"The grey and the coloured truth": memory and post-memory in George Tabori's Holocaust plays

Article


Diedrich, A. 2014. "The grey and the coloured truth": memory and post-memory in George Tabori's Holocaust plays. Journal of Literature and Trauma Studies. 3 (1), pp. 1-21. https://doi.org/10.1353/jlt.2014.0017
TypeArticle
Title"The grey and the coloured truth": memory and post-memory in George Tabori's Holocaust plays
AuthorsDiedrich, A.
Abstract

The essay discusses George Tabori's plays The Cannibals and My Mother's Courage as works of post-memory, works that mediate memories of Tabori's parents' experience of the Holocaust through imaginative investment and creation. Referring to Tabori's notion of lying as an imaginative and subversive act, the discussion focuses on the representation of his mother and father in these plays and on the aesthetic and dramaturgical choices through which their experience is mediated. Tabori reimagines his parents as heroes but situates this idealized representation within a context that represents processes of memory as unreliable and difficult. He deliberately employs his parents' experiences in order to subvert prescribed feelings and attitudes towards Holocaust commemoration and to create a space that enables the attempted therapeutic of memory work.

KeywordsTabori, George; Holocaust; Holocaust drama; memory; post-memory; trauma; literature and trauma
Research GroupTheatre Arts group
PublisherUniversity of Nebraska Press
JournalJournal of Literature and Trauma Studies
ISSN2162-3627
Electronic2045-4740
Publication dates
Print01 Apr 2014
Publication process dates
Deposited19 Apr 2016
Accepted03 Nov 2014
Output statusPublished
Additional information

Volume 3, Number 1, Spring 2014

Digital Object Identifier (DOI)https://doi.org/10.1353/jlt.2014.0017
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/8638z

  • 30
    total views
  • 0
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki method of actor training
Diedrich, A. and Barbe, F. 2023. Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki method of actor training. Theatre, Dance and Performance Training. https://doi.org/10.1080/19443927.2022.2152860
My heart, my heart: live poetry jukebox
Diedrich, A. and Malten, T. 2017. My heart, my heart: live poetry jukebox. Cambridge Junction 06 Sep 2017
"Empathy for the entire spectrum of selves and other": George Tabori's Humanism
Diedrich, A. 2018. "Empathy for the entire spectrum of selves and other": George Tabori's Humanism. in: Donahue, W. and Helfer, M. (ed.) Nexus 4: Essays in German Jewish Studies Camden House.
Sandman
Diedrich, A. and Carter, M. 2015. Sandman. The Place Theatre, Bedford 25 Mar 2015
Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis
Diedrich, A. 2013. Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis. Modern Drama. 56 (3), pp. 374-398. https://doi.org/10.3138/md.0356
Acting out trauma in the theatre of embarassment: George Tabori's Shylock improvisations
Diedrich, A. 2011. Acting out trauma in the theatre of embarassment: George Tabori's Shylock improvisations. Performance Research. 16 (1), pp. 142-152. https://doi.org/10.1080/13528165.2011.562040