Music group
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Pierre Schaeffer and the (recorded) sound source
Dack, J. 2019. Pierre Schaeffer and the (recorded) sound source. in: Steintrager, J. and Chow, R. (ed.) Sound Objects London, UK Duke University Press. pp. 33-52Book chapter
Classical music, copyright and collecting societies
Inglis, B. 2018. Classical music, copyright and collecting societies. in: Dromey, C. and Haferkorn, J. (ed.) The Classical Music Industry Abingdon, Oxon Routledge. pp. 7-31Book chapter
New Horizons in Brazilian Contemporary Music: Grupo Novo Horizonte de São Paulo, 1988-99
Dromey, C. 2018. New Horizons in Brazilian Contemporary Music: Grupo Novo Horizonte de São Paulo, 1988-99. Tempo. 72 (284), pp. 52-67. https://doi.org/10.1017/S0040298217001267Article
On classical music competitions
Kwok, G. and Dromey, C. 2018. On classical music competitions. in: Dromey, C. and Haferkorn, J. (ed.) The Classical Music Industry Abingdon, Oxon Routledge. pp. 67-76Book chapter
Alkan, the 'orchestral' piano and Concerto for Piano Solo (Homage to Alkan)
Inglis, B. 2017. Alkan, the 'orchestral' piano and Concerto for Piano Solo (Homage to Alkan). Alkan Society Bulletin.Article
Scientists of sound: portraits of a UK reggae sound system
Jones, S. and Pinnock, P. 2018. Scientists of sound: portraits of a UK reggae sound system. London Bassline Books/Amazon.Book
Vinyl, Vinyl everywhere: The analog record in the digital world
Osborne, R. 2018. Vinyl, Vinyl everywhere: The analog record in the digital world. in: Wolf, M. (ed.) The Routledge Companion to Media Technology and Obsolescence Routledge. pp. 200-214Book chapter
Moby, Minstrelsy and Melville
Osborne, R. 2018. Moby, Minstrelsy and Melville. in: Beaven, Z., O'Dair, M. and Osborne, R. (ed.) Mute Records: Artists, business, history New York and London Bloomsbury Publishing. pp. 169-182Book chapter
Sheela-na-gigs and an ‘Aesthetics of Damage’
Dwyer, B. 2018. Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review.Article
Folto Giardino II
Impett, J. 2018. Folto Giardino II.Composition
Living Stones
Inglis, B., Keen, G. and Scobie, C. 2017. Living Stones.Digital or visual media
Arnold Schoenberg’s Pierrot lunaire: man, music, legacy
Dromey, C. 2016. Arnold Schoenberg’s Pierrot lunaire: man, music, legacy. 57th Little Missenden Festival: Post-interval talk. Little Missenden, United Kinkdom 07 - 10 Oct 2016Conference item
Artistic research in music: discipline and resistance: artists and researchers at the Orpheus Institute
Impett, J. (ed.) 2017. Artistic research in music: discipline and resistance: artists and researchers at the Orpheus Institute. Leuven, Belgium Leuven University Press.Edited Book
Can absolute pitch be learned by adults?
Leak, S. 2017. Can absolute pitch be learned by adults? University of Cambridge.Discussion paper
The punk reader: research transmissions from the local and the global
Dines, M., Gordon, A. and Guerra, P. (ed.) 2017. The punk reader: research transmissions from the local and the global. Porto Universidade do Porto, Faculdade de Letras.Book
Dances, elegies and epitaphs: the music of Peter Fribbins
Fribbins, P. 2017. Dances, elegies and epitaphs: the music of Peter Fribbins. Resonus Classics.Composition
Prado Florido (after Guerrero) [Score / CD]
Impett, J. 2017. Prado Florido (after Guerrero) [Score / CD]. Attacca Amsterdam.Composition
Folto giardino: hybrid cross-pollination of score, performance, installation and technology
Impett, J. 2017. Folto giardino: hybrid cross-pollination of score, performance, installation and technology. Leonardo Music Journal. 27, pp. 54-56. https://doi.org/10.1162/LMJ_a_01015Article
A century (and a bit) of Pierrot Ensembles: perspectives on Barcelona, London and São Paulo
Dromey, C. 2017. A century (and a bit) of Pierrot Ensembles: perspectives on Barcelona, London and São Paulo. Musical Modernism and the Commedia dell'arte. City, University of London, United Kingdom Jun 2017Conference item
Black culture, white youth: the reggae tradition from JA to UK
