Presence and resonance (four compositions 2014-2019)

Portfolio

Impett, J. 2014. Presence and resonance (four compositions 2014-2019).

Portfolio items

Prado Florido (after Guerrero) [Score / CD]
Impett, J. 2017. Prado Florido (after Guerrero) [Score / CD]. Attacca Amsterdam.
Folto Giardino I
Impett, J. 2016. Folto Giardino I. Tempo Reale.
Folto Giardino II
Impett, J. 2018. Folto Giardino II.
Folto giardino: hybrid cross-pollination of score, performance, installation and technology
Impett, J. 2017. Folto giardino: hybrid cross-pollination of score, performance, installation and technology. Leonardo Music Journal. 27, pp. 54-56. https://doi.org/10.1162/LMJ_a_01015
Apollo e Marsyas
Impett, J. 2019. Apollo e Marsyas.
Title of workPresence and resonance (four compositions 2014-2019)
CreatorsImpett, J.
Description

- (2017) Prado Florido (after Guerrero)
Ensemble La Tricotea & Jonathan Impett
Breathless
- (2016) Folto Giardino I
Solo percussionist, ensemble, installation and computers
- (2018) Folto Giardino II
Chamber ensemble, live electronics and installation
- (2017)Folto giardino: hybrid cross-pollination of score, performance, installation and technology. Leonardo Music Journal.
This article presents a series of works for chamber ensemble (incorporating both scored and improvised material), electronics and an installation of long strings.
- (2019) Apollo e Marsyas
Apollo e Marsyas. Viola d’amore, installation and computer. Marco Fusi – viola d’amore.

Venue Details

Prado florido
Location: Doopsgezinde kerk, Zaandam, The Netherlands
Dates: 17 Oct 2014

Output mediaComposition
Middlesex University ThemeCreativity, Culture & Enterprise
Research GroupMusic group
EventPrado florido
Collection date range17 Oct 2014 to end of 21 Nov 2019
First publicly available date
Print17 Oct 2014
Publication process dates
Deposited06 Nov 2020
Output statusPublished
Portfolio itemsPrado Florido (after Guerrero) [Score / CD]
Folto Giardino I
Folto Giardino II
Folto giardino: hybrid cross-pollination of score, performance, installation and technology
Apollo e Marsyas
Related Output
Is referenced byhttps://www.youtube.com/watch?v=tsMHKL4cs3Y
Is referenced byhttps://doi.org/10.1162/lmj_a_01015
Is referenced byhttps://orpheusinstituut.be/nl/orpheus-research-centre/onderzoekers/jonathan-impett
LanguageEnglish
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Related outputs

Music, discourse and intuitive technology
Impett, J. 2021. Music, discourse and intuitive technology. AI and Society. 0, p. 1. https://doi.org/10.1007/s00146-020-01126-4
Dissociation and interference in composers’ stories about music: the renewal of musical discourse
Impett, J. 2021. Dissociation and interference in composers’ stories about music: the renewal of musical discourse. in: Impett, J. (ed.) Sound works: Composition as critical technical practice Leuven, Belgium Leuven University Press. pp. 117-136
Three states of wax
Impett, J. 2020. Three states of wax.
Apollo e Marsyas
Impett, J. 2019. Apollo e Marsyas.
Notation as technology
Impett, J. 2016. Notation as technology. Symposium on Notation for New Instruments and Musical Expression. IRCAM, Paris 22 Sep 2016
Spoken
Impett, J. 2017. Spoken. Attacca Amsterdam.
After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]
Impett, J. 2018. After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]. Jornal of Sonic studies.
Routledge handbook to Luigi Nono and musical thought
Impett, J. 2018. Routledge handbook to Luigi Nono and musical thought. London Routledge.
The contemporary musician and the production of knowledge: practice, research, and responsibility
Impett, J. 2017. The contemporary musician and the production of knowledge: practice, research, and responsibility. in: Impett, J. (ed.) Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute Leuven, BE Leuven University Press. pp. 221-238
Making a mark: the psychology of composition
Impett, J. 2016. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) The Oxford Handbook of Music Psychology, Second Edition Oxford Oxford University Press (OUP). pp. 651-666
Folto Giardino II
Impett, J. 2018. Folto Giardino II.
Prado Florido (after Guerrero) [Score / CD]
Impett, J. 2017. Prado Florido (after Guerrero) [Score / CD]. Attacca Amsterdam.
Folto giardino: hybrid cross-pollination of score, performance, installation and technology
Impett, J. 2017. Folto giardino: hybrid cross-pollination of score, performance, installation and technology. Leonardo Music Journal. 27, pp. 54-56. https://doi.org/10.1162/LMJ_a_01015
Folto Giardino I
Impett, J. 2016. Folto Giardino I. Tempo Reale.
Speak - active sound-space and the performer
Impett, J. 2013. Speak - active sound-space and the performer. in: Re-new digital arts forum 2013: conference proceedings Copenhagen issuu. pp. 128-133
"Speak" for metatrumpet and active sound-space
Impett, J. 2013. "Speak" for metatrumpet and active sound-space.
The perception of potential: interference, dimensionality and knowledge
Impett, J. and Impett, L. 2013. The perception of potential: interference, dimensionality and knowledge. in: Liò, P., Miglino, O., Nicosia, G., Nolfi, S. and Pavone, M. (ed.) Advances in Artificial Life ECAL 2013. Proceedings of the twelfth European Conference on the Synthesis and Simulation of Living Systems The MIT Press. pp. 1126-1131
Interaction, simulation, and invention
Impett, J. 2013. Interaction, simulation, and invention. in: Carayannis, E. (ed.) Encyclopedia of creativity, invention, innovation and entrepreneurship Springer.
What are we making? The work-without-content in live computer music
Impett, J. 2011. What are we making? The work-without-content in live computer music. in: Adkins, M. and Isaacs, B. (ed.) International Computer Music Conference Proceedings International Computer Music Association.
Making a mark: the psychology of composition
Impett, J. 2008. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) Oxford handbook of music psychology Oxford Oxford University Press (OUP). pp. 403-412
Let's dance architecture: improvisation, technology and form
Impett, J. 2010. Let's dance architecture: improvisation, technology and form. Leonardo Music Journal. 20, pp. 85-88. https://doi.org/10.1162/LMJ_a_00017