mixed professional actors with young people from the Beckton/docklands community.
Output media	Theatre performance
Keywords	theatre, orwell, adaptation, site specific, performance, directing
Event	Revolution Farm
Publisher or commissioning body	Community Links
Print	19 Aug 2014
Publication process dates
Deposited	07 Jul 2015
Output status	Published
Web address (URL)	https://vimeo.com/116955152
Language	English

Permalink -

https://repository.mdx.ac.uk/item/85qx5

Log in to edit

Explore this performance

Alice in Canning Town

Kenworth, J. 2019. Alice in Canning Town. Arc in the Park, Newham, London 12 - 18 Aug 2019

A Splotch of Red: Keir Hardie in West Ham

Kenworth, J. 2016. A Splotch of Red: Keir Hardie in West Ham. Tour of Newham Libraries 22 - 25 Aug 2016

Revolution Farm - The Film

Kenworth, J. and Charlton, J. 2014. Revolution Farm - The Film. Newham, London, UK

59
total views
0
total downloads
1
views this month
0
downloads this month

Export as

Related outputs

Myrninerest: The Outside/Inside Life of Madge Gill

Kenworth, J. 2024. Myrninerest: The Outside/Inside Life of Madge Gill. Art in the Docks, London 27 Aug - 01 Sep 2024

The Newham Plays – towards the making of a pro-localist theatre in Newham, East London

Kenworth, J. 2024. The Newham Plays – towards the making of a pro-localist theatre in Newham, East London. NSCD Conference 2024: Arts and Citizenship: Moving and Belonging. Northern School of Contemporary Dance, Leeds, UK 11 - 12 Jan 2024

The Pilgrim’s Progress

Charlton, J. 2024. The Pilgrim’s Progress. Rickmansworth, UK TSL Publications.

Talbot Rothwell's vision of history

Charlton, J. 2024. Talbot Rothwell's vision of history. Carry On Conferencing: Carry On and/as history. University of Warwick, UK 30 - 30 May 2024

Divine Vision: William Blake in Felpham

Charlton, J. 2023. Divine Vision: William Blake in Felpham. London, UK TSL Publications.

Protomartyr reading

Charlton, J. 2022. Protomartyr reading.

Farms, libraries and adventure playground spaces for Orwell, Hardie, Carroll and Fry: James Martin Charlton's site-responsive productions of James Kenworth's plays in Newham

Charlton, J. 2023. Farms, libraries and adventure playground spaces for Orwell, Hardie, Carroll and Fry: James Martin Charlton's site-responsive productions of James Kenworth's plays in Newham. Performing Space 2023 - Argolida. Nafplio, Greece 07 - 09 Jul 2023

Elizabeth Fry: 'The Angel of Prisons'

Kenworth, J. and Charlton, J. 2022. Elizabeth Fry: 'The Angel of Prisons'. Canning Town, London E16 1GY 22 - 27 Aug 2022

Building a text for actors and AR (Backpages 32.1)

Charlton, J., Cottis, D. and Moar, M. 2022. Building a text for actors and AR (Backpages 32.1). Contemporary Theatre Review. 32 (1), pp. 112-115. https://doi.org/10.1080/10486801.2022.2009659

The use of public environment as alternative auditoria and ‘mixed economy’ participation to create new writing which originates from, and is rooted in, a community’s history, culture, and people

Kenworth, J. 2022. The use of public environment as alternative auditoria and ‘mixed economy’ participation to create new writing which originates from, and is rooted in, a community’s history, culture, and people. Up close and personal: exploring the relationship between the researcher and their project. Guildhall School, Barbican, London 22 - 22 Jun 2023

Public spaces, public words: towards the making of a pro-localist theatre in The Newham Plays

Kenworth, J. 2022. Public spaces, public words: towards the making of a pro-localist theatre in The Newham Plays. Critical Stages/Scènes critiques. 25.

Public spaces, public words: contextualising pro-localist, site-local, new writing and its roots in a community’s history, culture and people

Kenworth, J. 2022. Public spaces, public words: contextualising pro-localist, site-local, new writing and its roots in a community’s history, culture and people. PhD thesis Middlesex University Arts and Creative Industries

Writing visionary drama: an anarcho-Christian approach to the contemporary British play through four theatre texts by James Martin Charlton: The World & his Wife, Coming Up, ecstasy + GRACE, Coward

Charlton, J. 2021. Writing visionary drama: an anarcho-Christian approach to the contemporary British play through four theatre texts by James Martin Charlton: The World & his Wife, Coming Up, ecstasy + GRACE, Coward. PhD thesis Middlesex University Arts and Creative Industries

Fellow Creature 360 annotated

Moar, M. and Charlton, J. 2020. Fellow Creature 360 annotated.

