Dr Antje Diedrich


NameDr Antje Diedrich
Job titleSenior Lecturer in Contemporary Theatre & Practice
Research institute
Primary appointmentSchool of Arts
ORCIDhttps://orcid.org/0000-0001-8691-8709
Contact categoryAcademic staff (past)

Research outputs

Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki method of actor training

Diedrich, A. and Barbe, F. 2023. Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki method of actor training. Theatre, Dance and Performance Training. https://doi.org/10.1080/19443927.2022.2152860

"Empathy for the entire spectrum of selves and other": George Tabori's Humanism

Diedrich, A. 2018. "Empathy for the entire spectrum of selves and other": George Tabori's Humanism. in: Donahue, W. and Helfer, M. (ed.) Nexus 4: Essays in German Jewish Studies Camden House.

My heart, my heart: live poetry jukebox

Diedrich, A. and Malten, T. 2017. My heart, my heart: live poetry jukebox. Cambridge Junction 06 Sep 2017

Sandman

Diedrich, A. and Carter, M. 2015. Sandman. The Place Theatre, Bedford 25 Mar 2015

"The grey and the coloured truth": memory and post-memory in George Tabori's Holocaust plays

Diedrich, A. 2014. "The grey and the coloured truth": memory and post-memory in George Tabori's Holocaust plays. Journal of Literature and Trauma Studies. 3 (1), pp. 1-21. https://doi.org/10.1353/jlt.2014.0017

Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis

Diedrich, A. 2013. Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis. Modern Drama. 56 (3), pp. 374-398. https://doi.org/10.3138/md.0356

Acting out trauma in the theatre of embarassment: George Tabori's Shylock improvisations

Diedrich, A. 2011. Acting out trauma in the theatre of embarassment: George Tabori's Shylock improvisations. Performance Research. 16 (1), pp. 142-152. https://doi.org/10.1080/13528165.2011.562040
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