Presence and resonance (four compositions 2014-2019)

Portfolio

Impett, J. 2014. Presence and resonance (four compositions 2014-2019).

Portfolio items

Prado Florido (after Guerrero) [Score / CD]
Impett, J. 2017. Prado Florido (after Guerrero) [Score / CD]. Attacca Amsterdam.
Folto Giardino I
Impett, J. 2016. Folto Giardino I. Tempo Reale.
Folto Giardino II
Impett, J. 2018. Folto Giardino II.
Folto giardino: hybrid cross-pollination of score, performance, installation and technology
Impett, J. 2017. Folto giardino: hybrid cross-pollination of score, performance, installation and technology. Leonardo Music Journal. 27, pp. 54-56. https://doi.org/10.1162/LMJ_a_01015
Apollo e Marsyas
Impett, J. 2019. Apollo e Marsyas.
TitlePresence and resonance (four compositions 2014-2019)
CreatorsImpett, J.
Description

- (2017) Prado Florido (after Guerrero)
Ensemble La Tricotea & Jonathan Impett
Breathless
- (2016) Folto Giardino I
Solo percussionist, ensemble, installation and computers
- (2018) Folto Giardino II
Chamber ensemble, live electronics and installation
- (2017)Folto giardino: hybrid cross-pollination of score, performance, installation and technology. Leonardo Music Journal.
This article presents a series of works for chamber ensemble (incorporating both scored and improvised material), electronics and an installation of long strings.
- (2019) Apollo e Marsyas
Apollo e Marsyas. Viola d’amore, installation and computer. Marco Fusi – viola d’amore.

Output mediaComposition
Middlesex University ThemeCreativity, Culture & Enterprise
Research GroupMusic group
First publicly available date
Print17 Oct 2014
Publication process dates
Deposited06 Nov 2020
Output statusCompleted
Portfolio itemsPrado Florido (after Guerrero) [Score / CD]
Folto Giardino I
Folto Giardino II
Folto giardino: hybrid cross-pollination of score, performance, installation and technology
Apollo e Marsyas
LanguageEnglish
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Impett, J. 2019. Apollo e Marsyas.
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Impett, J. 2016. Notation as technology. Symposium on Notation for New Instruments and Musical Expression. IRCAM, Paris 22 Sep 2016
Spoken
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Prado Florido (after Guerrero) [Score / CD]
Impett, J. 2017. Prado Florido (after Guerrero) [Score / CD]. Attacca Amsterdam.
Folto Giardino I
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Impett, J. 2018. Folto Giardino II.
After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]
Impett, J. 2018. After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]. Jornal of Sonic studies.
Folto giardino: hybrid cross-pollination of score, performance, installation and technology
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Routledge handbook to Luigi Nono and musical thought
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The contemporary musician and the production of knowledge: practice, research, and responsibility
Impett, J. 2017. The contemporary musician and the production of knowledge: practice, research, and responsibility. in: Impett, J. (ed.) Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute Leuven, BE Leuven University Press. pp. 221-238
Making a mark: the psychology of composition
Impett, J. 2016. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) The Oxford Handbook of Music Psychology, Second Edition Oxford Oxford University Press (OUP). pp. 651-666
Speak - active sound-space and the performer
Impett, J. 2013. Speak - active sound-space and the performer. in: Re-new digital arts forum 2013: conference proceedings Copenhagen issuu. pp. 128-133
"Speak" for metatrumpet and active sound-space
Impett, J. 2013. "Speak" for metatrumpet and active sound-space.
The perception of potential: interference, dimensionality and knowledge
Impett, J. and Impett, L. 2013. The perception of potential: interference, dimensionality and knowledge. in: Liò, P., Miglino, O., Nicosia, G., Nolfi, S. and Pavone, M. (ed.) Advances in Artificial Life ECAL 2013. Proceedings of the twelfth European Conference on the Synthesis and Simulation of Living Systems The MIT Press. pp. 1126-1131
Interaction, simulation, and invention
Impett, J. 2013. Interaction, simulation, and invention. in: Carayannis, E. (ed.) Encyclopedia of creativity, invention, innovation and entrepreneurship Springer.
What are we making? The work-without-content in live computer music
Impett, J. 2011. What are we making? The work-without-content in live computer music. in: Adkins, M. and Isaacs, B. (ed.) International Computer Music Conference Proceedings International Computer Music Association.
Making a mark: the psychology of composition
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Let's dance architecture: improvisation, technology and form
Impett, J. 2010. Let's dance architecture: improvisation, technology and form. Leonardo Music Journal. 20, pp. 85-88. https://doi.org/10.1162/LMJ_a_00017