Hollywood Independent: How the Mirisch Company changed cinema

Book


Kerr, P. 2023. Hollywood Independent: How the Mirisch Company changed cinema. Bloomsbury.
TitleHollywood Independent: How the Mirisch Company changed cinema
AuthorsKerr, P.
Abstract

Hollywood Independent dissects the Mirisch Company, one of the most successful employers of the package-unit system of film production, producing classic films like The Apartment (1960), West Side Story (1961), The Great Escape (1963) and The Thomas Crown Affair (1968) as irresistible talent packages. Whilst they helped make the names of a new generation of stars including Steve McQueen and Shirley MacLaine, as well as banking on the reputations of established auteurs like Billy Wilder, they were also pioneers in dealing with controversial new themes with films about race (In the Heat of the Night), gender (Some Like it Hot) and sexuality (The Children's Hour), devising new ways of working with film franchises (The Magnificent Seven, The Pink Panther and In the Heat of the Night spun off 7 Mirisch sequels and multiple TV series between them) and cinematic cycles, investing in IP with adaptations of bestsellers and Broadway hits, exploiting frozen funds abroad and exploring so-called runaway productions. The Mirisch Company bridges the gap between the end of the studio system by about 1960 and the emergence of a new cinema in the mid-1970s, dominated by the Movie Brats.

Middlesex University ThemeCreativity, Culture & Enterprise
ISBN
Hardcover9781501336751
Electronic9781501336768
PublisherBloomsbury
Publication dates
Print06 Apr 2023
Publication process dates
Deposited16 Jun 2023
Output statusPublished
Web address (URL)https://www.bloomsbury.com/uk/hollywood-independent-9781501336768/
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/8q69y

  • 100
    total views
  • 0
    total downloads
  • 9
    views this month
  • 0
    downloads this month

Export as

Related outputs

A forgotten episode in the history of Hollywood cinema, television and seriality: the case of the Mirisch Company
Kerr, P. 2020. A forgotten episode in the history of Hollywood cinema, television and seriality: the case of the Mirisch Company. in: Hudelet, A. and Crémieux, A. (ed.) Exploring Seriality on Screen: Audiovisual Narratives in Film and Television London and New York Routledge. pp. 79-102
"It seemed like a good idea at the time": Hollywood, homology and hired guns – the making of The Magnificent Seven
Kerr, P. 2020. "It seemed like a good idea at the time": Hollywood, homology and hired guns – the making of The Magnificent Seven. in: Broughton, L. (ed.) Reframing Cult Westerns: from The Magnificent Seven to The Hateful Eight Bloomsbury Academic. pp. 21-39
The magnificent seven Mirisch companies: competitive strategy and corporate authorship
Kerr, P. 2020. The magnificent seven Mirisch companies: competitive strategy and corporate authorship. in: Krämer, P., Needham, G., Tzioumakis, Y. and Balio, T. (ed.) United Artists Routledge. pp. 112-131
Emmaus in the UK 1991-2016 - Brochure / Booklet
Glynn, B., Kerr, P. and McGorrian, T. 2016. Emmaus in the UK 1991-2016 - Brochure / Booklet.
Alexandra Palace: war on the home front
Kerr, P. 2014. Alexandra Palace: war on the home front.
“A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’
Kerr, P. 2011. “A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’. in: McNally, K. (ed.) Billy Wilder, Movie-Maker: Critical Essays on the Films North Carolina McFarland. pp. 117-131
Case study: The apprentice’s sorcerer: television in/and the academy
Kerr, P. 2016. Case study: The apprentice’s sorcerer: television in/and the academy. in: Freeman, M. (ed.) Industrial Approaches to Media: A methodological gateway to industry studies Palgrave Macmillan. pp. 29-38
Authorship, autobiography and the archive: Marilyn on Marilyn, television and documentary theory
Kerr, P. 2015. Authorship, autobiography and the archive: Marilyn on Marilyn, television and documentary theory. VIEW: Journal of European Television History and Culture. 4 (8), pp. 67-79. https://doi.org/10.18146/2213-0969.2015.jethc094
Making film programmes for the BBC and Channel 4: the shift from in-house producer unit to independent package-unit production
Kerr, P. 2013. Making film programmes for the BBC and Channel 4: the shift from in-house producer unit to independent package-unit production. Historical Journal of Film, Radio and Television. 33 (3), pp. 434-453. https://doi.org/10.1080/01439685.2013.823028
The last slave (2007): the genealogy of a British television history programme
Kerr, P. 2009. The last slave (2007): the genealogy of a British television history programme. Historical Journal of Film, Radio and Television. 29 (3), pp. 381-397. https://doi.org/10.1080/01439680903145629
Babel's network narrative: packaging a globalized art cinema
Kerr, P. 2010. Babel's network narrative: packaging a globalized art cinema. Transnational Cinemas. 1 (1), pp. 37-51. https://doi.org/10.1386/trac.1.1.37/1