Jones, S. 2016. Black culture, white youth: the reggae tradition from JA to UK. London Bassline Books.Book
The Barry Gray archive
Evans, F. 2016. The Barry Gray archive. Journal of Film Music. 6 (2), pp. 127-134. https://doi.org/10.1558/jfm.29830Article
Dancing to another tune: classical music in nightclubs and other non-traditional venues
Haferkorn, J. 2018. Dancing to another tune: classical music in nightclubs and other non-traditional venues. in: Dromey, C. and Haferkorn, J. (ed.) The Classical Music Industry Abingdon, Oxon Routledge. pp. 148-171Book chapter
Fragile learning: the influence of anxiety. By David Mathew [Book Review]
Dines, M. 2016. Fragile learning: the influence of anxiety. By David Mathew [Book Review]. British Journal of Educational Studies. 64 (3), pp. 405-407. https://doi.org/10.1080/00071005.2016.1173918Article
Competitions: Classical and Popular
Dromey, C. 2014. Competitions: Classical and Popular. in: Thompson, W. (ed.) Music in the Social and Behavioral Sciences: An Encyclopedia Sage.Book chapter
Hierarchical organization
Dromey, C. 2014. Hierarchical organization. in: Thompson, W. (ed.) Music in the Social and Behavioral Sciences: An Encyclopedia Sage.Book chapter
Dorothy Dorow
Dromey, C. 2015. Dorothy Dorow. in: Grove Music Online (Oxford Music Online) Oxford University Press (OUP).Book chapter
So You Want to Write An Opera?
Dromey, C. 2015. So You Want to Write An Opera? The Works: Magazine of the British Academy of Songwriters, Composers and Authors.Article
Prospects for a British 'Second Modernity' in the Music of Matthew Taylor and Peter Fribbins
Dromey, C. 2012. Prospects for a British 'Second Modernity' in the Music of Matthew Taylor and Peter Fribbins. New Music in Britain, organised by Dr Eva Mantzourani. Canterbury Christ Church University 10 - 12 May 2012Conference paper
Pierrot ensemble
Dromey, C. 2015. Pierrot ensemble. in: Grove Music Online (Oxford Music Online) Oxford University Press (OUP).Book chapter
The Classical Music Industry
Dromey, C. and Haferkorn, J. (ed.) 2018. The Classical Music Industry. Abingdon, Oxon Routledge.Book
The “Pierrot” Ensemble before the Pierrot Players
Dromey, C. 2006. The “Pierrot” Ensemble before the Pierrot Players. Schoenberg's Pierrot lunaire and Its Legacy. Kingston University 02 Mar 2006Conference paper
Programme notes (2008 - present) for the London Chamber Music Society (LCMS), Kings Place, London
Dromey, C. 2016. Programme notes (2008 - present) for the London Chamber Music Society (LCMS), Kings Place, London. London Chamber Music Society.Other
The Pierrot Ensemble in Brazil: the music of Harry Crowl and Silvio Ferraz
Dromey, C. 2014. The Pierrot Ensemble in Brazil: the music of Harry Crowl and Silvio Ferraz. Fourth International Meeting for Chamber Music. University of Brasília, Brazil 12 Apr 2014Conference keynote
Talking about classical music: radio as public musicology
Dromey, C. 2018. Talking about classical music: radio as public musicology. in: Dromey, C. and Haferkorn, J. (ed.) The Classical Music Industry Abingdon, Oxon Routledge. pp. 183-261Book chapter
Music and symbolic creativity
Jones, S. 1990. Music and symbolic creativity. in: Willis, P. (ed.) Common Culture: Symbolic Work at Play in the Everyday Cultures of Young People Buckingham Oxford University Press (OUP). pp. 59-83Book chapter
Dances and Laments: Chamber Music by Peter Fribbins
Dromey, C. 2014. Dances and Laments: Chamber Music by Peter Fribbins. Guild.Other
Peter Fribbins: Chamber and Orchestral Works
Dromey, C. 2011. Peter Fribbins: Chamber and Orchestral Works. Guild.Other
Peter Fribbins: Chamber Music for Strings
Dromey, C. 2010. Peter Fribbins: Chamber Music for Strings. Guild.Other
The 'Pierrot' Ensemble in London: The Birth of a Genre?
Dromey, C. 2005. The 'Pierrot' Ensemble in London: The Birth of a Genre? Society for Music Analysis TAGS conference. University of East Anglia 23 Apr 2005Conference paper
The Pierrot Ensembles, 1912-2012
Dromey, C. 2013. The Pierrot Ensembles, 1912-2012. Concerts and Colloquia series. Middlesex University 24 Jan 2013Conference paper
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