Dr Antje Diedrich
| Name | Dr Antje Diedrich |
|---|---|
| Job title | Senior Lecturer in Contemporary Theatre & Practice |
| Research institute | |
| Primary appointment | School of Arts |
| ORCID | https://orcid.org/0000-0001-8691-8709 |
| Contact category | Academic staff (past) |
Research outputs
Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki method of actor training
Diedrich, A. and Barbe, F. 2023. Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki method of actor training. Theatre, Dance and Performance Training. https://doi.org/10.1080/19443927.2022.2152860"Empathy for the entire spectrum of selves and other": George Tabori's Humanism
Diedrich, A. 2018. "Empathy for the entire spectrum of selves and other": George Tabori's Humanism. in: Donahue, W. and Helfer, M. (ed.) Nexus 4: Essays in German Jewish Studies Camden House.My heart, my heart: live poetry jukebox
Diedrich, A. and Malten, T. 2017. My heart, my heart: live poetry jukebox. Cambridge Junction 06 Sep 2017Sandman
Diedrich, A. and Carter, M. 2015. Sandman. The Place Theatre, Bedford 25 Mar 2015"The grey and the coloured truth": memory and post-memory in George Tabori's Holocaust plays
Diedrich, A. 2014. "The grey and the coloured truth": memory and post-memory in George Tabori's Holocaust plays. Journal of Literature and Trauma Studies. 3 (1), pp. 1-21. https://doi.org/10.1353/jlt.2014.0017Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis
Diedrich, A. 2013. Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis. Modern Drama. 56 (3), pp. 374-398. https://doi.org/10.3138/md.0356Acting out trauma in the theatre of embarassment: George Tabori's Shylock improvisations
Diedrich, A. 2011. Acting out trauma in the theatre of embarassment: George Tabori's Shylock improvisations. Performance Research. 16 (1), pp. 142-152. https://doi.org/10.1080/13528165.2011.562040319
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