Folto giardino: hybrid cross-pollination of score, performance, installation and technology

Article

Impett, J. 2017. Folto giardino: hybrid cross-pollination of score, performance, installation and technology. Leonardo Music Journal. 27, pp. 54-56. https://doi.org/10.1162/LMJ_a_01015
TypeArticle
TitleFolto giardino: hybrid cross-pollination of score, performance, installation and technology
AuthorsImpett, J.
Abstract

This article presents a series of works for chamber ensemble (incorporating both scored and improvised material), electronics and an installation of long strings. The folto giardino of the title (derived from Mozart/Da Ponte) is a listening, performing environment in which a dramaturgy of relationships, of knowing, hearing, understanding or ignoring, can be played out. Such an approach is offered as a way of thinking about form and material when dealing with the hybrid resources typical of contemporary musical work.

Research GroupMusic group
PublisherThe MIT Press
JournalLeonardo Music Journal
ISSN0961-1215
Electronic1531-4812
Publication dates
Print01 Dec 2017
Publication process dates
Deposited20 Sep 2018
Accepted30 Jun 2017
Submitted14 Jan 2017
Output statusPublished
Publisher's version
Copyright Statement

©2017 ISAST. LEONARDO MUSIC JOURNAL, Vol. 27, pp. 54–56, 2017

Digital Object Identifier (DOI)https://doi.org/10.1162/LMJ_a_01015
LanguageEnglish
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Prado Florido (after Guerrero) [Score / CD]
Impett, J. 2017. Prado Florido (after Guerrero) [Score / CD]. Attacca Amsterdam.
Folto Giardino I
Impett, J. 2016. Folto Giardino I. Tempo Reale.
Folto Giardino II
Impett, J. 2018. Folto Giardino II.
Apollo e Marsyas
Impett, J. 2019. Apollo e Marsyas.
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