Been on the job too long: past and present visions of a folk crime

Charlton, J. 2014. Been on the job too long: past and present visions of a folk crime. Stage the Future: The First International Conference of Science Fiction Theatre. Royal Holloway, University of London, Egham Hill, TW20 0EX, UK 26 - 27 Apr 2014

Reformation

Charlton, J. 2019. Reformation. Kennington, London 25 Jun - 13 Jul 2019

Reformation

Charlton, J. 2019. Reformation. Portsmouth Playdead Press.

Alice in Canning Town: an exclusively East-End reimagining of a fantasy classic

Kenworth, J. 2019. Alice in Canning Town: an exclusively East-End reimagining of a fantasy classic. Portsmouth Playdead Press.

Alice in Canning Town

Kenworth, J. 2019. Alice in Canning Town. Arc in the Park, Newham, London 12 - 18 Aug 2019

VR and the dramatic theatre: are they fellow creatures?

Charlton, J. and Moar, M. 2018. VR and the dramatic theatre: are they fellow creatures? International Journal of Performance Arts and Digital Media. 14 (2), pp. 187-198. https://doi.org/10.1080/14794713.2018.1511137

Film of a splotch of red: Keir Hardie in West Ham at community links, Canning Town

Kenworth, J. 2016. Film of a splotch of red: Keir Hardie in West Ham at community links, Canning Town.

The Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton

Charlton, J. 2017. The Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton. 3rd International Conference in Creative Writing (University of Western Macedonia). Corfu, Greece 06 - 08 Oct 2017 pp. 1226-1230

Fellow Creature 360°

Moar, M. and Charlton, J. 2017. Fellow Creature 360°.

Fellow Creatures360° project

Moar, M. and Charlton, J. 2017. Fellow Creatures360° project.

If a thing’s worth doing, it’s worth doing on public television – Joe Orton’s plays on television

Charlton, J. 2014. If a thing’s worth doing, it’s worth doing on public television – Joe Orton’s plays on television. Theatre and Television: Adaptation, Production, Performance. Alexandra Palace 19 - 20 Feb 2015

Battis boy

Charlton, J. 2013. Battis boy. Arcola Theatre 01 Dec 2013

A desire for immersion: the panorama to the Oculus Rift

Charlton, J. and Moar, M. 2015. A desire for immersion: the panorama to the Oculus Rift. 24th International Panorama Conference 2015. Namur, Belgium 09 - 12 Sep 2015 IPC.

Telling and retelling the tale. adapting the murder ballad ‘Duncan and Brady’ for the stage as past and future visions of a folk crime

Charlton, J. 2016. Telling and retelling the tale. adapting the murder ballad ‘Duncan and Brady’ for the stage as past and future visions of a folk crime. Writing in Practice: The Journal of Creative Writing Research. 2.

A Splotch of Red: Keir Hardie in West Ham

Kenworth, J. 2016. A Splotch of Red: Keir Hardie in West Ham. Tour of Newham Libraries 22 - 25 Aug 2016

The anti-didactic hypothesis

Charlton, J. 2013. The anti-didactic hypothesis. Great Writing 2013. Imperial College London 29 - 30 Jun 2013

Coward: a speculative play about the life of Noël Coward

Charlton, J. 2013. Coward: a speculative play about the life of Noël Coward. London Playdead Press.

Fat souls (plays volume one)

Charlton, J. 2015. Fat souls (plays volume one). London Playdead Press.

Adapting The Pilgrim's Progress for the stage (2)

Charlton, J. 2015. Adapting The Pilgrim's Progress for the stage (2). The Recorder. 21, pp. 20-22.

Been on the job too long

Charlton, J. 2015. Been on the job too long. Theatre N16, Stoke Newington, London, UK 26 - 27 May 2015

Folk Song Stories as Structural Paradigms

Gibb, L. and Charlton, J. 2014. Folk Song Stories as Structural Paradigms. NAWE Conference 2014. Bristol, UK 14 - 16 Nov 2014

The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019)

Kenworth, J. and Charlton, J. 2014. The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019). Middlesex University Research Repository.