Spoken

Composition

Impett, J. 2017. Spoken. Attacca Amsterdam.
Title of workSpoken
CreatorsImpett, J.
Output mediaCD
Research GroupMusic group
Publisher or commissioning bodyAttacca Amsterdam
First publicly available date
Print2017
Publication process dates
Deposited20 Sep 2018
Output statusPublished
Web address (URL)http://www.attaccaproductions.com/product/la-tricotea-breathless-2017-149/
LanguageEnglish
Accepted author manuscript
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Dissociation and interference in composers’ stories about music: the renewal of musical discourse
Impett, J. 2021. Dissociation and interference in composers’ stories about music: the renewal of musical discourse. in: Impett, J. (ed.) Sound works: Composition as critical technical practice Leuven, Belgium Leuven University Press. pp. 117-136
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Impett, J. 2021. Music, discourse and intuitive technology. AI and Society. 0, p. 1. https://doi.org/10.1007/s00146-020-01126-4
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Impett, J. 2019. Apollo e Marsyas.
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Impett, J. 2016. Notation as technology. Symposium on Notation for New Instruments and Musical Expression. IRCAM, Paris 22 Sep 2016
After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]
Impett, J. 2018. After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]. Jornal of Sonic studies.
The contemporary musician and the production of knowledge: practice, research, and responsibility
Impett, J. 2017. The contemporary musician and the production of knowledge: practice, research, and responsibility. in: Impett, J. (ed.) Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute Leuven, BE Leuven University Press. pp. 221-238
Making a mark: the psychology of composition
Impett, J. 2016. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) The Oxford Handbook of Music Psychology, Second Edition Oxford Oxford University Press (OUP). pp. 651-666
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Impett, J. 2018. Folto Giardino II.
Routledge handbook to Luigi Nono and musical thought
Impett, J. 2018. Routledge handbook to Luigi Nono and musical thought. London Routledge.
Prado Florido (after Guerrero) [Score / CD]
Impett, J. 2017. Prado Florido (after Guerrero) [Score / CD]. Attacca Amsterdam.
Folto giardino: hybrid cross-pollination of score, performance, installation and technology
Impett, J. 2017. Folto giardino: hybrid cross-pollination of score, performance, installation and technology. Leonardo Music Journal. 27, pp. 54-56. https://doi.org/10.1162/LMJ_a_01015
Folto Giardino I
Impett, J. 2016. Folto Giardino I. Tempo Reale.
Speak - active sound-space and the performer
Impett, J. 2013. Speak - active sound-space and the performer. in: Re-new digital arts forum 2013: conference proceedings Copenhagen issuu. pp. 128-133
"Speak" for metatrumpet and active sound-space
Impett, J. 2013. "Speak" for metatrumpet and active sound-space.
The perception of potential: interference, dimensionality and knowledge
Impett, J. and Impett, L. 2013. The perception of potential: interference, dimensionality and knowledge. in: Liò, P., Miglino, O., Nicosia, G., Nolfi, S. and Pavone, M. (ed.) Advances in Artificial Life ECAL 2013. Proceedings of the twelfth European Conference on the Synthesis and Simulation of Living Systems The MIT Press. pp. 1126-1131
Presence and resonance (four compositions 2014-2019)
Impett, J. 2014. Presence and resonance (four compositions 2014-2019).
Interaction, simulation, and invention
Impett, J. 2013. Interaction, simulation, and invention. in: Carayannis, E. (ed.) Encyclopedia of creativity, invention, innovation and entrepreneurship Springer.
What are we making? The work-without-content in live computer music
Impett, J. 2011. What are we making? The work-without-content in live computer music. in: Adkins, M. and Isaacs, B. (ed.) International Computer Music Conference Proceedings International Computer Music Association.
Making a mark: the psychology of composition
Impett, J. 2008. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) Oxford handbook of music psychology Oxford Oxford University Press (OUP). pp. 403-412
Let's dance architecture: improvisation, technology and form
Impett, J. 2010. Let's dance architecture: improvisation, technology and form. Leonardo Music Journal. 20, pp. 85-88. https://doi.org/10.1162/LMJ_a_00017