Music group
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Latest research outputs
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Folto giardino: hybrid cross-pollination of score, performance, installation and technology
Impett, J. 2017. Folto giardino: hybrid cross-pollination of score, performance, installation and technology. Leonardo Music Journal. 27, pp. 54-56. https://doi.org/10.1162/LMJ_a_01015Article
Routledge handbook to Luigi Nono and musical thought
Impett, J. 2018. Routledge handbook to Luigi Nono and musical thought. London Routledge.Book
The contemporary musician and the production of knowledge: practice, research, and responsibility
Impett, J. 2017. The contemporary musician and the production of knowledge: practice, research, and responsibility. in: Impett, J. (ed.) Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute Leuven, BE Leuven University Press. pp. 221-238Book chapter
Those blue remembered sounds
Dack, J. 2014. Those blue remembered sounds. in: Erbe, M. and Blumröder, C. (ed.) Le monde sonore de / The sound world of / Die Klangwelt des François Bayle Verlag der Apfel. pp. 9-41Book chapter
The mediating role of the piano in Karlheinz Stockhausen’s Kontakte für elektronische Klänge, Klavier und Schlagzeug
Dack, J. 2017. The mediating role of the piano in Karlheinz Stockhausen’s Kontakte für elektronische Klänge, Klavier und Schlagzeug. in: Bonardi, A., Bossis, B., Couprie, P. and Tiffon, V. (ed.) Analyser la musique mixte France Éditions Delatour.Book chapter
À l’écoute des langages plastique et musical dans les « Variations pour une porte et un soupir » de Pierre Henry
Dack, J. 2016. À l’écoute des langages plastique et musical dans les « Variations pour une porte et un soupir » de Pierre Henry. in: Marty, N. (ed.) Musiques Électroacoustiques - Analyses-Écoutes France Éditions Delatour. pp. 111-124Book chapter
Piano Trio: for violin, cello and piano
Inglis, B. 2017. Piano Trio: for violin, cello and piano. Composers Edition.Composition
‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind
Inglis, B. 2020. ‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind. in: Boyce-Tillman, J. and Forbes, A. (ed.) Heart's ease: spirituality in the music of John Tavener Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien Peter Lang.Book chapter
Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock)
Inglis, B. and Smith, B. 2019. Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock). London and New York Routledge.Book
Making a mark: the psychology of composition
Impett, J. 2016. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) The Oxford Handbook of Music Psychology, Second Edition Oxford Oxford University Press (OUP). pp. 651-666Book chapter
In search of a concrete music by Pierre Schaeffer; translated by Christine North and John Dack.
Schaeffer, P., Dack, J. and North, C. 2012. In search of a concrete music by Pierre Schaeffer; translated by Christine North and John Dack. Berkeley University of California Press.Book
Treatise on musical objects: an essay across disciplines by Pierre Schaeffer; translated by Christine North and John Dack
Schaeffer, P., North, C. and Dack, J. 2017. Treatise on musical objects: an essay across disciplines by Pierre Schaeffer; translated by Christine North and John Dack. Oakland, USA University of California Press.Book
Pierre Schaeffer and the (recorded) sound source
Dack, J. 2019. Pierre Schaeffer and the (recorded) sound source. in: Steintrager, J. and Chow, R. (ed.) Sound Objects London, UK Duke University Press. pp. 33-52Book chapter
Classical music, copyright and collecting societies
Inglis, B. 2018. Classical music, copyright and collecting societies. in: Dromey, C. and Haferkorn, J. (ed.) The Classical Music Industry Abingdon, Oxon Routledge. pp. 7-31Book chapter
New Horizons in Brazilian Contemporary Music: Grupo Novo Horizonte de São Paulo, 1988-99
Dromey, C. 2018. New Horizons in Brazilian Contemporary Music: Grupo Novo Horizonte de São Paulo, 1988-99. Tempo. 72 (284), pp. 52-67. https://doi.org/10.1017/S0040298217001267Article
On classical music competitions
Kwok, G. and Dromey, C. 2018. On classical music competitions. in: Dromey, C. and Haferkorn, J. (ed.) The Classical Music Industry Abingdon, Oxon Routledge. pp. 67-76Book chapter
Alkan, the 'orchestral' piano and Concerto for Piano Solo (Homage to Alkan)
Inglis, B. 2017. Alkan, the 'orchestral' piano and Concerto for Piano Solo (Homage to Alkan). Alkan Society Bulletin.Article
Scientists of sound: portraits of a UK reggae sound system
Jones, S. and Pinnock, P. 2018. Scientists of sound: portraits of a UK reggae sound system. London Bassline Books/Amazon.Book
Living Stones
Inglis, B., Keen, G. and Scobie, C. 2017. Living Stones.Digital or visual media
Arnold Schoenberg’s Pierrot lunaire: man, music, legacy
Dromey, C. 2016. Arnold Schoenberg’s Pierrot lunaire: man, music, legacy. 57th Little Missenden Festival: Post-interval talk. Little Missenden, United Kinkdom 07 - 10 Oct 2016Conference item
A century (and a bit) of Pierrot Ensembles: perspectives on Barcelona, London and São Paulo
Dromey, C. 2017. A century (and a bit) of Pierrot Ensembles: perspectives on Barcelona, London and São Paulo. Musical Modernism and the Commedia dell'arte. City, University of London, United Kingdom Jun 2017Conference paper
'That's me in the spotlight': audiences and musicians on screen
Osborne, R. 2016. 'That's me in the spotlight': audiences and musicians on screen. in: Tsioulakis, I. and Hytönen-Ng, E. (ed.) Musicians and their Audiences: Performance, Speech and Mediation Abingdon Routledge. pp. 134-150Book chapter
Can absolute pitch be learned by adults?
