Sandman

Performance

Diedrich, A. and Carter, M. 2015. Sandman. The Place Theatre, Bedford 25 Mar 2015
Title of workSandman
CreatorsDiedrich, A. and Carter, M.
Description

Sandman is contemporary adaptation of E.T.A. Hoffmann’s 19th century gothic story The Sandman for a solo performer, fusing storytelling, physicality and puppetry.

The performance was created by performer Adie Mueller (Antje Diedrich) and playwright/director Mike Carter. They developed Sandman collaboratively through an exploratory devising process, involving movement, improvisation and writing.

KeywordsThe Sandman, E.T.A. Hoffmann, Adaptation, Theatre, Drama, Solo Performance
Research GroupTheatre Arts group
EventSandman
First publicly available date
Print25 Mar 2015
Publication process dates
Deposited11 May 2018
Output statusPublished
Web address (URL)http://www.adiemueller.com/sandman.html
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/86392

Log in to edit
  • 117
    total views
  • 0
    total downloads
  • 3
    views this month
  • 0
    downloads this month

Export as

Related outputs

Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki method of actor training
Diedrich, A. and Barbe, F. 2023. Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki method of actor training. Theatre, Dance and Performance Training. 14 (1), pp. 24-41. https://doi.org/10.1080/19443927.2022.2152860
My heart, my heart: live poetry jukebox
Diedrich, A. and Malten, T. 2017. My heart, my heart: live poetry jukebox. Cambridge Junction 06 Sep 2017
"Empathy for the entire spectrum of selves and other": George Tabori's Humanism
Diedrich, A. 2018. "Empathy for the entire spectrum of selves and other": George Tabori's Humanism. in: Donahue, W. and Helfer, M. (ed.) Nexus 4: Essays in German Jewish Studies Camden House.
"The grey and the coloured truth": memory and post-memory in George Tabori's Holocaust plays
Diedrich, A. 2014. "The grey and the coloured truth": memory and post-memory in George Tabori's Holocaust plays. Journal of Literature and Trauma Studies. 3 (1), pp. 1-21. https://doi.org/10.1353/jlt.2014.0017
Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis
Diedrich, A. 2013. Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis. Modern Drama. 56 (3), pp. 374-398. https://doi.org/10.3138/md.0356
Acting out trauma in the theatre of embarassment: George Tabori's Shylock improvisations
Diedrich, A. 2011. Acting out trauma in the theatre of embarassment: George Tabori's Shylock improvisations. Performance Research. 16 (1), pp. 142-152. https://doi.org/10.1080/13528165.2011.562040