Alexandra Palace: war on the home front

Digital or visual media

Kerr, P. 2014. Alexandra Palace: war on the home front.
Media typeVideo
Title of workAlexandra Palace: war on the home front
CreatorsKerr, P.
Output mediaVideo
Publisher or commissioning bodyAlexandra Palace
First publicly available date
Print2014
Publication process dates
Deposited11 Sep 2018
Accepted2014
Output statusPublished
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/87x4w

Log in to edit
  • 29
    total views
  • 0
    total downloads
  • 2
    views this month
  • 0
    downloads this month

Export as

Related outputs

Hollywood Independent: How the Mirisch Company changed cinema
Kerr, P. 2023. Hollywood Independent: How the Mirisch Company changed cinema. Bloomsbury.
A forgotten episode in the history of Hollywood cinema, television and seriality: the case of the Mirisch Company
Kerr, P. 2020. A forgotten episode in the history of Hollywood cinema, television and seriality: the case of the Mirisch Company. in: Hudelet, A. and Crémieux, A. (ed.) Exploring Seriality on Screen: Audiovisual Narratives in Film and Television London and New York Routledge. pp. 79-102
"It seemed like a good idea at the time": Hollywood, homology and hired guns – the making of The Magnificent Seven
Kerr, P. 2020. "It seemed like a good idea at the time": Hollywood, homology and hired guns – the making of The Magnificent Seven. in: Broughton, L. (ed.) Reframing Cult Westerns: from The Magnificent Seven to The Hateful Eight Bloomsbury Academic. pp. 21-39
The magnificent seven Mirisch companies: competitive strategy and corporate authorship
Kerr, P. 2020. The magnificent seven Mirisch companies: competitive strategy and corporate authorship. in: Krämer, P., Needham, G., Tzioumakis, Y. and Balio, T. (ed.) United Artists Routledge. pp. 112-131
Emmaus in the UK 1991-2016 - Brochure / Booklet
Glynn, B., Kerr, P. and McGorrian, T. 2016. Emmaus in the UK 1991-2016 - Brochure / Booklet.
“A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’
Kerr, P. 2011. “A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’. in: McNally, K. (ed.) Billy Wilder, Movie-Maker: Critical Essays on the Films North Carolina McFarland. pp. 117-131
Case study: The apprentice’s sorcerer: television in/and the academy
Kerr, P. 2016. Case study: The apprentice’s sorcerer: television in/and the academy. in: Freeman, M. (ed.) Industrial Approaches to Media: A methodological gateway to industry studies Palgrave Macmillan. pp. 29-38
Authorship, autobiography and the archive: Marilyn on Marilyn, television and documentary theory
Kerr, P. 2015. Authorship, autobiography and the archive: Marilyn on Marilyn, television and documentary theory. VIEW: Journal of European Television History and Culture. 4 (8), pp. 67-79. https://doi.org/10.18146/2213-0969.2015.jethc094
Making film programmes for the BBC and Channel 4: the shift from in-house producer unit to independent package-unit production
Kerr, P. 2013. Making film programmes for the BBC and Channel 4: the shift from in-house producer unit to independent package-unit production. Historical Journal of Film, Radio and Television. 33 (3), pp. 434-453. https://doi.org/10.1080/01439685.2013.823028
The last slave (2007): the genealogy of a British television history programme
Kerr, P. 2009. The last slave (2007): the genealogy of a British television history programme. Historical Journal of Film, Radio and Television. 29 (3), pp. 381-397. https://doi.org/10.1080/01439680903145629
Babel's network narrative: packaging a globalized art cinema
Kerr, P. 2010. Babel's network narrative: packaging a globalized art cinema. Transnational Cinemas. 1 (1), pp. 37-51. https://doi.org/10.1386/trac.1.1.37/1