Leak, S. 2017. Can absolute pitch be learned by adults? University of Cambridge.Discussion paper
Black culture, white youth: the reggae tradition from JA to UK
Jones, S. 2016. Black culture, white youth: the reggae tradition from JA to UK. London Bassline Books.Book
The Barry Gray archive
Evans, F. 2016. The Barry Gray archive. Journal of Film Music. 6 (2), pp. 127-134. https://doi.org/10.1558/jfm.29830Article
Dancing to another tune: classical music in nightclubs and other non-traditional venues
Haferkorn, J. 2018. Dancing to another tune: classical music in nightclubs and other non-traditional venues. in: Dromey, C. and Haferkorn, J. (ed.) The Classical Music Industry Abingdon, Oxon Routledge. pp. 148-171Book chapter
Fragile learning: the influence of anxiety. By David Mathew [Book Review]
Dines, M. 2016. Fragile learning: the influence of anxiety. By David Mathew [Book Review]. British Journal of Educational Studies. 64 (3), pp. 405-407. https://doi.org/10.1080/00071005.2016.1173918Article
Competitions: Classical and Popular
Dromey, C. 2014. Competitions: Classical and Popular. in: Thompson, W. (ed.) Music in the Social and Behavioral Sciences: An Encyclopedia Sage.Book chapter
Hierarchical organization
Dromey, C. 2014. Hierarchical organization. in: Thompson, W. (ed.) Music in the Social and Behavioral Sciences: An Encyclopedia Sage.Book chapter
Dorothy Dorow
Dromey, C. 2015. Dorothy Dorow. in: Grove Music Online (Oxford Music Online) Oxford University Press (OUP).Book chapter
So You Want to Write An Opera?
Dromey, C. 2015. So You Want to Write An Opera? The Works: Magazine of the British Academy of Songwriters, Composers and Authors.Article
Prospects for a British 'Second Modernity' in the Music of Matthew Taylor and Peter Fribbins
Dromey, C. 2012. Prospects for a British 'Second Modernity' in the Music of Matthew Taylor and Peter Fribbins. New Music in Britain, organised by Dr Eva Mantzourani. Canterbury Christ Church University 10 - 12 May 2012Conference paper
A Snapshot of the 'Pierrot' Ensemble Today
Dromey, C. 2013. A Snapshot of the 'Pierrot' Ensemble Today. Third International Meeting for Chamber Music, organised by Dr Zoltan Paulinyi. University of Évora, Portugal 08 - 10 Jan 2013Conference paper
Pierrot ensemble
Dromey, C. 2015. Pierrot ensemble. in: Grove Music Online (Oxford Music Online) Oxford University Press (OUP).Book chapter
The Classical Music Industry
Dromey, C. and Haferkorn, J. (ed.) 2018. The Classical Music Industry. Abingdon, Oxon Routledge.Book
The “Pierrot” Ensemble before the Pierrot Players
Dromey, C. 2006. The “Pierrot” Ensemble before the Pierrot Players. Schoenberg's Pierrot lunaire and Its Legacy. Kingston University 02 Mar 2006Conference paper
Programme notes (2008 - present) for the London Chamber Music Society (LCMS), Kings Place, London
Dromey, C. 2016. Programme notes (2008 - present) for the London Chamber Music Society (LCMS), Kings Place, London. London Chamber Music Society.Other
The Pierrot Ensemble in Brazil: the music of Harry Crowl and Silvio Ferraz
Dromey, C. 2014. The Pierrot Ensemble in Brazil: the music of Harry Crowl and Silvio Ferraz. Fourth International Meeting for Chamber Music. University of Brasília, Brazil 12 Apr 2014Conference keynote
Talking about classical music: radio as public musicology
Dromey, C. 2018. Talking about classical music: radio as public musicology. in: Dromey, C. and Haferkorn, J. (ed.) The Classical Music Industry Abingdon, Oxon Routledge. pp. 183-261Book chapter
Music and symbolic creativity
Jones, S. 1990. Music and symbolic creativity. in: Willis, P. (ed.) Common Culture: Symbolic Work at Play in the Everyday Cultures of Young People Buckingham Oxford University Press (OUP). pp. 59-83Book chapter
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