Babel's network narrative: packaging a globalized art cinema

Article


Kerr, P. 2010. Babel's network narrative: packaging a globalized art cinema. Transnational Cinemas. 1 (1), pp. 37-51. https://doi.org/10.1386/trac.1.1.37/1
TypeArticle
TitleBabel's network narrative: packaging a globalized art cinema
AuthorsKerr, P.
Abstract

This essay argues that the current prevalence in international art cinema of the network narrative, exemplified here by Babel (Irritu, 2006), can be explained through analysis of the mode and social relations of production characterizing the global film and media companies involved in making such films.

KeywordsNetwork narrative; superstructure; homology; package-unit production; art cinema; globalization
PublisherIntellect
JournalTransnational Cinemas
ISSN2040-3526
Publication dates
PrintOct 2010
Publication process dates
Deposited12 Aug 2013
Output statusPublished
Digital Object Identifier (DOI)https://doi.org/10.1386/trac.1.1.37/1
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/84443

  • 32
    total views
  • 0
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

Hollywood Independent: How the Mirisch Company changed cinema
Kerr, P. 2023. Hollywood Independent: How the Mirisch Company changed cinema. Bloomsbury.
A forgotten episode in the history of Hollywood cinema, television and seriality: the case of the Mirisch Company
Kerr, P. 2020. A forgotten episode in the history of Hollywood cinema, television and seriality: the case of the Mirisch Company. in: Hudelet, A. and Crémieux, A. (ed.) Exploring Seriality on Screen: Audiovisual Narratives in Film and Television London and New York Routledge. pp. 79-102
"It seemed like a good idea at the time": Hollywood, homology and hired guns – the making of The Magnificent Seven
Kerr, P. 2020. "It seemed like a good idea at the time": Hollywood, homology and hired guns – the making of The Magnificent Seven. in: Broughton, L. (ed.) Reframing Cult Westerns: from The Magnificent Seven to The Hateful Eight Bloomsbury Academic. pp. 21-39
The magnificent seven Mirisch companies: competitive strategy and corporate authorship
Kerr, P. 2020. The magnificent seven Mirisch companies: competitive strategy and corporate authorship. in: Krämer, P., Needham, G., Tzioumakis, Y. and Balio, T. (ed.) United Artists Routledge. pp. 112-131
Emmaus in the UK 1991-2016 - Brochure / Booklet
Glynn, B., Kerr, P. and McGorrian, T. 2016. Emmaus in the UK 1991-2016 - Brochure / Booklet.
Alexandra Palace: war on the home front
Kerr, P. 2014. Alexandra Palace: war on the home front.
“A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’
Kerr, P. 2011. “A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’. in: McNally, K. (ed.) Billy Wilder, Movie-Maker: Critical Essays on the Films North Carolina McFarland. pp. 117-131
Case study: The apprentice’s sorcerer: television in/and the academy
Kerr, P. 2016. Case study: The apprentice’s sorcerer: television in/and the academy. in: Freeman, M. (ed.) Industrial Approaches to Media: A methodological gateway to industry studies Palgrave Macmillan. pp. 29-38
Authorship, autobiography and the archive: Marilyn on Marilyn, television and documentary theory
Kerr, P. 2015. Authorship, autobiography and the archive: Marilyn on Marilyn, television and documentary theory. VIEW: Journal of European Television History and Culture. 4 (8), pp. 67-79. https://doi.org/10.18146/2213-0969.2015.jethc094
Making film programmes for the BBC and Channel 4: the shift from in-house producer unit to independent package-unit production
Kerr, P. 2013. Making film programmes for the BBC and Channel 4: the shift from in-house producer unit to independent package-unit production. Historical Journal of Film, Radio and Television. 33 (3), pp. 434-453. https://doi.org/10.1080/01439685.2013.823028
The last slave (2007): the genealogy of a British television history programme
Kerr, P. 2009. The last slave (2007): the genealogy of a British television history programme. Historical Journal of Film, Radio and Television. 29 (3), pp. 381-397. https://doi.org/10.1080/01439680903145629