A forgotten episode in the history of Hollywood cinema, television and seriality: the case of the Mirisch Company

Book chapter


Kerr, P. 2020. A forgotten episode in the history of Hollywood cinema, television and seriality: the case of the Mirisch Company. in: Hudelet, A. and Crémieux, A. (ed.) Exploring Seriality on Screen: Audiovisual Narratives in Film and Television London and New York Routledge. pp. 79-102
Chapter titleA forgotten episode in the history of Hollywood cinema, television and seriality: the case of the Mirisch Company
AuthorsKerr, P.
Page range79-102
Book titleExploring Seriality on Screen: Audiovisual Narratives in Film and Television
EditorsHudelet, A. and Crémieux, A.
PublisherRoutledge
Place of publicationLondon and New York
ISBN
Hardcover9780367491482
Electronic9781003044772
Publication dates
Print26 Oct 2020
Online25 Oct 2020
Publication process dates
Deposited24 Jan 2020
Accepted2018
Output statusPublished
Accepted author manuscript
Copyright Statement

Copyright Year 2021: © 2021 Taylor & Francis
This is an Accepted Manuscript of a book chapter published by Routledge in Exploring Seriality on Screen: Audiovisual Narratives in Film and Television on October 26, 2020, available online: http://www.routledge.com/9780367491482 or http://www.crcpress.com/9780367491482

Web address (URL)https://www.taylorfrancis.com/books/e/9781003044772/chapters/10.4324/9781003044772-7
Digital Object Identifier (DOI)https://doi.org/10.4324/9781003044772-7
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/88vz8

  • 55
    total views
  • 107
    total downloads
  • 3
    views this month
  • 10
    downloads this month

Export as

Related outputs

Hollywood Independent: How the Mirisch Company changed cinema
Kerr, P. 2023. Hollywood Independent: How the Mirisch Company changed cinema. Bloomsbury.
"It seemed like a good idea at the time": Hollywood, homology and hired guns – the making of The Magnificent Seven
Kerr, P. 2020. "It seemed like a good idea at the time": Hollywood, homology and hired guns – the making of The Magnificent Seven. in: Broughton, L. (ed.) Reframing Cult Westerns: from The Magnificent Seven to The Hateful Eight Bloomsbury Academic. pp. 21-39
The magnificent seven Mirisch companies: competitive strategy and corporate authorship
Kerr, P. 2020. The magnificent seven Mirisch companies: competitive strategy and corporate authorship. in: Krämer, P., Needham, G., Tzioumakis, Y. and Balio, T. (ed.) United Artists Routledge. pp. 112-131
Emmaus in the UK 1991-2016 - Brochure / Booklet
Glynn, B., Kerr, P. and McGorrian, T. 2016. Emmaus in the UK 1991-2016 - Brochure / Booklet.
Alexandra Palace: war on the home front
Kerr, P. 2014. Alexandra Palace: war on the home front.
“A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’
Kerr, P. 2011. “A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’. in: McNally, K. (ed.) Billy Wilder, Movie-Maker: Critical Essays on the Films North Carolina McFarland. pp. 117-131
Case study: The apprentice’s sorcerer: television in/and the academy
Kerr, P. 2016. Case study: The apprentice’s sorcerer: television in/and the academy. in: Freeman, M. (ed.) Industrial Approaches to Media: A methodological gateway to industry studies Palgrave Macmillan. pp. 29-38
Authorship, autobiography and the archive: Marilyn on Marilyn, television and documentary theory
Kerr, P. 2015. Authorship, autobiography and the archive: Marilyn on Marilyn, television and documentary theory. VIEW: Journal of European Television History and Culture. 4 (8), pp. 67-79. https://doi.org/10.18146/2213-0969.2015.jethc094
Making film programmes for the BBC and Channel 4: the shift from in-house producer unit to independent package-unit production
Kerr, P. 2013. Making film programmes for the BBC and Channel 4: the shift from in-house producer unit to independent package-unit production. Historical Journal of Film, Radio and Television. 33 (3), pp. 434-453. https://doi.org/10.1080/01439685.2013.823028
The last slave (2007): the genealogy of a British television history programme
Kerr, P. 2009. The last slave (2007): the genealogy of a British television history programme. Historical Journal of Film, Radio and Television. 29 (3), pp. 381-397. https://doi.org/10.1080/01439680903145629
Babel's network narrative: packaging a globalized art cinema
Kerr, P. 2010. Babel's network narrative: packaging a globalized art cinema. Transnational Cinemas. 1 (1), pp. 37-51. https://doi.org/10.1386/trac.1.1.37/1